Comparación subjetiva por medio de audífonos de la capacidad de localización de 4 bases de datos de HRTF de libre acceso
With the advent of virtual entertainment, the search for increasingly real experiences has led to the creationof stimuli that seek to simulate the sensations obtained from human senses. An example of this is thebinaural audio, which aims to simulate the way in which the human being listens to sound....
- Autores:
-
Tamayo Arcila, Tobias
Silva Zuluaga, Alejandro
- Tipo de recurso:
- Fecha de publicación:
- 2021
- Institución:
- Universidad de San Buenaventura
- Repositorio:
- Repositorio USB
- Idioma:
- spa
- OAI Identifier:
- oai:bibliotecadigital.usb.edu.co:10819/8364
- Acceso en línea:
- http://hdl.handle.net/10819/8364
- Palabra clave:
- HRTF
Localización
Evaluación
Subjetiva
Localization
Subjective
Test
Audífonos
- Rights
- License
- Atribución-NoComercial-SinDerivadas 2.5 Colombia
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dc.title.spa.fl_str_mv |
Comparación subjetiva por medio de audífonos de la capacidad de localización de 4 bases de datos de HRTF de libre acceso |
title |
Comparación subjetiva por medio de audífonos de la capacidad de localización de 4 bases de datos de HRTF de libre acceso |
spellingShingle |
Comparación subjetiva por medio de audífonos de la capacidad de localización de 4 bases de datos de HRTF de libre acceso HRTF Localización Evaluación Subjetiva Localization Subjective Test Audífonos |
title_short |
Comparación subjetiva por medio de audífonos de la capacidad de localización de 4 bases de datos de HRTF de libre acceso |
title_full |
Comparación subjetiva por medio de audífonos de la capacidad de localización de 4 bases de datos de HRTF de libre acceso |
title_fullStr |
Comparación subjetiva por medio de audífonos de la capacidad de localización de 4 bases de datos de HRTF de libre acceso |
title_full_unstemmed |
Comparación subjetiva por medio de audífonos de la capacidad de localización de 4 bases de datos de HRTF de libre acceso |
title_sort |
Comparación subjetiva por medio de audífonos de la capacidad de localización de 4 bases de datos de HRTF de libre acceso |
dc.creator.fl_str_mv |
Tamayo Arcila, Tobias Silva Zuluaga, Alejandro |
dc.contributor.advisor.none.fl_str_mv |
Franco Bedoya, Ramiro Esteban |
dc.contributor.author.none.fl_str_mv |
Tamayo Arcila, Tobias Silva Zuluaga, Alejandro |
dc.subject.spa.fl_str_mv |
HRTF Localización Evaluación Subjetiva Localization Subjective Test |
topic |
HRTF Localización Evaluación Subjetiva Localization Subjective Test Audífonos |
dc.subject.lemb.spa.fl_str_mv |
Audífonos |
description |
With the advent of virtual entertainment, the search for increasingly real experiences has led to the creationof stimuli that seek to simulate the sensations obtained from human senses. An example of this is thebinaural audio, which aims to simulate the way in which the human being listens to sound. This typeof audio is produced by means of HRTF filters, which are transfer functions found through the Fouriertransform of the impulse responses captured from the binaural heads (HRIR). The localization capabilityof these may not be very accurate, due both to physical factors of the measured head that are inheritedby the filter, and to differences in the type of playback system which is used and the room in which theuser listens to the produced audio.The purpose of this research