¿Es el afecto negativo tan malo así? El efecto de los estados afectivos en el pensamiento creativo convencional y no convencional en estudiantes universitarios.

Introducción. El papel de los estados afectivos en el proceso creativo ha sido objeto de atención por parte de los investigadores y ha dado lugar a resultadoscontradictorios. La mayor parte de la investigación en creatividad ha hecho hincapié en el papel de los estados afectivos, principalmente los...

Full description

Autores:
Rosa, Pedro J.
Ribeiro, Roberto
Ibérico Nogueira, Sara
Tipo de recurso:
Article of journal
Fecha de publicación:
2023
Institución:
Universidad de San Buenaventura
Repositorio:
Repositorio USB
Idioma:
eng
OAI Identifier:
oai:bibliotecadigital.usb.edu.co:10819/28974
Acceso en línea:
https://hdl.handle.net/10819/28974
https://doi.org/10.21500/20112084.6497
Palabra clave:
creativity
conventional thinking
unconventional thinking
affective states
TCT-DP
Eye Tracking
Creatividad
pensamiento convencional
pensamiento no convencional
estados afectivos
TCT-DP
seguimiento ocular
Rights
openAccess
License
http://purl.org/coar/access_right/c_abf2
id SANBUENAV2_2431eae4421ac1d2cad5f5f760e4c076
oai_identifier_str oai:bibliotecadigital.usb.edu.co:10819/28974
network_acronym_str SANBUENAV2
network_name_str Repositorio USB
repository_id_str
dc.title.spa.fl_str_mv ¿Es el afecto negativo tan malo así? El efecto de los estados afectivos en el pensamiento creativo convencional y no convencional en estudiantes universitarios.
dc.title.translated.spa.fl_str_mv ¿Es el afecto negativo tan malo así? El efecto de los estados afectivos en el pensamiento creativo convencional y no convencional en estudiantes universitarios.
title ¿Es el afecto negativo tan malo así? El efecto de los estados afectivos en el pensamiento creativo convencional y no convencional en estudiantes universitarios.
spellingShingle ¿Es el afecto negativo tan malo así? El efecto de los estados afectivos en el pensamiento creativo convencional y no convencional en estudiantes universitarios.
creativity
conventional thinking
unconventional thinking
affective states
TCT-DP
Eye Tracking
Creatividad
pensamiento convencional
pensamiento no convencional
estados afectivos
TCT-DP
seguimiento ocular
title_short ¿Es el afecto negativo tan malo así? El efecto de los estados afectivos en el pensamiento creativo convencional y no convencional en estudiantes universitarios.
title_full ¿Es el afecto negativo tan malo así? El efecto de los estados afectivos en el pensamiento creativo convencional y no convencional en estudiantes universitarios.
title_fullStr ¿Es el afecto negativo tan malo así? El efecto de los estados afectivos en el pensamiento creativo convencional y no convencional en estudiantes universitarios.
title_full_unstemmed ¿Es el afecto negativo tan malo así? El efecto de los estados afectivos en el pensamiento creativo convencional y no convencional en estudiantes universitarios.
title_sort ¿Es el afecto negativo tan malo así? El efecto de los estados afectivos en el pensamiento creativo convencional y no convencional en estudiantes universitarios.
dc.creator.fl_str_mv Rosa, Pedro J.
Ribeiro, Roberto
Ibérico Nogueira, Sara
dc.contributor.author.eng.fl_str_mv Rosa, Pedro J.
Ribeiro, Roberto
Ibérico Nogueira, Sara
dc.subject.eng.fl_str_mv creativity
conventional thinking
unconventional thinking
affective states
TCT-DP
Eye Tracking
topic creativity
conventional thinking
unconventional thinking
affective states
TCT-DP
Eye Tracking
Creatividad
pensamiento convencional
pensamiento no convencional
estados afectivos
TCT-DP
seguimiento ocular
dc.subject.spa.fl_str_mv Creatividad
pensamiento convencional
pensamiento no convencional
estados afectivos
TCT-DP
seguimiento ocular
description Introducción. El papel de los estados afectivos en el proceso creativo ha sido objeto de atención por parte de los investigadores y ha dado lugar a resultadoscontradictorios. La mayor parte de la investigación en creatividad ha hecho hincapié en el papel de los estados afectivos, principalmente los positivos, sobre los nivelesde creatividad. A saber, los resultantes de las tareas de pensamiento divergente que revelan la forma no convencional de pensar en el proceso creativo. Este estudiotuvo como objetivo analizar el efecto de los estados afectivos inducidos en dos dimensiones distintas del pensamiento creativo en adultos. Método. Setenta ycinco voluntarios, en su mayoría mujeres, con una edad media de 26.95 años, fueron asignados aleatoriamente a tres condiciones de elicitación de estados afectivos(agradable vs desagradable vs neutral), justo antes de realizar una tarea de creatividad figurativa. Resultados. Los resultados indicaron que el estado afectivonegativo condujo a niveles más altos de pensamiento convencional. Conclusiones. Nuestros resultados no apoyan ni la hipótesis de que el afecto negativo tiene unefecto perjudicial sobre la creatividad ni la de que el afecto positivo aumenta la creatividad. El afecto negativo parece promover el pensamiento convencional, quizá debido a sus correlatos cognitivos, que pueden manifestarse en la atención focalizada y el pensamiento analítico. Se discuten las implicaciones prácticas y teóricas para futuras investigaciones sobre el papel de los estados afectivos en la creatividad.
