New images and dressed bodies
As a complement of this inquire, we search for the possibility to understand the bodyas an image and the dress as a medium, as a way to apprehend the constant creationprocess that human being do with its appearance. But for that, we cannot stand on theold paradigms that define the image like somethi...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2019
- Institución:
- Universidad Católica de Pereira
- Repositorio:
- Repositorio Institucional - RIBUC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.ucp.edu.co:10785/11400
- Acceso en línea:
- https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1054
http://hdl.handle.net/10785/11400
- Palabra clave:
- Rights
- openAccess
- License
- Derechos de autor 2019 Arquetipo
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2022-06-01T19:51:17Z2022-06-01T19:51:17Z2019-08-22https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1054http://hdl.handle.net/10785/11400As a complement of this inquire, we search for the possibility to understand the bodyas an image and the dress as a medium, as a way to apprehend the constant creationprocess that human being do with its appearance. But for that, we cannot stand on theold paradigms that define the image like something out of the man, but like somethingthat inhabits and shape him, we have to know what imply the new images and theconceptual transformations that deliver to this timeEn el texto se rastrea la posibilidad de entender al vestido como medio y al cuerpo como imagen, como manera de aprehender el proceso de creación constante que el ser humano hace de su apariencia. Para ello, se define la relación vital entre imagen y cuerpo algo que lo habita y modela, y se exploran las implicaciones de las nuevas imágenes y las transformaciones conceptuales del mundo contemporáneo.application/pdfspaUniversidad Católica de Pereirahttps://revistas.ucp.edu.co/index.php/arquetipo/article/view/1054/1033Derechos de autor 2019 Arquetipohttps://creativecommons.org/licenses/by-nc/4.0/deed.es_EShttps://creativecommons.org/licenses/by-nc/4.0/deed.es_ESinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Arquetipo; Núm. 5 (2012); 63-742539-39362215-9444New images and dressed bodiesNuevas imágenes y cuerpos vestidos.Artículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionFernández Silva, ClaudiaPublication10785/11400oai:repositorio.ucp.edu.co:10785/114002025-01-27 18:59:36.898https://creativecommons.org/licenses/by-nc/4.0/deed.es_ESDerechos de autor 2019 Arquetipometadata.onlyhttps://repositorio.ucp.edu.coRepositorio Institucional de la Universidad Católica de Pereira - RIBUCbdigital@metabiblioteca.com |
dc.title.eng.fl_str_mv |
New images and dressed bodies |
dc.title.spa.fl_str_mv |
Nuevas imágenes y cuerpos vestidos. |
title |
New images and dressed bodies |
spellingShingle |
New images and dressed bodies |
title_short |
New images and dressed bodies |
title_full |
New images and dressed bodies |
title_fullStr |
New images and dressed bodies |
title_full_unstemmed |
New images and dressed bodies |
title_sort |
New images and dressed bodies |
description |
As a complement of this inquire, we search for the possibility to understand the bodyas an image and the dress as a medium, as a way to apprehend the constant creationprocess that human being do with its appearance. But for that, we cannot stand on theold paradigms that define the image like something out of the man, but like somethingthat inhabits and shape him, we have to know what imply the new images and theconceptual transformations that deliver to this time |
publishDate |
2019 |
dc.date.issued.none.fl_str_mv |
2019-08-22 |
dc.date.accessioned.none.fl_str_mv |
2022-06-01T19:51:17Z |
dc.date.available.none.fl_str_mv |
2022-06-01T19:51:17Z |
dc.type.spa.fl_str_mv |
Artículo de revista |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.coar.none.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.coarversion.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.driver.none.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.version.none.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1054 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/10785/11400 |
url |
https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1054 http://hdl.handle.net/10785/11400 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1054/1033 |
dc.rights.spa.fl_str_mv |
Derechos de autor 2019 Arquetipo https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
dc.rights.uri.spa.fl_str_mv |
https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
dc.rights.accessrights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
Derechos de autor 2019 Arquetipo https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Universidad Católica de Pereira |
dc.source.spa.fl_str_mv |
Arquetipo; Núm. 5 (2012); 63-74 |
dc.source.none.fl_str_mv |
2539-3936 2215-9444 |
institution |
Universidad Católica de Pereira |
repository.name.fl_str_mv |
Repositorio Institucional de la Universidad Católica de Pereira - RIBUC |
repository.mail.fl_str_mv |
bdigital@metabiblioteca.com |
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1828143396104962048 |