work is to design and execute a methodology of subjective tests through aonline form, with the intention of making a comparison between the HRTF filter bases of MIT, IRCAM,SADIE and CIPIC, in terms of their location capability.From the analysis of percentages and indicators of uncertainty and location, it was concluded that nodifferences were found in the location capacity of the databases, except for the CIPIC filter, which has aslightly higher location capacity than the rest. In addition, a low percentage of hits was obtained, whereerrors due to cone of confusion and totally incorrect answers had the greatest influence. |
publishDate |
2021 |
dc.date.accessioned.none.fl_str_mv |
2021-09-03T20:35:45Z |
dc.date.available.none.fl_str_mv |
2021-09-03T20:35:45Z |
dc.date.issued.none.fl_str_mv |
2021 |
dc.date.submitted.none.fl_str_mv |
2021-09-03 |
dc.type.spa.fl_str_mv |
Trabajo de grado - Pregrado |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_7a1f |
dc.type.spa.spa.fl_str_mv |
Trabajo de Grado |
dc.type.driver.spa.fl_str_mv |
info:eu-repo/semantics/bachelorThesis |
dc.identifier.citation.spa.fl_str_mv |
Tobias Tamayo and Alejandro Silva, ”Comparación subjetiva por medio de audífonos de la capacidad de localización de 4 bases de datos de HRTF de libre acceso.”, Tesis de Pregrado, Ingeniería de Sonido, Universidad de San Buenaventura, Facultad de Ingenierías,2021 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/10819/8364 |
identifier_str_mv |
Tobias Tamayo and Alejandro Silva, ”Comparación subjetiva por medio de audífonos de la capacidad de localización de 4 bases de datos de HRTF de libre acceso.”, Tesis de Pregrado, Ingeniería de Sonido, Universidad de San Buenaventura, Facultad de Ingenierías,2021 |
url |
http://hdl.handle.net/10819/8364 |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.cc.spa.fl_str_mv |
Atribución-NoComercial-SinDerivadas 2.5 Colombia |
dc.rights.uri.spa.fl_str_mv |
http://creativecommons.org/licenses/by-nc-nd/2.5/co/ |
rights_invalid_str_mv |
Atribución-NoComercial-SinDerivadas 2.5 Colombia http://creativecommons.org/licenses/by-nc-nd/2.5/co/ http://purl.org/coar/access_right/c_abf2 |
dc.format.spa.fl_str_mv |
pdf |
dc.format.extent.spa.fl_str_mv |
58 páginas |
dc.format.medium.spa.fl_str_mv |
Recurso en linea |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
dc.publisher.faculty.spa.fl_str_mv |
Ingenierias |
dc.publisher.program.spa.fl_str_mv |
Ingeniería de Sonido |
dc.publisher.sede.spa.fl_str_mv |
Medellín |
institution |
Universidad de San Buenaventura |
dc.source.bibliographicCitation.spa.fl_str_mv |
[1] F. L. Wightman y D. J. Kistler, ✭✭Hearing in Three Dimensions: Sound Localization✮✮, en Audio Engineering Society Conference: 8th International Conference: The Sound of Audio, mayo de 1990. direccion: http://www.aes.org/e-lib/browse.cfm?elib=5436. [2] P. Minnaar, S. K. Olesen, F. Christensen y H. Møller, ✭✭Localization with Binaural Recordings from Artificial and Human Heads✮✮, J. Audio Eng. Soc, vol. 49, n.o 5, pags. 323-336, 2001. direcci ´ on: ´ http://www.aes.org/e-lib/browse.cfm?elib=10193. [3] A. Floros y C. Tsakostas, ✭✭Optimized Binaural Modeling for Immersive Audio Applications✮✮, en Audio Engineering Society Convention 122, mayo de 2007. direccion: http:// www. aes . org/ e - ´ lib/browse.cfm?elib=14085. [4] C. Porschmann, J. M. Arend y A. Neidhardt, ¨ ✭✭A Spherical Near-Field HRTF Set for Auralization and Psychoacoustic Research✮✮, en Audio Engineering Society Convention 142, mayo de 2017. direccion: http://www.aes.org/e-lib/browse.cfm?elib=18697. [5] S. Paul, ✭✭Binaural Recording Technology : A Historical Review and Possible Future Developments Binaural Recording Technology✮✮, n.o May, 2016. DOI: 10.3813/AAA.918208. [6] H. Møller, M. F. Sørensen, C. B. Jensen y D. Hammershøi, ✭✭Binaural Technique: Do We Need Individual Recordings?