publishDate 2023
dc.date.accessioned.none.fl_str_mv 2023-07-24T00:00:00Z
2025-08-22T16:59:23Z
dc.date.available.none.fl_str_mv 2023-07-24T00:00:00Z
2025-08-22T16:59:23Z
dc.date.issued.none.fl_str_mv 2023-07-24
dc.type.spa.fl_str_mv Artículo de revista
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.eng.fl_str_mv http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.eng.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.content.eng.fl_str_mv Text
dc.type.driver.eng.fl_str_mv info:eu-repo/semantics/article
dc.type.local.eng.fl_str_mv Journal article
dc.type.version.eng.fl_str_mv info:eu-repo/semantics/publishedVersion
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.doi.none.fl_str_mv 10.21500/20112084.6497
dc.identifier.eissn.none.fl_str_mv 2011-7922
dc.identifier.issn.none.fl_str_mv 2011-2084
dc.identifier.uri.none.fl_str_mv https://hdl.handle.net/10819/28974
dc.identifier.url.none.fl_str_mv https://doi.org/10.21500/20112084.6497
identifier_str_mv 10.21500/20112084.6497
2011-7922
2011-2084
url https://hdl.handle.net/10819/28974
https://doi.org/10.21500/20112084.6497
dc.language.iso.eng.fl_str_mv eng
language eng
dc.relation.bitstream.none.fl_str_mv https://revistas.usb.edu.co/index.php/IJPR/article/download/6497/5201
dc.relation.citationedition.eng.fl_str_mv Núm. 2 , Año 2023 : Psychophysiology and Experimental Psychology
dc.relation.citationendpage.none.fl_str_mv 23
dc.relation.citationissue.eng.fl_str_mv 2
dc.relation.citationstartpage.none.fl_str_mv 14
dc.relation.citationvolume.eng.fl_str_mv 16
dc.relation.ispartofjournal.eng.fl_str_mv International Journal of Psychological Research
dc.relation.references.eng.fl_str_mv Almeida, L., & Ibérico Nogueira, S. (2010). Estudo preliminar do teste Test for Creative Thinking-Drawing Production (TCT-DP). Psychologica, 52(1), 193-210. https://doi.org/10.14195/1647-8606_52-1_9
Amabile, T. M. (1996). Creativity in context. Westview Press.
Amabile, T. M., Barsade, S. G., Mueller, J. S., & Staw, B. M. (2005). Affect and creativity at work. Administrative Science Quarterly, 50(2), 367–403. https://doi.org/10.2189/ asqu.2005.50.3.367
American Psychological Association. (2017). Ethical principles of psychologists and code of conduct. APA.
Anderson, S., & Rodin, J. (1989). Is bad news always bad? Cue and feedback effects on intrinsic motivation. Journal of Applied Social Psychology, 19(6), 449–467. https://doi.org/10.1111/j.1559-1816.1989.tb00067.x
Baas, M. (2019). In the mood for creativity. In J. C. Kaufman, & R. J. Sternberg (Eds.), The Cambridge Handbook of Creativity (pp. 255-332). Cambridge University Press.
Baas, M., De Dreu, C. K., & Nijstad, B. A. (2008). A Meta-Analysis of 25 Years of Mood-Creativity Research: Hedonic Tone, Activation, or Regulatory Focus? Psychological Bulletin, 134(6), 779-809. https://doi.org/10.1037/a0012815
Beghetto, R. A., & Kaufman, J. C. (2007). Toward a broader conception of creativity: A case for mini-c creativity. Psychology of Aesthetics, Creativity, and the Arts, 1, 73–79.
Biss, R. K., Hasher, L., & Thomas, R. C. (2010). Positive mood is associated with the implicit use of distraction. Motivation and Emotion, 34, 73-77. https://doi.org/10.1007/s11031-010-9156-y
Bledow, R., Rosing, K., & Frese, M. (2013). A dynamic perspective on affect and creativity. Academy of Management Journal, 56, 432–450. https://doi.org/10.5465/amj.2010.0894
Carvalho. J., & Rosa, P. J. (2020). Gender Differences in the Emotional Response and Subjective Sexual Arousal Toward Non-Consensual Sexual Intercourse: A Pupillometric Study. The Journal of Sexual Medicine, 17(10), 1865-1974. https://doi.org/10.1016/j.jsxm.2020.06.018
Cohen, J. (1988). Statistical Power Analysis for the Behavioral Sciences. Routledge Academic.
Conner, T. S., DeYoung, C. G., & Silvia, P. J. (2016). Everyday creative activity as a path to flourishing. The Journal of Positive Psychology, 13(2), 181–189. https://doi.org/10 .1080/17439760.2016.1257049
Cosme, G., Rosa, P. J., Lima, C. F., Tavares, V., Scott, S., Chen, S., Wilcockson, T. D. W., Crawford, T. J., & Prata, D. (2021). Pupil dilation reflects the authenticity of received nonverbal vocalizations. Scientific Reports, 11(1), 3733. https://doi.org/10.1038/s41598-021-83070-x
De Dreu, C. K., Baas, M., & Nijstad, B. A. (2008). Hedonic tone and activation level in the mood-creativity link: Toward a dual pathway to creativity model. Journal of Personality and Social Psychology, 94(5), 739–756. https://doi.org/10.1037/0022–3514.94.5.739
Delplanque, S., N’diaye, K., Scherer, K., & Grandjean, D. (2007). Spatial frequencies or emotional effects? Journal of Neuroscience Methods, 165(1), 144–150. https://doi.org/10.1016/j.jneumeth.2007.05.030
DeVellis, R. F. (1991). Scale development: Theory and applications. Sage Publications.
Devilly G., & O’Donohue, R. (2021) A video is worth a thousand thoughts: comparing a video mood induction procedure to an autobiographical recall technique. Australian Journal of Psychology, 73(4), 438-451, https://doi.org/10.1080/00049530.2021.1997553
Ekman, P. (1992). An argument for basic emotions. Cognition and Emotion, 6, 169-200. https://doi.org/10.1080/02699939208411068
Fiedler, K. (2000). Toward an integrative account of affect and cognition phenomena using the BIAS computer algorithm. In J. P. Forgas (Ed.), Feeling and thinking: The role of affect in social cognition (pp. 223–252). Cambridge University Press.
Field, A. P. (2009). Discovering statistics using SPSS: And sex and drugs and rock ‘n’ roll (3rd ed.). Sage Publications.
Forgas, J. P. (2000). Feeling and thinking: The role of affect in social cognition. Cambridge University Press.
Forgas, J. P., & George, J. M. (2001). Affective influences on judgments and behavior in organizations: An information processing perspective. Organizational Behavior and Human Decision Processes, 86(1), 3–34. https://doi.org/10.1006/obhd.2001.2971
Gamito, P., & Rosa, P. J. (2014). I see you, you see me: Inferring cognitive and emotional processes from gazing behaviour. Cambridge Scholars Publishing.
