CIUDADELAS EN CONFLICTO. Tesis de Maestría
‘Ciudadelas en los conflictos” es una tesis de Maestría que quiere mostrar cómo el proceso conceptual de la fotografía va de la realidad a la representación por modelos, pero también cómo las representaciones de estos modelos adquieren un nuevo sig...
- Autores:
-
Jaramillo, Santiago Escobar
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2015
- Institución:
- Universidad de Caldas
- Repositorio:
- Repositorio Institucional U. Caldas
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.ucaldas.edu.co:ucaldas/13595
- Acceso en línea:
- https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/489
- Palabra clave:
- Colombia
conflict
displacement
photography
space
Colombia
conflicto
espacio
desplazamiento
fotografía
- Rights
- openAccess
- License
- Derechos de autor 2015 Revista Kepes
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CIUDADELAS EN CONFLICTO. Tesis de Maestría |
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Citadels in Conflict –Dissertation Project– |
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CIUDADELAS EN CONFLICTO. Tesis de Maestría |
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CIUDADELAS EN CONFLICTO. Tesis de Maestría Colombia conflict displacement photography space Colombia conflicto espacio desplazamiento fotografía |
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CIUDADELAS EN CONFLICTO. Tesis de Maestría |
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CIUDADELAS EN CONFLICTO. Tesis de Maestría |
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CIUDADELAS EN CONFLICTO. Tesis de Maestría |
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CIUDADELAS EN CONFLICTO. Tesis de Maestría |
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CIUDADELAS EN CONFLICTO. Tesis de Maestría |
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Jaramillo, Santiago Escobar |
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Jaramillo, Santiago Escobar |
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Colombia conflict displacement photography space |
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Colombia conflict displacement photography space Colombia conflicto espacio desplazamiento fotografía |
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Colombia conflicto espacio desplazamiento fotografía |
| description |
‘Ciudadelas en los conflictos” es una tesis de Maestría que quiere mostrar cómo el proceso conceptual de la fotografía va de la realidad a la representación por modelos, pero también cómo las representaciones de estos modelos adquieren un nuevo significado, la realidad de virtualismo y la ilusión. Usar instalaciones o interactuar con modelos es inventar imaginarios, o llamar memorias, que podrían ser puestos sobre una base tangible para fotografiarlas después. Quiero reflexionar sobre ciudades imaginarias y la utopía de la guerra y el desplazamiento, imaginando cada foto como una ciudadela. Los modelos construidos que acompañan este texto se entienden como fortalezas, ya que incluyen, a veces al azar, todas las variables sociales, culturales y físicas que las ciudades tienen, como “imitación de la vida”. Una metáfora de las variadas e irónicas miradas de un desplazado, se podrían obtener al llegar a las ciudades o a los lugares urbanos. Por lo tanto, el ciudadano inesperado vive dentro de una ciudadela en el conflicto. El fenómeno de la guerra y el desplazamiento forzado son la cartografía de las nuevas ciudades en Colombia, que se registran en esta obra de una manera triste y satirizada. |