✮✮, J. Audio Eng. Soc, vol. 44, n.o 6, pags. 451-469, 1996. direcci ´ on: http: ´ //www.aes.org/e-lib/browse.cfm?elib=7897. [7] k. diepold klaus, m. durkovic marko y f. sagstetter florian, ✭✭hrtf measurements with recorded reference signal✮✮, journal of the audio engineering society, nov. de 2010. [8] D. Hammershoi y H. Møller, ✭✭Methods for binaural recording and reproduction✮✮, Acta Acustica united with Acustica, vol. 88, n.o 3, pags. 303-311, 2002, ´ ISSN: 14367947. [9] D. Hammershoi y H. Moller, ✭✭Binaural technique - Basic methods for recording, synthesis, and reproduction✮✮, Communication Acoustics, pags. 223-254, 2005. ´ DOI: 10.1007/3-540-27437-5 9. [10] N. J. Wade y D. Deutsch, ✭✭Binaural Hearing—Before and After the Stethophone✮✮, Acoustics Today, vol. 4, n.o 3, pag. 16, 2008, ´ ISSN: 1557-0215. DOI: 10.1121/1.2994724. [11] D. R. Begault, ✭✭An anthology of articles on Spatial Sound Techniques,Part 1: Virtual and BinauralAudio Technologies✮✮, AudioEngineering Society, 2004. [12] K. Hammer y W. Snow, ✭✭Binaural Transmission System at Academy of Music in Philadelphia✮✮, Memorandum MM-3950, Bell Laboratories, 1932 [13] M. D. Burkhard y R. M. Sachs, ✭✭Anthropometric manikin for acoustic research✮✮, The Journal of the Acoustical Society of America, vol. 58, n.o 1, pags. 214-222, 1975. [14] H. Møller, D. Hammershøi, C. B. Johnson y M. F. Sørensen, ✭✭Evaluation of Artificial Heads in Listening Tests✮✮, J. Audio Eng. Soc, vol. 47, n.o 3, pags. 83-100, 1999. direcci ´ on: http://www.aes. ´ org/e-lib/browse.cfm?elib=12115. [15] T. Brookes y C. Treble, ✭✭The Effect of Non-Symmetrical Left/Right Recording Pinnae on the Perceived Externalisation of Binaural Recordings.✮✮, en Audio Engineering Society Convention 118, mayo de 2005. direccion: http://www.aes.org/e-lib/browse.cfm?elib=13155. [16] V. P. Sivonen y W. Ellermeier, ✭✭Binaural Loudness for Artificial-Head Measurements in Directional Sound Fields✮✮, J. Audio Eng. Soc, vol. 56, n.o 6, pags. 452-461, 2008. direcci ´ on: http://www.aes. ´ org/e-lib/browse.cfm?elib=14394. [17] G. Andeol, S. Savel, A. Guillaume, D. Brungart y W. Reed, ´ ✭✭Perceptual factors contribute more than acoustical factors to sound localization abilities with virtual sources✮✮, vol. 8, n.o January, pags. 1-17, 2015. ´ DOI: 10.3389/fnins.2014.00451. [18] K. J. DiPasquale, ✭✭Comparing Externalization Between the Neumann KU100 Versus Low Cost DIY Binaural Dummy Head✮✮, en Audio Engineering Society Convention 147, oct. de 2019. direccion: ´ http://www.aes.org/e-lib/browse.cfm?elib=20558. [19] M.-V. Laitinen, T. Pihlajamaki, S. L ¨ osler y V. Pulkki, ¨ ✭✭Influence of Resolution of Head Tracking in Synthesis of Binaural Audio✮✮, en Audio Engineering Society Convention 132, 2012. direccion: ´ http://www.aes.org/e-lib/browse.cfm?elib=16261. [20] H. Gamper, S. Tervo y T. Lokki, ✭✭Head Orientation Tracking Using Binaural Headset Microphones✮✮, en Audio Engineering Society Convention 131, oct. de 2011. direccion: http://www.aes. org/e - ´ lib/browse.cfm?elib=16064 [21] T. Ashby, R. Mason y T. Brookes, ✭✭Head Movements in Three-Dimensional Localization✮✮, en Audio Engineering Society Convention 134, mayo de 2013. direccion: http:// www. aes . org/ e - lib/browse.cfm?elib=16782 [22] P. Stitt, E. Hendrickx, J.