Galinha, I. C., & Pais-Ribeiro, J. L. (2005). Contribuição para o estudo da versão Portuguesa da Positive and Negative Affect Schedule (PANAS): II - Estudo psicométrico. Análise Psicológica, 23, 219-227. https://doi.org/10.14417/ap.84
George, J. M., & Zhou, J. (2002). Understanding when bad moods foster creativity and good ones don't: the role of context and clarity of feelings. Journal of Applied Psychology, 87(4), 687-697. https://doi.org/10.1037/0021-9010.87.4.687
George, J. M., & Zhou, J. (2007). Dual tuning in a supportive context: Joint contributions of positive mood, negative mood, and supervisory behaviors to employee creativity. Academy of Management Journal, 50(3), 605–622. https://doi.org/10.2307/20159875
Glaveanu, V. P., Hanchett Hanson, M., Baer, J., Barbot, B., Clapp, E.P., Corazza, G.E., & Montuori, A. (2020). Advancing creativity theory and research: A socio-cultural manifesto. The Journal of Creative Behavior, 54(3), 741-745. https://doi.org/10.1002/jocb.395
Guilford, J. P. (1950). Creativity. American Psychologist, 5, 444–454. https://doi.org/10.1037/h0063487
Hair, J., Black, W., Babin, B., & Anderson, R. (2010). Multivariate data analysis (7th ed.). Prentice Hall.
Ibérico Nogueira, S., & Almeida, A. (2019). Who are they? Creativity and Innovativeness: Featuring Workers. Revista Sul Americana de Psicologia. 7(1), 32-54.
Ibérico Nogueira, S., Almeida, M., & Souza Lima, T. (2019). Test For Creative Thinking-Drawing Production (TCT-DP): A Revised Factorial Structure In An Adult Sample. In C. Pracana and M. Wang (Eds), Psychology Applications & Developments V (pp. 14-23). InScience Press.
Ibérico Nogueira, S., Almeida, L., & Lima, T. (2018, July). In the path of Two Tracks of Thought: A Structural Model of the Test for Creative Thinking-Drawing Production (TCT-DP), over the school years in Portuguese context. 16th ICIE conference 2018 on Excellence, Innovation, & Creativity in Basic-Higher Education & Psychology - University Paris Descartes, July 3-6, 2018.
Ibérico Nogueira, S., Almeida, L., & Lima, T. S. (2017a). Two Tracks of Thought: A Structural Model of the Test for Creative Thinking-Drawing Production (TCT-DP). Creativity Research Journal, 29(2), 206–211. https://doi.org/10.1080/10400419.2017.1303312
Ibérico Nogueira, S., Almeida, M., & Lima, T. (2017b). Construct Validity of the TCT- DP In Different School Levels. In C. Pracana and M. Wang (Eds). Psychology Applications & Developments III (pp. 182-191). InScience Press.
Isen, A. M., Daubman, K. A., & Nowicki, G. P. (1987). Positive Affect Facilitates Creative Problem Solving. Journal of Personality and Social Psychology, 52(6), 1122-1131. https://doi.org/10.1037/0022-3514.52.6.1122
Jaarsveld, S., Lachmann, T., & Leeuwen, C. V. (2012). Creative reasoning across developmental levels: Convergence and divergence in problem creation. Intelligence, 40, 172- 188. https://doi.org/10.1016/j.intell.2012.01.002
JASP Team. (2022). JASP (Version 0.16.2) [Computer Software]. University of Amsterdam.
Kaufman, J. C., & Beghetto, R. A. (2009). Beyond Big and Little: The Four C Model of Creativity. Review of General Psychology, 13(1), 1-12.
Kaufmann, J. C. (2003). What to measure? A new look at the concept of creativity. Scandinavian Journal of Educational Research, 47(3), 235-251. https://doi.org/ 10.1080/0031383032000079227
Kaufmann, G., & Vosburg, S. K. (2002). The Effects of Mood on Early and Late Idea Production. Creativity Research Journal, 14(3), 317-330. https://doi.org/10.1207/S15326934CRJ1434_3
Kim, K. H. (2006). Is creativity unidimensional or multidimensional? Analyses of the torrance tests of creative thinking. Creativity Research Journal, 18(3), 251–259. doi:10.1207/s15326934crj1803_2
Lang, P. J., Bradley, M. M., & Cuthbert, B. N. (2005). International affective picture system (IAPS): Instruction manual and affective ratings. Technical Report A6. University of Florida.
Lai, Y. C., Pen, S. L., Huang, P. S., & Chen, H. C. (2020). The Impact of Affective States and Affective Shifts on Creative Ideation and Evaluation. Journal of Creative Behavior, 55(1), 130-144. https://doi.org/10.1002/jocb.440
LeDoux, J. (1996). The emotional brain: The mysterious underpinnings of emotional life. Simon & Schuster.
Leung, A. K. Y., Liou, S., Qiu, L., Kwan, L. Y. Y., Chiu, C. Y., & Yong, J. C. (2014). The role of instrumental emotion regulation in the emotions–creativity link: How worries render individuals with high neuroticism more creative. Emotion, 14, 846–856.
Lúcio, P., & Chiodi, S. L. (2021). Avaliação da criatividade: passado, presente e futuro. In J. Berg, C. L. B. Vestena, C., Costa-Lobo, & V. L.
Fernández (Orgs.), Criatividade e desenvolvimento humano (pp. 63-79). Pimenta Cultural. 10.31560/pimentacultural/2021.596.63-79
Mednick, S. A. (1962). The associative basis of the creative process. Psychological Review, 44, 220–232. https://doi.org/10.1037/ h0048850.
Mumford, M. D., Medeiros, K. E., & Partlow, P. J. (2012). Creative thinking: Processes, strategies, and knowledge. The Journal of Creative Behavior, 46, 30–47.
Öhman, A., & Wiens, S. (2004). The Concept of an Evolved Fear Module and Cognitive Theories of Anxiety. In A. Manstead, N. Frijda, & A. Fischer (Eds.), Feelings and emotions: The Amsterdam symposium (pp. 58–80). Cambridge University Press. https://doi.org/10.1017/CBO9780511806582.005
Parke, M. R., Seo, M. G., & Sherf, E. N. (2015). Regulating and facilitating: The role of emotional intelligence in maintaining and using positive affect for creativity. Journal of Applied Psychology, 100, 917–934.
