Spectators involved in the work of contemporary art
The interest of this article aims to describe the art after avant-gardeunderstanding from different parameters to which regulated the art object as an art ofrepresentation. Nowadays art has become the environment real and it has expanded intosocial and communicative actions involving the viewer in n...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2019
- Institución:
- Universidad Católica de Pereira
- Repositorio:
- Repositorio Institucional - RIBUC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.ucp.edu.co:10785/15116
- Acceso en línea:
- https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1075
http://hdl.handle.net/10785/15116
- Palabra clave:
- Rights
- openAccess
- License
- Derechos de autor 2019 Arquetipo
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2023-08-30T00:46:17Z2023-08-30T00:46:17Z2019-08-28https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1075http://hdl.handle.net/10785/15116The interest of this article aims to describe the art after avant-gardeunderstanding from different parameters to which regulated the art object as an art ofrepresentation. Nowadays art has become the environment real and it has expanded intosocial and communicative actions involving the viewer in new forms of participation andaction. To analyze the changing role of the viewer it was taken as main reference theconcepts of game, party and symbol of Hans-Georg Gadamer as categories that help us tounderstand, to theorize and to approach to contemporary art. These three concepts showthat contemporary art demands an active and participatory audience able to immersethemselves in the aesthetic creation.El interés del presente artículo se orienta a describir el arte después de la vanguardia entendido bajo parámetros diferentes a los que regularon el objeto arte como un arte de la representación. El arte de hoy ha vuelto real el entorno y se ha expandido hacia pretensiones sociales y comunicativas que involucran al espectador en nuevas formas de participación y acción. Para el análisis del nuevo papel del espectador se tomó como principal referente los conceptos de juego, fiesta y símbolo de Hans-Georg Gadamer como categorías que nos permiten comprender, teorizar y acercarnos a la obra contemporánea. Estos tres conceptos evidencian que el arte contemporáneo reclama un espectador activo y participativo capaz de sumergirse en la creación estética.application/pdfspaUniversidad Católica de Pereirahttps://revistas.ucp.edu.co/index.php/arquetipo/article/view/1075/1055Derechos de autor 2019 Arquetipohttps://creativecommons.org/licenses/by-nc/4.0/deed.es_EShttps://creativecommons.org/licenses/by-nc/4.0/deed.es_ESinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Arquetipo; Núm. 3 (2011); 85-942539-39362215-9444Spectators involved in the work of contemporary artEspectadores inmersos en la 85 obra de arte contemporáneaArtículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionsaza Echeverry, María IsabelPublication10785/15116oai:repositorio.ucp.edu.co:10785/151162025-01-27 18:58:07.721https://creativecommons.org/licenses/by-nc/4.0/deed.es_ESDerechos de autor 2019 Arquetipometadata.onlyhttps://repositorio.ucp.edu.coRepositorio Institucional de la Universidad Católica de Pereira - RIBUCbdigital@metabiblioteca.com |
| dc.title.eng.fl_str_mv |
Spectators involved in the work of contemporary art |
| dc.title.spa.fl_str_mv |
Espectadores inmersos en la 85 obra de arte contemporánea |
| title |
Spectators involved in the work of contemporary art |
| spellingShingle |
Spectators involved in the work of contemporary art |
| title_short |
Spectators involved in the work of contemporary art |
| title_full |
Spectators involved in the work of contemporary art |
| title_fullStr |
Spectators involved in the work of contemporary art |
| title_full_unstemmed |
Spectators involved in the work of contemporary art |
| title_sort |
Spectators involved in the work of contemporary art |
| description |
The interest of this article aims to describe the art after avant-gardeunderstanding from different parameters to which regulated the art object as an art ofrepresentation. Nowadays art has become the environment real and it has expanded intosocial and communicative actions involving the viewer in new forms of participation andaction. To analyze the changing role of the viewer it was taken as main reference theconcepts of game, party and symbol of Hans-Georg Gadamer as categories that help us tounderstand, to theorize and to approach to contemporary art. These three concepts showthat contemporary art demands an active and participatory audience able to immersethemselves in the aesthetic creation. |
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2019 |
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2019-08-28 |
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2023-08-30T00:46:17Z |
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2023-08-30T00:46:17Z |
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Artículo de revista |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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http://purl.org/coar/resource_type/c_6501 |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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info:eu-repo/semantics/article |
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info:eu-repo/semantics/publishedVersion |
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https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1075 |
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http://hdl.handle.net/10785/15116 |
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https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1075 http://hdl.handle.net/10785/15116 |
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spa |
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spa |
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https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1075/1055 |
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Derechos de autor 2019 Arquetipo https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
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https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
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info:eu-repo/semantics/openAccess |
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application/pdf |
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Universidad Católica de Pereira |
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Arquetipo; Núm. 3 (2011); 85-94 |
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2539-3936 2215-9444 |
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Universidad Católica de Pereira |
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Repositorio Institucional de la Universidad Católica de Pereira - RIBUC |
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bdigital@metabiblioteca.com |
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1828143556128145408 |