Los imaginarios sociales de violencia en las estéticas narratológicas de las crónicas negras en Pereira.
Epistemological conceptions based on logical empiricism, critical rationalism and critical theory have allowed different explanations of phenomena of reality in their physical, social and metaphysical explanations in contemporary paradigms underlying the ethical and aesthetic. In this sense, the chr...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2019
- Institución:
- Universidad Católica de Pereira
- Repositorio:
- Repositorio Institucional - RIBUC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.ucp.edu.co:10785/15548
- Acceso en línea:
- https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/1020
http://hdl.handle.net/10785/15548
- Palabra clave:
- Rights
- openAccess
- License
- Derechos de autor 2019 Textos y Sentidos
| Summary: | Epistemological conceptions based on logical empiricism, critical rationalism and critical theory have allowed different explanations of phenomena of reality in their physical, social and metaphysical explanations in contemporary paradigms underlying the ethical and aesthetic. In this sense, the chronicles are monuments that from the narratological aesthetics of living chroniclers in Pereira get an approach to the social imaginary of violence represented in tales and facts in the history of this city. A history that has made visible through metaphors, fabrications, symbols, tragedies and dreams from the pen of omniscient narrators, who made and make from the reality an opportunity for designing aesthetically experiences, rituals and myths of Pereirans through chronicles that recreate the spirit of the city such as: “Kisses like bullets” and “Do not shoot, I’m only the chronicler”. |
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