Posner, J., Russell, J. A., & Peterson, B. S. (2005). The circumplex model of affect: an integrative approach to affective neuroscience, cognitive development, and psychopathology. Development and psychopathology, 17(3), 715–734. https://doi.org/10.1017/S0954579405050340
Rosa, P. J., Esteves, F., & Arriaga, P. (2012). Ver ou não ver, eis a questão. A relação entre atenção visual selectiva e emoção. In-Mind Português,3(1-4), 15-24.
Rosa, P. J., Esteves, F., & Arriaga, P. (2015). Beyond Traditional Clinical Measurements for Screening Fears and Phobias. IEEE Transactions on Instrumentation and Measurement, 64(12), 3396-3404. https://doi.org/10.1109/TIM.2015.2450292
Rosa, P. J., Caires, C., Costa, L., Rodelo, L., & Pinto, L. (2014). Affective and Psychophysiological Responses to Erotic Stimuli: Does Color Matter? In P. Gamito and P. J. Rosa (Eds.), I see me, you see me: inferring cognitive and emotional processes from gazing behavior (pp. 171-190). Cambridge Scholars Publishing.
Rosa, P. J., Gamito, P., Oliveira J., Morais, D., Pavlovic, M., & Smyth, O. (2016). Uso de eye tracking em realidade virtual não imersiva para avaliação cognitiva. Psicologia, Saúde e Doenças, 17(1), 23-31 https://doi.org/10.15309/15psd170104
Rosa, P. J., Gamito, P., Oliveira J., Morais, D., Pavlovic, M., Smyth, O., Maia, I., & Gomes, T. (2017). Eye movement analysis and cognitive assessment: the use of comparative visual search tasks in a non-immersive VR application. Methods of Information in Medicine, 56(2), 112-116. https://doi.org/10.3414/ME16-02-0006
Rosa, P. J., Luz, F., Júnior, R., Oliveira, J., Morais, D., & Gamito, P. (2020). Adaptive Non-Immersive VR Environment for Eliciting Fear of Cockroaches: A Physiology-Driven Approach Combined with 3D-TV Exposure. International Journal of Psychological Research, 13(2), 99–108. https://doi.org/10.21500/20112084.4670
Rosa, P. J., Oliveira, J., Alghazzawi, D., Fardoun, H., & Gamito, P. (2017). Affective and physiological correlates of the perception of unimodal and bimodal emotional stimuli. Psicothema, 29(3), 364-369. https://doi.org/10.7334/psicothema2016.272
Runco, M. A. (2007). Creativity. Theories and themes: Research, development, and practice. Elsevier Academic Press. Russell, J. A. (1980). A circumplex model of affect. Journal of Personality and Social Psychology, 39(6), 1161–1178. https://doi.org/10.1037/h0077714
Russell, J. A., & Bullock, M. (1985). Multidimensional scaling of emotional facial expressions: Similarity from preschoolers to adults. Journal of Personality and Social Psychology, 48(5), 1290–1298. https://doi.org/10.1037/0022-3514.48.5.1290
Schwarz, N., & Clore, G. L. (2003). Mood as information: 20 years later. Psychological Inquiry, 14(3–4), 296–303. https://doi.org/10.1080/1047840X.2003.9682896.
Schwarz, N., & Skurnik, I. (2003). Feeling and thinking: Implications for problem solving. In J. E. Davidson & R. J. Sternberg (Eds.), The psychology of problem solving (pp. 263–290). Cambridge University Press.
Shavinina, L. V. (2001). A new wave of innovations in Psychology: high intellectual and creative educational multimedia technologies. Review of General Psychology, 5(3), 291-315. https://doi.org/10.1037//1089-2680.5.3.291
Shin, Y., Kim, M., & Lee, S. H. (2016). Positive group affective tone and team creative performance and change-oriented organizational citizenship behavior: A moderated mediation model. The Journal of Creative Behavior, 53, 52–68.
Spering, M., Wagener, D., & Funke, J. (2005). The role of emotions in complex problem- solving. Cognition & Emotion, 19(8), 1252–1261. https://doi.org/10.1080/02699930500304886.
To, M. L., Fisher, C. D., Ashkanasy, N. M., & Zou, J. (2021). Feeling differently, creating together: Affect heterogeneity and creativity in project teams. Journal of Organizational Behavior, 42, 1228–1243.
Sternberg, R. J. (2006). The Nature of Creativity. Creativity Research Journal, 18, 87-98. https://doi.org/10.1207/s15326934crj1801_10
Tabachnick, B. G., & Fidell, L. S. (2012). Using multivariate statistics (6th ed.). Allyn and Bacon.
Uhrig, M. K., Trautmann, N., Baumgärtner, U., Treede, R.-D., Henrich, F., Hiller, W., & Marschall, S. (2016). Emotion elicitation: A comparison of pictures and films. Frontiers in Psychology, 7, Article 180. https://doi.org/10.3389/fpsyg.2016.00180
Urban, K. K., & Jellen, H. G. (1996). Manual of Test for Creative Thinking- Drawing Production (TCT-DP). Harcourt Test.
Walla, P., & Panksepp, J. (2013). Neuroimaging Helps to Clarify Brain Affective Processing without Necessarily Clarifying Emotions. In K. N. Fountas (Ed.), Novel Frontiers of Advanced Neuroimaging. InTech. https://doi.org/10.5772/51761
Watts, L. L., Mcintosh, T. J., Gibson, C., Mulhearn, T. J., Medeiros, K., Mecca, J. T., & Cohen-Charash, Y. (2019). Mild Affective Shifts and Creativity: Effects on Idea Generation, Evaluation, and Implementation Planning. Journal of Creative Behavior, 54(4), 985-1001.
