La piel de la arquitectura
The text makes an analytical reflection about architecture's materiality as the means by whichsymbolic intentions of the spatial experience are manifested in the concrete world.Supported on Pere Salabert's thesis from his book “Pintura anémica, cuerpo suculento”, theapplicability of the pr...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2019
- Institución:
- Universidad Católica de Pereira
- Repositorio:
- Repositorio Institucional - RIBUC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.ucp.edu.co:10785/11437
- Acceso en línea:
- https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1096
http://hdl.handle.net/10785/11437
- Palabra clave:
- Rights
- openAccess
- License
- Derechos de autor 2019 Arquetipo
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2022-06-01T19:51:21Z2022-06-01T19:51:21Z2019-08-29https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1096http://hdl.handle.net/10785/11437The text makes an analytical reflection about architecture's materiality as the means by whichsymbolic intentions of the spatial experience are manifested in the concrete world.Supported on Pere Salabert's thesis from his book “Pintura anémica, cuerpo suculento”, theapplicability of the presence of an architecture enticing tectonics through a manifestexpressivity is made evident, in contrast to another architecture that makes all kinds ofefforts to abstract from the world to simply become austere rationalityEste texto hace una reflexión analítica sobre la materialidad de la arquitectura como medio a través del cual se manifiesta en el mundo concreto la intención simbólica de la experiencia espacial. A partir de las tesis de Pere Salabert expuestas en su libro Pintura anémica, cuerpo suculento, se pone en evidencia la aplicabilidad de la existencia de una arquitectura que se engolosina en su tectónica acudiendo a la expresividad manifiesta, en contrapunto de otra arquitectura que hace toda clase de esfuerzos por abstraerse del mundo para convertirse en pura racionalidad austera.application/pdfspaUniversidad Católica de Pereirahttps://revistas.ucp.edu.co/index.php/arquetipo/article/view/1096/1071Derechos de autor 2019 Arquetipohttps://creativecommons.org/licenses/by-nc/4.0/deed.es_EShttps://creativecommons.org/licenses/by-nc/4.0/deed.es_ESinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Arquetipo; Núm. 1 (2010); 21-312539-39362215-9444La piel de la arquitecturaArtículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionChávez Giraldo, Juan DavidPublication10785/11437oai:repositorio.ucp.edu.co:10785/114372025-01-27 19:00:16.29https://creativecommons.org/licenses/by-nc/4.0/deed.es_ESDerechos de autor 2019 Arquetipometadata.onlyhttps://repositorio.ucp.edu.coRepositorio Institucional de la Universidad Católica de Pereira - RIBUCbdigital@metabiblioteca.com |
dc.title.spa.fl_str_mv |
La piel de la arquitectura |
title |
La piel de la arquitectura |
spellingShingle |
La piel de la arquitectura |
title_short |
La piel de la arquitectura |
title_full |
La piel de la arquitectura |
title_fullStr |
La piel de la arquitectura |
title_full_unstemmed |
La piel de la arquitectura |
title_sort |
La piel de la arquitectura |
description |
The text makes an analytical reflection about architecture's materiality as the means by whichsymbolic intentions of the spatial experience are manifested in the concrete world.Supported on Pere Salabert's thesis from his book “Pintura anémica, cuerpo suculento”, theapplicability of the presence of an architecture enticing tectonics through a manifestexpressivity is made evident, in contrast to another architecture that makes all kinds ofefforts to abstract from the world to simply become austere rationality |
publishDate |
2019 |
dc.date.issued.none.fl_str_mv |
2019-08-29 |
dc.date.accessioned.none.fl_str_mv |
2022-06-01T19:51:21Z |
dc.date.available.none.fl_str_mv |
2022-06-01T19:51:21Z |
dc.type.spa.fl_str_mv |
Artículo de revista |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.coar.none.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.coarversion.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.driver.none.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.version.none.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1096 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/10785/11437 |
url |
https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1096 http://hdl.handle.net/10785/11437 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1096/1071 |
dc.rights.spa.fl_str_mv |
Derechos de autor 2019 Arquetipo https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
dc.rights.uri.spa.fl_str_mv |
https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
dc.rights.accessrights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
Derechos de autor 2019 Arquetipo https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Universidad Católica de Pereira |
dc.source.spa.fl_str_mv |
Arquetipo; Núm. 1 (2010); 21-31 |
dc.source.none.fl_str_mv |
2539-3936 2215-9444 |
institution |
Universidad Católica de Pereira |
repository.name.fl_str_mv |
Repositorio Institucional de la Universidad Católica de Pereira - RIBUC |
repository.mail.fl_str_mv |
bdigital@metabiblioteca.com |
_version_ |
1828143386229473280 |