-C. Messonnier y B. Katz, ✭✭The Influence of Head Tracking Latency on Binaural Rendering in Simple and Complex Sound Scenes✮✮, en Audio Engineering Society Convention 140, mayo de 2016. direccion: http://www.aes.org/e-lib/browse.cfm?elib=18289 [23] H. Møller y D. Toledo, ✭✭The Role of Spectral Features in Sound Localization✮✮, en Audio Engineering Society Convention 124, mayo de 2008. direccion: http://www.aes.org/e-lib/browse.cfm?elib= ´ 14580. [24] E. Blanco-Martin, F. J. Casajus-Quiros, J. J. Gomez-Alfageme y S. Torres-Guijarro, ✭✭Spatial Sound Localization Measures From a Dummy Head with a Loudspeaker Array in Anechoic Chamber✮✮, en Audio Engineering Society Convention 118, mayo de 2005. direccion: http://www.aes.org/e- ´ lib/browse.cfm?elib=13172. [25] D. Satongar, C. Pike, Y. W. Lam y A. I. Tew, ✭✭The Influence of Headphones on the Localization of External Loudspeaker Sources✮✮, J. Audio Eng. Soc, vol. 63, n.o 10, pags. 799-810, 2015. direcci ´ on: ´ http://www.aes.org/e-lib/browse.cfm?elib=18043. [26] G. Reardon, A. Genovese, G. Zalles, P. Flanagan y A. Roginska, ✭✭Evaluation of Binaural Renderers: Localization✮✮, en Audio Engineering Society Convention 144, mayo de 2018. direccion: http://www. ´ aes.org/e-lib/browse.cfm?elib=19480. [27] M. Rychtarikov ´ a, T. V. den Bogaert, G. Vermeir y J. Wouters, ´ ✭✭Binaural Sound Source Localization in Real and Virtual Rooms✮✮, J. Audio Eng. Soc, vol. 57, n.o 4, pags. 205-220, 2009. direcci ´ on: http: ´ //www.aes.org/e-lib/browse.cfm?elib=14814. [28] F. Klein, S. Werner y T. Mayenfels, ✭✭Influences of Training on Externalization of Binaural Synthesis in Situations of Room Divergence✮✮, J. Audio Eng. Soc, vol. 65, n.o 3, pags. 178-187, 2017. direcci ´ on: ´ http://www.aes.org/e-lib/browse.cfm?elib=18553. [29] UIT Sector Radiocomunicaciones, ✭✭BS.1116-3 Metodos para la evaluaci ´ on subjetiva de peque ´ nas ˜ degradaciones en los sistemas de audio✮✮, Uit-R, vol. 3, pag. 35, 2015. direcci ´ on: shorturl.at/vzFQ0. [30] UIT-R, ✭✭Metodos generales para la evaluaci ´ on subjetiva de la calidad de sonido Anexo 1 ´ ✮✮, vol. 2, pag. 13, 2003. [31] A. Mason, ✭✭The MUSHRA audio subjective test method✮✮, BBC R&D White Paper WHP, vol. WHP 038, n.o September, pag. 8, 2002. direcci ´ on: shorturl.at/aezB2. [32] UIT-R, ✭✭Metodo para la evaluaci ´ on subjetiva del nivel de calidad intermedia de los sistemas de ´ codificacion Anexo 1 ´ ✮✮, vol. 3, pags. 1-18, 2003 [33] S. Bech y N. Zacharov, Perceptual Audio Evaluation–Theory, Method and Application. 2006, pag. 449, ´ ISBN: 9780470869239. [34] F. Nagel, T. Sporer y P. Sedlmeier, ✭✭Toward a Statistically Well-Grounded Evaluation of Listening Tests—Avoiding Pitfalls, Misuse, and Misconceptions✮✮, en Audio Engineering Society Convention 128, mayo de 2010. direccion: http://www.aes.org/e-lib/browse.cfm?elib=15442. [35] F. Grijalva, J. Larco y P. Mej´ıa, ✭✭A Virtual Listener For HRTF-Based Sound Source Localization Using Support Vector Regression✮✮, en 2018 IEEE Third Ecuador Technical Chapters Meeting (ETCM), oct. de 2018, pags. 1-5. ´ DOI: 10.1109/ETCM.2018.8580297. [36] S. J. Cho, A. Ovcharenko y U. Chong, ✭✭Front-Back Confusion Resolution in 3D Sound Localization with HRTF Databases✮✮, en 2006 International Forum on Strategic Technology, oct. de 2006, pags. 239-243. ´ DOI: 10.1109/IFOST.2006.312297. [37] A. Ovcharenko y Ui-Pil Chong, ✭✭3D sound localization cues using HRTF database built with dummy head✮✮, en 2006 8th International Conference Advanced Communication Technology, vol. 3, feb. de 2006, 6 pp.