Watson, D., Clark, L. A., & Tellegen, A. (1988). Development and validation of brief measures of positive and negative affect: the PANAS scales. Journal of personality and social psychology, 54(6), 1063–1070. https://doi.org/10.1037//0022-3514.54.6.1063
Westermann, R., Spies, K., Stahl, G., & Hesse, F. W. (1996). Relative effectiveness and validity of mood induction procedures: a meta-analysis. European Journal of Social Psychology, 26(4), 557–580. https://doi.org/10.1002/(sici)1099-0992(199607)26:4<557::aid-ejsp769>3.0.co;2-4
Wilder, J. (1962), Basimetric Approach (Law Of Initial Value) To Biological Rhythms. Annals of the New York Academy of Sciences, 98, 1211-1220. https://doi.org/10.1111/j.1749-6632.1962.tb30629.x
Zajonc, R. B. (1980). Feeling and thinking: Preferences need no inferences. American Psychologist, 35(2), 151–175. https://doi.org/10.1037/0003-066X.35.2.151
Zenasni, F., & Lubart, T. I. (2008). Emotion-Related Traits Moderate the Impact of Emotional State on Creative Performances. Journal of individual Differences, 29(3), 157-167. https://doi.org/10.1027/1614-0001.29.3.157
Zenasni, F., Besançon, M., & Lubart, T. (2008). Creativity and tolerance of ambiguity: An empirical study. The Journal of Creative Behavior, 42(1), 61–73. https://doi .org/10.1002/j.2162-6057.2008.tb01080.x
Zeng, L., Proctor, R. W., & Salvendy, G. (2011). Can traditional divergent thinking tests be trusted in measuring and predicting real-world creativity? Creativity Research Journal, 23, 24–37. https://doi.org/10.1080/10400419.2011.545713
dc.rights.accessrights.eng.fl_str_mv info:eu-repo/semantics/openAccess
dc.rights.coar.eng.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.uri.eng.fl_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
rights_invalid_str_mv http://purl.org/coar/access_right/c_abf2
http://creativecommons.org/licenses/by-nc-nd/4.0
dc.format.mimetype.eng.fl_str_mv application/pdf
dc.publisher.eng.fl_str_mv Universidad San Buenaventura - USB (Colombia)
dc.source.eng.fl_str_mv https://revistas.usb.edu.co/index.php/IJPR/article/view/6497
institution Universidad de San Buenaventura
bitstream.url.fl_str_mv https://bibliotecadigital.usb.edu.co/bitstreams/97a5a09f-9e3e-4f6f-a638-46c576901bdd/download
bitstream.checksum.fl_str_mv 5a496cac38303e248666a965f8ca6a9f
bitstream.checksumAlgorithm.fl_str_mv MD5
repository.name.fl_str_mv Repositorio Institucional Universidad de San Buenaventura Colombia
repository.mail.fl_str_mv bdigital@metabiblioteca.com
_version_ 1851053496636276736
spelling Rosa, Pedro J.Ribeiro, RobertoIbérico Nogueira, Sara2023-07-24T00:00:00Z2025-08-22T16:59:23Z2023-07-24T00:00:00Z2025-08-22T16:59:23Z2023-07-24Introducción. El papel de los estados afectivos en el proceso creativo ha sido objeto de atención por parte de los investigadores y ha dado lugar a resultadoscontradictorios. La mayor parte de la investigación en creatividad ha hecho hincapié en el papel de los estados afectivos, principalmente los positivos, sobre los nivelesde creatividad. A saber, los resultantes de las tareas de pensamiento divergente que revelan la forma no convencional de pensar en el proceso creativo. Este estudiotuvo como objetivo analizar el efecto de los estados afectivos inducidos en dos dimensiones distintas del pensamiento creativo en adultos. Método. Setenta ycinco voluntarios, en su mayoría mujeres, con una edad media de 26.95 años, fueron asignados aleatoriamente a tres condiciones de elicitación de estados afectivos(agradable vs desagradable vs neutral), justo antes de realizar una tarea de creatividad figurativa. Resultados. Los resultados indicaron que el estado afectivonegativo condujo a niveles más altos de pensamiento convencional. Conclusiones. Nuestros resultados no apoyan ni la hipótesis de que el afecto negativo tiene unefecto perjudicial sobre la creatividad ni la de que el afecto positivo aumenta la creatividad. El afecto negativo parece promover el pensamiento convencional, quizá debido a sus correlatos cognitivos, que pueden manifestarse en la atención focalizada y el pensamiento analítico. Se discuten las implicaciones prácticas y teóricas para futuras investigaciones sobre el papel de los estados afectivos en la creatividad.Introduction. The role of affective states on the creative process has been receiving the attention of researchers and has led to contradictory results. Most research in creativity has emphasized the role of affective states, mainly positive ones, on creativity levels, namely those resulting from divergent thinking tasks that reveal the unconventional way of thinking in the creative process. However, there are nostudies to date that focus on the impact of affective states on conventional and unconventional thinking, during the same creative process, which consider a singlecreative assessment task. The aim of this experimental study was to analyze the effect of induced affective states on both conventional and unconventional thinkingof creativity in adults by using the TCT-DP (Test for Creative Thinking-Drawing Production). Method. Seventy-five university students, mostly female, with a meanage of 26.95 years, were randomly assigned into three affect elicitation conditions (pleasant vs. unpleasant vs. neutral). Results. Results indicated that the negativeaffective state led to higher levels of conventional thinking when compared to positive and neutral affective states. However, no significant differences were foundon unconventional thinking across the three conditions. Conclusions. Our results do not support the assumption that the negative affect has a hindering effect oncreativity nor the positive affect increases creativity. Negative affect seems to promote conventional thinking, perhaps due to its cognitive correlates, which canbe manifested in focusing attention and analytic thinking. Practical and theoretical implications for future research on the role of affective states on creativity are