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ARANGO, M. (2007). Internally displaced Colombians speak out: let it be known. Geneve: International Displacement Monitoring Centre; Bogotá: Norwegian Refugee Council. AUTHOR. (2005). Citadels in Conflict. Manizales: National University of Colombia. ________. (2008a). One to Seventy-two. London: Goldsmiths, University of London. ________. (2008b). Soldier Inside, the fetish. Anthropology of Art II. London:Goldsmiths, University of London. ________. (2008c). Street Signs. Magazine – Autumn 2008. London: CUCR – Goldsmiths, University of London. ________. (1993). Camera Lucida: Reflections on Photography. London: Vintage. BAUDRILLARD, Jean. (1968). Le système des objets. Paris: Editions Gallimard. ________, Jean & NOUVEL, Jean. (2006). “Interviews”. Trans. by Author. En www.ddooss.org/articulos/entrevistas/J_Baudrillard.htm BAUMAN, Zygmunt. (2003). City of Fears, City of Hopes. London: CUCR, Goldsmiths College, University of London. BEARDSLEY, John. (2002). Guest Curator. Senior Lecturer at Harvard Universities Graduate School of Design. En www.andover.edu/Addison/exhibition/2002- Winter/eye.htm BELSEY, A. (1998). Journalism and ethics: Can they co-exist?. In M. KIERAN (Ed.), Media Ethics. London: Routledge. BENJAMIN, Walter. (1925-26a). The Arcades Project: Two versions of Paris capital of the 19th Century. Convoult on the Panorama. London. ________. (1925-26b). One-Way Street In One-Way Street and Other Writings. London: Verso 1985. BERGER, John. (1980). About Looking. London: Writers an Readers Publishing Cooperative, Ltd. BERGER, J. and MOHR, J. (1975). A Seventh Man: migrant workers in Europe. Cambridge: Granta Books. BLAKE, William. (1803/1863). Auguries of Innocence. rpo.library.utoronto.ca/poem/161.html. Originally published in Poems (1863), D.G ROSSETTI (Ed.). London. BORGES, Jorge Luis. (1962/1964). Labyrinths: selected stories & other writings.New York: New Directions Publishing Corporation. BOYLE, P., K. HALFACREE & V. ROBINSON. (1998). Exploring Contemporary Migration. Essex: Wesley Longman limited. BURNETT, R. (2004). How Images Think. London: The MIT Press. CABALLERO, Antonio. (2007). Revista Semana.com. En www.semana.com CAIRNS, Stephen. (2004). Drifting: Architecture and Migrancy. London: Routledge CALVINO, Italo. (1996). Six Memos for the Next Millenium: Visibility. Great Britain: Vintage. ________. (1997). Le città invisibili. Great Britain: Vintage. CLARKE, Graham. (1997). The Photograph. New York: Oxford University Press. COLEMAN, A. D. (1998). Depth of Field: Essays on Photography, Mass Media, Lens Culture. New Mexico. DALÍ, Salvador. (1944). Dream caused by the flight of a bee around a pomegranate, a second before waking up in ‘Surrealism’. London: Taschen. DE CERTEAU, M. (1984). The Practice of Everyday Life. Trans. S. Rendall. Berkeley: University of California Press. ELLISON, Ralph. (1952). Invisible Man. London: Penguin Books. ENGELS, F. (1845). The Condition of the Working Class in England. London: Penguin. FALCONI, José. (2007). Support letter. Boston: Curator Art Forum Harvard University. FALS BORDA, Orlando. (1969). Subversion and Social Change in Colombia. New York: Columbia University Press. FREEDBERG, D. (1989). The Power of Images. London: The University of Chicago Press. GAVIRIA, José Obdulio. (2008). El país según José Obdulio. Revista Cambio. Bogotá: Publicaciones Cambio. cambio.com.co/portadacambio/789/4445405- ag-3_3.html GELL, A. (1996). Vogel’s Net: Traps as Artworks and Artworks as Traps. Journal of Material Culture, 1: 15-38. GIBRAN, Kahlil. (1966). The Essential Kahlil Gibran. New York: Citadel Press. GILBERT, Alan. (1994). The Latin American Cities. London: Latin America Bureau. GOTTWALD, M. (2004). Protecting Colombian refugees in the Andean region: the fight against invisibility. Oxford: Oxford University Press. GROESZ, E. (1986). Language and the limits of the body: Kristeva and abjection. In E. GROSZ, T. THREADGOLD, D. NELLY, A. CHOLODENKO, E. COLLESS (Eds.), Futur*Fall: excursions into post-modernity. Sydney: Pathfinder Press and the Power Institute. GRUNDBERG, Andy. (1990). Crisis of the Real; writing on Photography 1974-1989. West Hanover: Apertura. HALLIDAY, Paul. (2008). MA Photography & Urban Cultures convenor. London: Goldsmiths, University of London. HORKHEIMER, M. & ADORNO, T. (1987). Dialectic of Enlightenment. Translated by John Cumming. New Cork: Continuum. HUMAN RIGHTS WATCH. (2005). Displaced and discarded: the plight of internally displaced persons in Bogotá and Cartagena. New York: Human Rights Watch. JACKSON, John A. (1986). Migration. Aspects of Modern Sociology. New York: Longman Inc. KEITH, M. (n.d.). Identity and the Spaces of Authenticity. London: Routledge. KUSHNER, T. & KNOW, K. (1999). Refugees in an Age of Genocide. London: Frank Class. LEFEBVRE, H. (1991). The Production of Space. Trans. D. Nicholson-Smith. Oxford: Blackwell. LEVI-STRAUSS, Claude. (1968). The Savage Mind. Chicago: The University of Chicago Press. LOS GAITEROS DE SAN JACINTO. (2006). Un Fuego de Sangre Pura. USA:Smithsonian Folkways Recordings. LOZANOVSKA, M. (1997). Abjection and architecture: the migrant house in multicultural Australia. In NALBANTOGLU G. B. and THAI W. C. (Eds.), Postcolonial Space(s), 1001-129. New York: Princeton Architectural Press. LÜBBERS, M. & AUTHOR. (2008). Attraction: ‘Operación Jaque’. London: Quickflicker Film Festival. LYNCH, Kevin. (1960). The Image of the City. Cambridge: M.I.T. Press. MANDANI, Mahmood. (1973). From Citizen to Refugee: Ugandan Asians Come to Britain. London: Francis Pinter. N.A. MARCUS, S. (1973). Reading the illegible city. In DYROS, H. J. and WOLFF, M. (Eds.), The Victorian City: Images and Realities. London: Routledge. MATISSE. French edition. New York: Simon & Schuster. MITCHELL, W. J. T. (2005). What do pictures want? Chicago: The University of Chicago Press. MONSALVE, Diego. (1927). Colombian cafetera. Barcelona: Artes Gráficas. MORTON, A. L. (1969). The English Utopia. London: Lawrence & Wishart. MUÑOZ, Manuel Ramiro. (2008). DVV International – Migration and Integration: Educational Needs and Forced Displacement in Colombia. Number 70. www.iiz-dvv. de/index.php?article_id=728&clang=1 NAGLE, Luz E. (2004). Colombian asylum seekers: what practitioners should know about the Colombian crisis. Washington: Georgetown Immigration Law Journal. NALBANTOGLU and W. C. THAI. (Eds.). Postcolonial Space(s). New York: Princeton University Press. NERUDA, Pablo. (1969). Twenty love poems and song of despair. London: Jonathan Cape. www.neruda.uchile.cl RAVENSTEIN, E. G. (1885). The Laws of Migration. London: Journal of the Royal Statistical Society. RESTREPO, José Alejandro. (2008). Cuerpo teológico - político: una entrevista a José Alejandro Restrepo. Trans by Author. Revista Arcadia. Bogotá. www. periodicoarteria.com/articulos/art3.htm RESTREPO, J. A. and SPAGAT, M. (2005). Colombia’s tipping point? London: International Institute for Strategic Studies. RILKE, Rainier Maria, (1975). Duino Elegies and The Sonnets To Orpheus. Translated by A. Poulin, Jr. Boston: Houghton Mifflin Company. SALDARRIAGA ROA, Alberto. (2001). La Arquitectura como Experiencia. Trans by Author. Bogotá: Villegas Editores. SENNETT, Richard. (1977). The Fall of Public Man. Cambridge: CUP Chaps. Faber and Faber. ________. (1994). Flesh and Stone: Chapter 7 Places Full of Time. New York: W.W Norton and Blackwell Company. SIMMIE, J. M. (1974). Citizens in Conflict: Social conflict and spatial inequality. London: Hutchinson and Co Ltd. SHIELDS, Rob. (2003). www.carleton.ca/~rshields/index.htm SONTAG, Susan. (2000). On Photography. New York: Penguin