-1900. DOI: 10.1109/ICACT.2006.206363. [38] A. Adami, E. A. P. Habets y J. Herre, ✭✭Perceptual Evaluation of a Coherence Suppressing DownMix Method✮✮, en Audio Engineering Society Conference: 55th International Conference: Spatial Audio, 2014. direccion: http://www.aes.org/e-lib/browse.cfm?elib=17347. [39] M. Leong, ✭✭Application of Binaural Recording in the Video Game Industry✮✮, Tesis doct., Edith Cowan University, 2006. [40] Joseph David Rees-Jones, ✭✭The Impact of Multichannel Game Audio on the Quality of Player Experience and In-game Performance✮✮, Tesis doct., UNIVERSITY OF YORK, 2018. [41] T. Letowski y S. Letowski, ✭✭Localization Error: Accuracy and Precision of Auditory Localization✮✮, en Advances in Sound Localization, P. Strumillo, ed., Rijeka: IntechOpen, 2011, cap. 4. DOI: 10. 5772/15652. direccion: https://doi.org/10.5772/15652. [42] J.-G. Richter y J. Fels, ✭✭Psychoacoustic evaluation of a fast HRTF measurement system✮✮, ene. de 2015. [43] International Telecommunication Union, ✭✭ITU-T Rec. P.57 Artificial ears✮✮, vol. 57, 2011 [44] O. Rummukainen, S. Schlecht, A. Plinge y E. A. P. Habets, ✭✭Evaluating Binaural Reproduction Systems from Behavioral Patterns in a Virtual Reality—A Case Study with Impaired Binaural Cues and Tracking Latency✮✮, en Audio Engineering Society Convention 143, oct. de 2017. direccion: ´ http://www.aes.org/e-lib/browse.cfm?elib=19292. [45] T. Parnell y C. Pike, ✭✭An Efficient Method for Producing Binaural Mixes of Classical Music from a Primary Stereo Mix✮✮, en Audio Engineering Society Convention 144, mayo de 2018. direccion: ´ http://www.aes.org/e-lib/browse.cfm?elib=19543. [46] G. Jacuzzi, S. Brazzola y J. Kares, ✭✭Approaching Immersive 3D Audio Broadcast Streams of Live Performances✮✮, en Audio Engineering Society Convention 142, mayo de 2017. direccion: http : ´ //www.aes.org/e-lib/browse.cfm?elib=18570. [47] D. M. Howard y J. A. Angus, Acoustics and psychoacoustics: Fifth edition. 2017, pags. 1-510, ´ ISBN: 9781317508304. DOI: 10.4324/9781315716879. [48] M. Frank y F. Zotter, ✭✭Simple Reduction of Front-Back Confusion in Static Binaural Rendering✮✮, mar. de 2018 [49] T. Fischer, M. Caversaccio y W. Wimmer, ✭✭A Front-Back Confusion Metric in Horizontal Sound Localization: The FBC Score✮✮, bioRxiv, 2020. DOI: 10 . 1101 / 2020 . 02 . 12 . 945303. direccion: ´ shorturl.at/dnHLO [50] F. Rumsey, ✭✭Whose Head Is it Anyway? Optimizing Binaural Audio✮✮, J. Audio Eng. Soc, vol. 59, n.o 9, pags. 672-675, 2011. direcci ´ on: http://www.aes.org/e-lib/browse.cfm?elib=15982. [51] H. Møller, ✭✭Fundamentals of binaural technology✮✮, Applied Acoustics, vol. 36, n.o 3-4, pags. 171-218, ´ 1992, ISSN: 0003682X. DOI: 10.1016/0003-682X(92)90046-U [52] CATT-Acoustic Auralization. direccion: https:// www. catt. se/ postproc% 7B% 5C ´ % 7Dmod. htm (visitado 07-12-2020). [53] CATT TUCT overview. direccion: https : / / www. catt . se / TUCT / TUCToverview. html (visitado ´ 07-12-2020) [54] C. Mendonc¸a, G. Campos, P. Dias, J. Vieira, J. P. Ferreira