discussedapplication/pdf10.21500/20112084.64972011-79222011-2084https://hdl.handle.net/10819/28974https://doi.org/10.21500/20112084.6497engUniversidad San Buenaventura - USB (Colombia)https://revistas.usb.edu.co/index.php/IJPR/article/download/6497/5201Núm. 2 , Año 2023 : Psychophysiology and Experimental Psychology2321416International Journal of Psychological ResearchAlmeida, L., & Ibérico Nogueira, S. (2010). Estudo preliminar do teste Test for Creative Thinking-Drawing Production (TCT-DP). Psychologica, 52(1), 193-210. https://doi.org/10.14195/1647-8606_52-1_9Amabile, T. M. (1996). Creativity in context. Westview Press.Amabile, T. M., Barsade, S. G., Mueller, J. S., & Staw, B. M. (2005). Affect and creativity at work. Administrative Science Quarterly, 50(2), 367–403. https://doi.org/10.2189/ asqu.2005.50.3.367American Psychological Association. (2017). Ethical principles of psychologists and code of conduct. APA.Anderson, S., & Rodin, J. (1989). Is bad news always bad? Cue and feedback effects on intrinsic motivation. Journal of Applied Social Psychology, 19(6), 449–467. https://doi.org/10.1111/j.1559-1816.1989.tb00067.xBaas, M. (2019). In the mood for creativity. In J. C. Kaufman, & R. J. Sternberg (Eds.), The Cambridge Handbook of Creativity (pp. 255-332). Cambridge University Press.Baas, M., De Dreu, C. K., & Nijstad, B. A. (2008). A Meta-Analysis of 25 Years of Mood-Creativity Research: Hedonic Tone, Activation, or Regulatory Focus? Psychological Bulletin, 134(6), 779-809. https://doi.org/10.1037/a0012815Beghetto, R. A., & Kaufman, J. C. (2007). Toward a broader conception of creativity: A case for mini-c creativity. Psychology of Aesthetics, Creativity, and the Arts, 1, 73–79.Biss, R. K., Hasher, L., & Thomas, R. C. (2010). Positive mood is associated with the implicit use of distraction. Motivation and Emotion, 34, 73-77. https://doi.org/10.1007/s11031-010-9156-yBledow, R., Rosing, K., & Frese, M. (2013). A dynamic perspective on affect and creativity. Academy of Management Journal, 56, 432–450. https://doi.org/10.5465/amj.2010.0894Carvalho. J., & Rosa, P. J. (2020). Gender Differences in the Emotional Response and Subjective Sexual Arousal Toward Non-Consensual Sexual Intercourse: A Pupillometric Study. The Journal of Sexual Medicine, 17(10), 1865-1974. https://doi.org/10.1016/j.jsxm.2020.06.018Cohen, J. (1988). Statistical Power Analysis for the Behavioral Sciences. Routledge Academic.Conner, T. S., DeYoung, C. G., & Silvia, P. J. (2016). Everyday creative activity as a path to flourishing. The Journal of Positive Psychology, 13(2), 181–189. https://doi.org/10 .1080/17439760.2016.1257049Cosme, G., Rosa, P. J., Lima, C. F., Tavares, V., Scott, S., Chen, S., Wilcockson, T. D. W., Crawford, T. J., & Prata, D. (2021). Pupil dilation reflects the authenticity of received nonverbal vocalizations. Scientific Reports, 11(1), 3733. https://doi.org/10.1038/s41598-021-83070-xDe Dreu, C. K., Baas, M., & Nijstad, B. A. (2008). Hedonic tone and activation level in the mood-creativity link: Toward a dual pathway to creativity model. Journal of Personality and Social Psychology, 94(5), 739–756. https://doi.org/10.1037/0022–3514.94.5.739Delplanque, S., N’diaye, K., Scherer, K., & Grandjean, D. (2007). Spatial frequencies or emotional effects? Journal of Neuroscience Methods, 165(1), 144–150. https://doi.org/10.1016/j.jneumeth.2007.05.030DeVellis, R. F. (1991). Scale development: Theory and applications. Sage Publications.Devilly G., & O’Donohue, R. (2021) A video is worth a thousand thoughts: comparing a video mood induction procedure to an autobiographical recall technique. Australian Journal of Psychology, 73(4), 438-451, https://doi.org/10.1080/00049530.2021.1997553Ekman, P. (1992). An argument for basic emotions. Cognition and Emotion, 6, 169-200. https://doi.org/10.1080/02699939208411068Fiedler, K. (2000). Toward an integrative account of affect and cognition phenomena using the BIAS computer algorithm. In J. P. Forgas (Ed.), Feeling and thinking: The role of affect in social cognition (pp. 223–252). Cambridge University Press.Field, A. P. (2009). Discovering statistics using SPSS: And sex and drugs and rock ‘n’ roll (3rd ed.). Sage Publications.Forgas, J. P. (2000). Feeling and thinking: The role of affect in social cognition. Cambridge University Press.Forgas, J. P., & George, J. M. (2001). Affective influences on judgments and behavior in organizations: An information processing perspective. Organizational Behavior and Human Decision Processes, 86(1), 3–34. https://doi.org/10.1006/obhd.2001.2971Gamito, P., & Rosa, P. J. (2014). I see you, you see me: Inferring cognitive and emotional processes from gazing behaviour. Cambridge Scholars Publishing.Galinha, I. C., & Pais-Ribeiro, J. L. (2005). Contribuição para o estudo da versão Portuguesa da Positive and Negative Affect Schedule (PANAS): II - Estudo psicométrico. Análise Psicológica, 23, 219-227. https://doi.org/10.14417/ap.84George, J. M., & Zhou, J. (2002). Understanding when bad moods foster creativity and good ones don't: the role of context and clarity of feelings. Journal of Applied Psychology, 87(4), 687-697. https://doi.org/10.1037/0021-9010.87.4.687George, J. M., & Zhou, J. (2007). Dual tuning in a supportive context: Joint contributions of positive mood, negative mood, and supervisory behaviors to employee creativity. Academy of Management Journal, 50(3), 605–622. https://doi.org/10.2307/20159875Glaveanu, V. P., Hanchett Hanson, M., Baer, J., Barbot, B., Clapp, E.P., Corazza, G.E., & Montuori, A. (2020). Advancing creativity theory and research: A socio-cultural manifesto. The Journal of Creative Behavior, 54(3), 741-745. https://doi.org/10.1002/jocb.395Guilford, J. P. (1950). Creativity. American Psychologist, 5, 444–454. https://doi.org/10.1037/h0063487Hair, J., Black, W., Babin, B., & Anderson, R. (2010). Multivariate data analysis (7th ed.). Prentice Hall.Ibérico Nogueira, S., & Almeida, A. (2019). Who are they? Creativity and Innovativeness: Featuring Workers. Revista Sul Americana de Psicologia. 