They are not rocks, are words
Along history, has been said that one of the periods of greatest aesthetic splendor, in terms of the art of letters, was the period during which the human being conceived that existence was based in particular on the tragedy. In addition, we enjoyed of all tragic event, in the depths of existential...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2019
- Institución:
- Universidad Católica de Pereira
- Repositorio:
- Repositorio Institucional - RIBUC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.ucp.edu.co:10785/15434
- Acceso en línea:
- https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/287
http://hdl.handle.net/10785/15434
- Palabra clave:
- Rights
- openAccess
- License
- Derechos de autor 2019 Textos y Sentidos
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dc.title.eng.fl_str_mv |
They are not rocks, are words |
dc.title.spa.fl_str_mv |
No son rocas, son palabras |
title |
They are not rocks, are words |
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They are not rocks, are words |
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They are not rocks, are words |
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They are not rocks, are words |
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They are not rocks, are words |
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They are not rocks, are words |
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They are not rocks, are words |
description |
Along history, has been said that one of the periods of greatest aesthetic splendor, in terms of the art of letters, was the period during which the human being conceived that existence was based in particular on the tragedy. In addition, we enjoyed of all tragic event, in the depths of existential abyss, an extraordinary grasp transfiguration of ourselves as beings who before being meat and shape, we conceive as verb, word knotting feelings and thoughts to objects, the world and life. This tragic flavor that are in language has a dominant role: reveal that words surprise us due to his accuracy status condition and for their ability to trans-form reality in an imaginative event that requires a real understanding of things. With this decision, we are not ensuring that the language is the tragedy in which a multitude of facts that contradict human joviality shown; what I propose is that the language has, in some part of its structure, tragic features that characterize it because words recorded reality without discriminating good and bad, true and false and nonexistent or existing. In the words, simply an abstraction of everything and it does not indicate that each language is a baleful figuration of reality, but a faculty in which the whole is something real that pre-feels, similarly, both the notion of being as non-being. |
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2019 |
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2019-06-08 |
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2023-08-30T00:50:50Z |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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http://purl.org/coar/resource_type/c_6501 |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/287 |
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http://hdl.handle.net/10785/15434 |
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https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/287 http://hdl.handle.net/10785/15434 |
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https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/287/277 |
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Derechos de autor 2019 Textos y Sentidos https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
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https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
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openAccess |
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dc.publisher.spa.fl_str_mv |
Universidad Católica de Pereira |
dc.source.spa.fl_str_mv |
Textos y Sentidos; Núm. 12 (2015); 161 - 184 |
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2215-8820 2215-8812 |
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Universidad Católica de Pereira |
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Repositorio Institucional de la Universidad Católica de Pereira - RIBUC |
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2023-08-30T00:50:50Z2023-08-30T00:50:50Z2019-06-08https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/287http://hdl.handle.net/10785/15434Along history, has been said that one of the periods of greatest aesthetic splendor, in terms of the art of letters, was the period during which the human being conceived that existence was based in particular on the tragedy. In addition, we enjoyed of all tragic event, in the depths of existential abyss, an extraordinary grasp transfiguration of ourselves as beings who before being meat and shape, we conceive as verb, word knotting feelings and thoughts to objects, the world and life. This tragic flavor that are in language has a dominant role: reveal that words surprise us due to his accuracy status condition and for their ability to trans-form reality in an imaginative event that requires a real understanding of things. With this decision, we are not ensuring that the language is the tragedy in which a multitude of facts that contradict human joviality shown; what I propose is that the language has, in some part of its structure, tragic features that characterize it because words recorded reality without discriminating good and bad, true and false and nonexistent or existing. In the words, simply an abstraction of everything and it does not indicate that each language is a baleful figuration of reality, but a faculty in which the whole is something real that pre-feels, similarly, both the notion of being as non-being.A lo largo de la historia se ha dicho que uno de los períodos de mayor esplendor estético, en cuanto al arte de las letras, fue la época durante la cual el ser humano concibió que la existencia se fundamentaba, especialmente, en la tragedia. Y, disfrutamos de todo evento trágico porque allí, en lo hondo del precipicio existencial, captamos una extraordinaria transfiguración de nosotros mismos como seres que, antes de ser carne y forma, nos concebimos como verbo, palabra que anuda los sentimientos y pensamientos a los objetos, al mundo y a la vida. Este sabor trágico que hay en el lenguaje tiene una función preponderante: revelar que las palabras nos sorprenden por su condición de exactitud y, más aún, por su capacidad de trans-formar la realidad en un suceso imaginativo que exige una comprensión real de las cosas. Con esta sentencia no estamos aseverando que el lenguaje sea la tragedia en la que se muestra una multitud de hechos que se contraponen a la jovialidad humana; lo que propongo es que el lenguaje posee, en alguna parte de su estructura, rasgos trágicos que le caracterizan porque las palabras registran la realidad sin discriminar lo bueno y malo, lo cierto y lo falso o lo existente e inexistente. En las palabras, simplemente hay una abstracción de todo y ello no indica que cada lengua sea una figuración funesta de la realidad, sino una facultad en la que ese todo es algo real que presiente, de igual manera, tanto la noción del ser como la del no-ser.application/pdfspaUniversidad Católica de Pereirahttps://revistas.ucp.edu.co/index.php/textosysentidos/article/view/287/277Derechos de autor 2019 Textos y Sentidoshttps://creativecommons.org/licenses/by-nc/4.0/deed.es_EShttps://creativecommons.org/licenses/by-nc/4.0/deed.es_ESinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Textos y Sentidos; Núm. 12 (2015); 161 - 1842215-88202215-8812They are not rocks, are wordsNo son rocas, son palabrasArtículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionOspina Mondragón, WilmarPublication10785/15434oai:repositorio.ucp.edu.co:10785/154342025-01-27 18:59:08.605https://creativecommons.org/licenses/by-nc/4.0/deed.es_ESDerechos de autor 2019 Textos y Sentidosmetadata.onlyhttps://repositorio.ucp.edu.coRepositorio Institucional de la Universidad Católica de Pereira - RIBUCbdigital@metabiblioteca.com |