y J. A. Santos, ✭✭On the Improvement of Localization Accuracy with Non-Individualized HRTF-Based Sounds✮✮, J. Audio Eng. Soc, vol. 60, n.o 10, pags. 821-830, 2012. direcci ´ on: http://www.aes.org/e-lib/browse.cfm?elib=16555. [55] C. Armstrong, L. Thresh, D. Murphy y G. Kearney, ✭✭A Perceptual Evaluation of Individual and Non-Individual HRTFs : a case study of the SADIE II database✮✮, Applied Sciences, vol. 8, pag. 2029, ´ oct. de 2018. DOI: 10.3390/app8112029. [56] B. D. Gardner, ✭✭HRTF Measurements of a KEMAR Dummy-Head Microphone✮✮, 1994. [57] G. Eckel, ✭✭Immersive audio-augmented environments: the LISTEN project✮✮, feb. de 2001, pags. 571-573, ´ ISBN: 0-7695-1195-3. DOI: 10.1109/IV.2001.942112. [58] R. Duda, D. Thompson y C. Avendano, ˜ ✭✭The CIPIC HRTF database✮✮, feb. de 2001, pags. 99-102, ´ ISBN: 0-7803-7126-7. DOI: 10.1109/ASPAA.2001.969552. |
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Comunidad Científica y AcadémicaFranco Bedoya, Ramiro Estebancec455f4-bf77-4ce6-9fb4-8a2ba17ad400-1Tamayo Arcila, Tobias1c9ba051-6efb-44a6-b376-50af8de16931-1Silva Zuluaga, Alejandrodeaef68e-1aa6-4ac1-8e07-d943bfaca056-12021-09-03T20:35:45Z2021-09-03T20:35:45Z20212021-09-03With the advent of virtual entertainment, the search for increasingly real experiences has led to the creationof stimuli that seek to simulate the sensations obtained from human senses. An example of this is thebinaural audio, which aims to simulate the way in which the human being listens to sound. This typeof audio is produced by means of HRTF filters, which are transfer functions found through the Fouriertransform of the impulse responses captured from the binaural heads (HRIR). The localization capabilityof these may not be very accurate, due both to physical factors of the measured head that are inheritedby the filter, and to differences in the type of playback system which is used and the room in which theuser listens to the produced audio.The purpose of this research work is to design and execute a methodology of subjective tests through aonline form, with the intention of making a comparison between the HRTF filter bases of MIT, IRCAM,SADIE and CIPIC, in terms of their location capability.From the analysis of percentages and indicators of uncertainty and location, it was concluded that nodifferences were found in the location capacity of the databases, except for the CIPIC filter, which has aslightly higher location capacity than the rest. In addition, a low percentage of hits was obtained, whereerrors due to cone of confusion and totally incorrect answers had the greatest influence.Con la llegada del entretenimiento virtual, la búsqueda de experiencias cada vez m ́as reales ha llevado a la creación de estímulos que buscan simular las sensaciones que se obtienen de los sentidos del ser humano. Un ejemplo de esto es el audio binaural, el cual pretende simular la forma en la que el ser humano escucha. Este tipo de audio se produce por medio los filtros HRTF, que son funciones de transferencia halladas por medio de la transformada de Fourier de las respuestas al impulso capturadas de las cabezas binaurales (HRIR). La capacidad de localización de estos puede no ser muy precisa, debido tanto a factores físicos de la cabeza medida que son heredadas por el filtro, como a diferencias en el tipo de sistema de reproducción y el espacio en el que el usuario escucha el audio