7(1), 32-54.Ibérico Nogueira, S., Almeida, M., & Souza Lima, T. (2019). Test For Creative Thinking-Drawing Production (TCT-DP): A Revised Factorial Structure In An Adult Sample. In C. Pracana and M. Wang (Eds), Psychology Applications & Developments V (pp. 14-23). InScience Press.Ibérico Nogueira, S., Almeida, L., & Lima, T. (2018, July). In the path of Two Tracks of Thought: A Structural Model of the Test for Creative Thinking-Drawing Production (TCT-DP), over the school years in Portuguese context. 16th ICIE conference 2018 on Excellence, Innovation, & Creativity in Basic-Higher Education & Psychology - University Paris Descartes, July 3-6, 2018.Ibérico Nogueira, S., Almeida, L., & Lima, T. S. (2017a). Two Tracks of Thought: A Structural Model of the Test for Creative Thinking-Drawing Production (TCT-DP). Creativity Research Journal, 29(2), 206–211. https://doi.org/10.1080/10400419.2017.1303312Ibérico Nogueira, S., Almeida, M., & Lima, T. (2017b). Construct Validity of the TCT- DP In Different School Levels. In C. Pracana and M. Wang (Eds). Psychology Applications & Developments III (pp. 182-191). InScience Press.Isen, A. M., Daubman, K. A., & Nowicki, G. P. (1987). Positive Affect Facilitates Creative Problem Solving. Journal of Personality and Social Psychology, 52(6), 1122-1131. https://doi.org/10.1037/0022-3514.52.6.1122Jaarsveld, S., Lachmann, T., & Leeuwen, C. V. (2012). Creative reasoning across developmental levels: Convergence and divergence in problem creation. Intelligence, 40, 172- 188. https://doi.org/10.1016/j.intell.2012.01.002JASP Team. (2022). JASP (Version 0.16.2) [Computer Software]. University of Amsterdam.Kaufman, J. C., & Beghetto, R. A. (2009). Beyond Big and Little: The Four C Model of Creativity. Review of General Psychology, 13(1), 1-12.Kaufmann, J. C. (2003). What to measure? A new look at the concept of creativity. Scandinavian Journal of Educational Research, 47(3), 235-251. https://doi.org/ 10.1080/0031383032000079227Kaufmann, G., & Vosburg, S. K. (2002). The Effects of Mood on Early and Late Idea Production. Creativity Research Journal, 14(3), 317-330. https://doi.org/10.1207/S15326934CRJ1434_3Kim, K. H. (2006). Is creativity unidimensional or multidimensional? Analyses of the torrance tests of creative thinking. Creativity Research Journal, 18(3), 251–259. doi:10.1207/s15326934crj1803_2Lang, P. J., Bradley, M. M., & Cuthbert, B. N. (2005). International affective picture system (IAPS): Instruction manual and affective ratings. Technical Report A6. University of Florida.Lai, Y. C., Pen, S. L., Huang, P. S., & Chen, H. C. (2020). The Impact of Affective States and Affective Shifts on Creative Ideation and Evaluation. Journal of Creative Behavior, 55(1), 130-144. https://doi.org/10.1002/jocb.440LeDoux, J. (1996). The emotional brain: The mysterious underpinnings of emotional life. Simon & Schuster.Leung, A. K. Y., Liou, S., Qiu, L., Kwan, L. Y. Y., Chiu, C. Y., & Yong, J. C. (2014). The role of instrumental emotion regulation in the emotions–creativity link: How worries render individuals with high neuroticism more creative. Emotion, 14, 846–856.Lúcio, P., & Chiodi, S. L. (2021). Avaliação da criatividade: passado, presente e futuro. In J. Berg, C. L. B. Vestena, C., Costa-Lobo, & V. L.Fernández (Orgs.), Criatividade e desenvolvimento humano (pp. 63-79). Pimenta Cultural. 10.31560/pimentacultural/2021.596.63-79Mednick, S. A. (1962). The associative basis of the creative process. Psychological Review, 44, 220–232. https://doi.org/10.1037/ h0048850.Mumford, M. D., Medeiros, K. E., & Partlow, P. J. (2012). Creative thinking: Processes, strategies, and knowledge. The Journal of Creative Behavior, 46, 30–47.Öhman, A., & Wiens, S. (2004). The Concept of an Evolved Fear Module and Cognitive Theories of Anxiety. In A. Manstead, N. Frijda, & A. Fischer (Eds.), Feelings and emotions: The Amsterdam symposium (pp. 58–80). Cambridge University Press. https://doi.org/10.1017/CBO9780511806582.005Parke, M. R., Seo, M. G., & Sherf, E. N. (2015). Regulating and facilitating: The role of emotional intelligence in maintaining and using positive affect for creativity. Journal of Applied Psychology, 100, 917–934.Posner, J., Russell, J. A., & Peterson, B. S. (2005). The circumplex model of affect: an integrative approach to affective neuroscience, cognitive development, and psychopathology. Development and psychopathology, 17(3), 715–734. https://doi.org/10.1017/S0954579405050340Rosa, P. J., Esteves, F., & Arriaga, P. (2012). Ver ou não ver, eis a questão. A relação entre atenção visual selectiva e emoção. In-Mind Português,3(1-4), 15-24.Rosa, P. J., Esteves, F., & Arriaga, P. (2015). Beyond Traditional Clinical Measurements for Screening Fears and Phobias. IEEE Transactions on Instrumentation and Measurement, 64(12), 3396-3404. https://doi.org/10.1109/TIM.2015.2450292Rosa, P. J., Caires, C., Costa, L., Rodelo, L., & Pinto, L. (2014). Affective and Psychophysiological Responses to Erotic Stimuli: Does Color Matter? In P. Gamito and P. J. Rosa (Eds.), I see me, you see me: inferring cognitive and emotional processes from gazing behavior (pp. 171-190). Cambridge Scholars Publishing.Rosa, P. J., Gamito, P., Oliveira J., Morais, D., Pavlovic, M., & Smyth, O. (2016). Uso de eye tracking em realidade virtual não imersiva para avaliação cognitiva. Psicologia, Saúde e Doenças, 17(1), 23-31 https://doi.org/10.15309/15psd170104Rosa, P. J., Gamito, P., Oliveira J., Morais, D., Pavlovic, M., Smyth, O., Maia, I., & Gomes, T. (2017). Eye movement analysis and cognitive assessment: the use of comparative visual search tasks in a non-immersive VR application. Methods of Information in Medicine, 56(2), 112-116. https://doi.org/10.3414/ME16-02-0006Rosa, P. J., Luz, F., Júnior, R., Oliveira, J., Morais, D., & Gamito, P. (2020). Adaptive Non-Immersive VR Environment for Eliciting Fear of Cockroaches: A Physiology-Driven Approach