Books. STALLYBRASS, P. and WHITE, A. (1986). The Politics and Poetics of Transgression. London: Methuen. TAUSSIG, Michael T. (1980). Quoting a Colombian peasant. The Devil and Commodity Fetishism in South America. North Carolina: The University of North Carolina Press. ________. (1993). Mimesis and Alterity. New York: Routledge. ________. (1999). Defacement: Public secrecy and the labor of the negative. Stanford: Stanford University Press. Cover. UNHCR. (1984). Cartagena Declaration on Refugees. Geneva: Media Relations and Public Information Service. ________. (2008). 2007 Global Trends: Refugees, Asylum-seekers, Returnees, Internally Displaced and Stateless Person. http://unhcr.org/statistics/ STATISTICS/4852366f2.pdf VAN HEAR, N. & MCDOWELL, C. (Eds.). (2006). Catching fire: containing forced migration in a volatile world. Oxford: Lexington Books. WILLIAMS, Raymond. (1973). The Country and the City. New York: Oxford University Press. www.cambio.com.co/portadacambio/785/ARTICULO-WEB-NOTA_ INTERIOR_CAMBIO-4380169.html www.eltiempo.com/justicia/2008-03-04/ARTICULO-WEB-NOTA_ INTERIOR-3984686.html www.facebook.com/press/info.php?statistics www.jasminacibic.org & pandbshowcase.co.uk/archive/round1/visual/#%23 www.revistaarcadia.com/ediciones/32/portada1.html |
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Jaramillo, Santiago Escobarbe586117f64f6f3684def4e5b9133a3f5002015-10-07 00:00:002015-10-07 00:00:002015-10-071794-7111https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/4892462-8115‘Ciudadelas en los conflictos” es una tesis de Maestría que quiere mostrar cómo el proceso conceptual de la fotografía va de la realidad a la representación por modelos, pero también cómo las representaciones de estos modelos adquieren un nuevo significado, la realidad de virtualismo y la ilusión. Usar instalaciones o interactuar con modelos es inventar imaginarios, o llamar memorias, que podrían ser puestos sobre una base tangible para fotografiarlas después. Quiero reflexionar sobre ciudades imaginarias y la utopía de la guerra y el desplazamiento, imaginando cada foto como una ciudadela. Los modelos construidos que acompañan este texto se entienden como fortalezas, ya que incluyen, a veces al azar, todas las variables sociales, culturales y físicas que las ciudades tienen, como “imitación de la vida”. Una metáfora de las variadas e irónicas miradas de un desplazado, se podrían obtener al llegar a las ciudades o a los lugares urbanos. Por lo tanto, el ciudadano inesperado vive dentro de una ciudadela en el conflicto. El fenómeno de la guerra y el desplazamiento forzado son la cartografía de las nuevas ciudades en Colombia, que se registran en esta obra de una manera triste y satirizada.Abstract This dissertation Citadels in Conflict wants to show how the conceptual process of photography goes from reality to representation by models, but also how representations of these models acquire a new significance, the reality of virtualism and illusion. To use installations or interact with models is to invent imaginaries –or to call memories– that could be placed on a tangible base… and later photographed. I want to reflect on imaginary cities and the utopia of war and displacement, picturing each photo as a citadel. The constructed models accompanying this text are understood as citadels, for they include –sometimes randomly– all social, cultural and physical variables that cities have, or as “imitations of life”. A metaphor of the varied and ironic glances a desplazado could get when arriving in cities or any other urban places. Therefore, the unexpected citizen dwells inside a citadel in conflict. The phenomena of war and forced displacement are mapping new cities in Colombia in sad and iconic ways as