producido. El propósito de esta investigación es diseñar y ejecutar una metodología de pruebas subjetivas por medio de un formulario en línea, con la intención de realizar una comparación entre las bases de filtros HRTF del MIT, IRCAM, SADIE y CIPIC, en cuanto a su capacidad de localización. De los análisis de porcentajes e indicadores de incertidumbre y localización, se concluyó que no se hallaron diferencias en la capacidad de localización de las bases de datos, salvo el filtro CIPIC, que tiene una capacidad de localización levemente superior al resto. Además, se obtuvo un porcentaje bajo de aciertos, donde los errores por cono de confusión y respuestas totalmente incorrectas tuvieron la mayor influencia.pdf58 páginasRecurso en lineaapplication/pdfTobias Tamayo and Alejandro Silva, ”Comparación subjetiva por medio de audífonos de la capacidad de localización de 4 bases de datos de HRTF de libre acceso.”, Tesis de Pregrado, Ingeniería de Sonido, Universidad de San Buenaventura, Facultad de Ingenierías,2021http://hdl.handle.net/10819/8364spaIngenieriasIngeniería de SonidoMedellínAtribución-NoComercial-SinDerivadas 2.5 ColombiaPor medio de este formato manifiesto mi voluntad de AUTORIZAR a la Universidad de San Buenaventura, Sede Bogotá, Seccionales Medellín, Cali y Cartagena, la difusión en texto completo de manera gratuita y por tiempo indefinido en la Biblioteca Digital Universidad de San Buenaventura, el documento académico-investigativo objeto de la presente autorización, con fines estrictamente educativos, científicos y culturales, en los términos establecidos en la Ley 23 de 1982, Ley 44 de 1993, Decisión Andina 351 de 1993, Decreto 460 de 1995 y demás normas generales sobre derechos de autor. Como autor manifiesto que el presente documento académico-investigativo es original y se realiza sin violar o usurpar derechos de autor de terceros, por lo tanto, la obra es de mi exclusiva autora y poseo la titularidad sobre la misma. La Universidad de San Buenaventura no será responsable de ninguna utilización indebida del documento por parte de terceros y será exclusivamente mi responsabilidad atender personalmente cualquier reclamación que pueda presentarse a la Universidad. Autorizo a la Biblioteca Digital de la Universidad de San Buenaventura convertir el documento al formato que el repositorio lo requiera (impreso, digital, electrónico o cualquier otro conocido o por conocer) o con fines de preservación digital. Esta autorización no implica renuncia a la facultad que tengo de publicar posteriormente la obra, en forma total o parcial, por lo cual podrá, dando aviso por escrito con no menos de un mes de antelación, solicitar que el documento deje de estar disponible para el público en la Biblioteca Digital de la Universidad de San Buenaventura, así mismo, cuando se requiera por razones legales y/o reglas del editor de una revista.http://creativecommons.org/licenses/by-nc-nd/2.5/co/http://purl.org/coar/access_right/c_abf2[1] F. L. Wightman y D. J. Kistler, ✭✭Hearing in Three Dimensions: Sound Localization✮✮, en Audio Engineering Society Conference: 8th International Conference: The Sound of Audio, mayo de 1990. direccion: http://www.aes.org/e-lib/browse.cfm?elib=5436.[2] P. Minnaar, S. K. Olesen, F. Christensen y H. Møller, ✭✭Localization with Binaural Recordings from Artificial and Human Heads✮✮, J. Audio Eng. 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