Combined with 3D-TV Exposure. International Journal of Psychological Research, 13(2), 99–108. https://doi.org/10.21500/20112084.4670Rosa, P. J., Oliveira, J., Alghazzawi, D., Fardoun, H., & Gamito, P. (2017). Affective and physiological correlates of the perception of unimodal and bimodal emotional stimuli. Psicothema, 29(3), 364-369. https://doi.org/10.7334/psicothema2016.272Runco, M. A. (2007). Creativity. Theories and themes: Research, development, and practice. Elsevier Academic Press. Russell, J. A. (1980). A circumplex model of affect. Journal of Personality and Social Psychology, 39(6), 1161–1178. https://doi.org/10.1037/h0077714Russell, J. A., & Bullock, M. (1985). Multidimensional scaling of emotional facial expressions: Similarity from preschoolers to adults. Journal of Personality and Social Psychology, 48(5), 1290–1298. https://doi.org/10.1037/0022-3514.48.5.1290Schwarz, N., & Clore, G. L. (2003). Mood as information: 20 years later. Psychological Inquiry, 14(3–4), 296–303. https://doi.org/10.1080/1047840X.2003.9682896.Schwarz, N., & Skurnik, I. (2003). Feeling and thinking: Implications for problem solving. In J. E. Davidson & R. J. Sternberg (Eds.), The psychology of problem solving (pp. 263–290). Cambridge University Press.Shavinina, L. V. (2001). A new wave of innovations in Psychology: high intellectual and creative educational multimedia technologies. Review of General Psychology, 5(3), 291-315. https://doi.org/10.1037//1089-2680.5.3.291Shin, Y., Kim, M., & Lee, S. H. (2016). Positive group affective tone and team creative performance and change-oriented organizational citizenship behavior: A moderated mediation model. The Journal of Creative Behavior, 53, 52–68.Spering, M., Wagener, D., & Funke, J. (2005). The role of emotions in complex problem- solving. Cognition & Emotion, 19(8), 1252–1261. https://doi.org/10.1080/02699930500304886.To, M. L., Fisher, C. D., Ashkanasy, N. M., & Zou, J. (2021). Feeling differently, creating together: Affect heterogeneity and creativity in project teams. Journal of Organizational Behavior, 42, 1228–1243.Sternberg, R. J. (2006). The Nature of Creativity. Creativity Research Journal, 18, 87-98. https://doi.org/10.1207/s15326934crj1801_10Tabachnick, B. G., & Fidell, L. S. (2012). Using multivariate statistics (6th ed.). Allyn and Bacon.Uhrig, M. K., Trautmann, N., Baumgärtner, U., Treede, R.-D., Henrich, F., Hiller, W., & Marschall, S. (2016). Emotion elicitation: A comparison of pictures and films. Frontiers in Psychology, 7, Article 180. https://doi.org/10.3389/fpsyg.2016.00180Urban, K. K., & Jellen, H. G. (1996). Manual of Test for Creative Thinking- Drawing Production (TCT-DP). Harcourt Test.Walla, P., & Panksepp, J. (2013). Neuroimaging Helps to Clarify Brain Affective Processing without Necessarily Clarifying Emotions. In K. N. Fountas (Ed.), Novel Frontiers of Advanced Neuroimaging. InTech. https://doi.org/10.5772/51761Watts, L. L., Mcintosh, T. J., Gibson, C., Mulhearn, T. J., Medeiros, K., Mecca, J. T., & Cohen-Charash, Y. (2019). Mild Affective Shifts and Creativity: Effects on Idea Generation, Evaluation, and Implementation Planning. Journal of Creative Behavior, 54(4), 985-1001.Watson, D., Clark, L. A., & Tellegen, A. (1988). Development and validation of brief measures of positive and negative affect: the PANAS scales. Journal of personality and social psychology, 54(6), 1063–1070. https://doi.org/10.1037//0022-3514.54.6.1063Westermann, R., Spies, K., Stahl, G., & Hesse, F. W. (1996). Relative effectiveness and validity of mood induction procedures: a meta-analysis. European Journal of Social Psychology, 26(4), 557–580. https://doi.org/10.1002/(sici)1099-0992(199607)26:4<557::aid-ejsp769>3.0.co;2-4Wilder, J. (1962), Basimetric Approach (Law Of Initial Value) To Biological Rhythms. Annals of the New York Academy of Sciences, 98, 1211-1220. https://doi.org/10.1111/j.1749-6632.1962.tb30629.xZajonc, R. B. (1980). Feeling and thinking: Preferences need no inferences. American Psychologist, 35(2), 151–175. https://doi.org/10.1037/0003-066X.35.2.151Zenasni, F., & Lubart, T. I. (2008). Emotion-Related Traits Moderate the Impact of Emotional State on Creative Performances. Journal of individual Differences, 29(3), 157-167. https://doi.org/10.1027/1614-0001.29.3.157Zenasni, F., Besançon, M., & Lubart, T. (2008). Creativity and tolerance of ambiguity: An empirical study. The Journal of Creative Behavior, 42(1), 61–73. https://doi .org/10.1002/j.2162-6057.2008.tb01080.xZeng, L., Proctor, R. W., & Salvendy, G. (2011). Can traditional divergent thinking tests be trusted in measuring and predicting real-world creativity? Creativity Research Journal, 23, 24–37. https://doi.org/10.1080/10400419.2011.545713info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.http://creativecommons.org/licenses/by-nc-nd/4.0https://revistas.usb.edu.co/index.php/IJPR/article/view/6497creativityconventional thinkingunconventional thinkingaffective statesTCT-DPEye TrackingCreatividadpensamiento convencionalpensamiento no convencionalestados afectivosTCT-DPseguimiento ocular¿Es el afecto negativo tan malo así? El efecto de los estados afectivos en el pensamiento creativo convencional y no convencional en estudiantes universitarios.¿Es el afecto negativo tan malo así? El efecto de los estados afectivos en el pensamiento creativo convencional y no convencional en estudiantes universitarios.Artículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Textinfo:eu-repo/semantics/articleJournal articleinfo:eu-repo/semantics/publishedVersionPublicationOREORE.xmltext/xml2742https://bibliotecadigital.usb.edu.co/bitstreams/97a5a09f-9e3e-4f6f-a638-46c576901bdd/download5a496cac38303e248666a965f8ca6a9fMD5110819/28974oai:bibliotecadigital.usb.edu.co:10819/289742025-08-22 11:59:23.589http://creativecommons.org/licenses/by-nc-nd/4.0https://bibliotecadigital.usb.edu.coRepositorio Institucional Universidad de San Buenaventura Colombiabdigital@metabiblioteca.com