satirized in these sixteen images.application/pdfspauniversidad de CaldasDerechos de autor 2015 Revista Kepeshttps://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/489ColombiaconflictdisplacementphotographyspaceColombiaconflictoespaciodesplazamientofotografíaCIUDADELAS EN CONFLICTO. Tesis de MaestríaCitadels in Conflict –Dissertation Project–Artículo de revistaSección ArtículosJournal Articlehttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Textinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a8524962117KepesARANGO, M. (2007). Internally displaced Colombians speak out: let it be known. Geneve: International Displacement Monitoring Centre; Bogotá: Norwegian Refugee Council.AUTHOR. (2005). Citadels in Conflict. Manizales: National University of Colombia.________. (2008a). One to Seventy-two. London: Goldsmiths, University of London.________. (2008b). Soldier Inside, the fetish. Anthropology of Art II. London:Goldsmiths, University of London.________. (2008c). Street Signs. Magazine – Autumn 2008. London: CUCR – Goldsmiths, University of London.________. (1993). Camera Lucida: Reflections on Photography. London: Vintage.BAUDRILLARD, Jean. (1968). Le système des objets. Paris: Editions Gallimard.________, Jean & NOUVEL, Jean. (2006). “Interviews”. Trans. by Author. En www.ddooss.org/articulos/entrevistas/J_Baudrillard.htmBAUMAN, Zygmunt. (2003). City of Fears, City of Hopes. London: CUCR, Goldsmiths College, University of London.BEARDSLEY, John. (2002). Guest Curator. Senior Lecturer at Harvard Universities Graduate School of Design. En www.andover.edu/Addison/exhibition/2002- Winter/eye.htmBELSEY, A. (1998). Journalism and ethics: Can they co-exist?. In M. KIERAN (Ed.), Media Ethics. London: Routledge.BENJAMIN, Walter. (1925-26a). The Arcades Project: Two versions of Paris capital of the 19th Century. Convoult on the Panorama. London.________. (1925-26b). One-Way Street In One-Way Street and Other Writings. London: Verso 1985.BERGER, John. (1980). About Looking. London: Writers an Readers Publishing Cooperative, Ltd.BERGER, J. and MOHR, J. (1975). A Seventh Man: migrant workers in Europe. Cambridge: Granta Books.BLAKE, William. (1803/1863). Auguries of Innocence. rpo.library.utoronto.ca/poem/161.html. Originally published in Poems (1863), D.G ROSSETTI (Ed.). London.BORGES, Jorge Luis. (1962/1964). Labyrinths: selected stories & other writings.New York: New Directions Publishing Corporation.BOYLE, P., K. HALFACREE & V. ROBINSON. (1998). Exploring Contemporary Migration. Essex: Wesley Longman limited.BURNETT, R. (2004). How Images Think. London: The MIT Press.CABALLERO, Antonio. (2007). Revista Semana.com. En www.semana.comCAIRNS, Stephen. (2004). Drifting: Architecture and Migrancy. London: RoutledgeCALVINO, Italo. (1996). Six Memos for the Next Millenium: Visibility. Great Britain: Vintage.________. (1997). Le città invisibili. Great Britain: Vintage.CLARKE, Graham. (1997). The Photograph. New York: Oxford University Press.COLEMAN, A. D. (1998). Depth of Field: Essays on Photography, Mass Media, Lens Culture. New Mexico.DALÍ, Salvador. (1944). Dream caused by the flight of a bee around a pomegranate, a second before waking up in ‘Surrealism’. London: Taschen.DE CERTEAU, M. (1984). The Practice of Everyday Life. Trans. S. Rendall. Berkeley: University of California Press.ELLISON, Ralph. (1952). Invisible Man. London: Penguin Books.ENGELS, F. (1845). The Condition of the Working Class in England. London: Penguin.FALCONI, José. (2007). Support letter. Boston: Curator Art Forum Harvard University.FALS BORDA, Orlando. (1969). Subversion and Social Change in Colombia. New York: Columbia University Press.FREEDBERG, D. (1989). The Power of Images. London: The University of Chicago Press.GAVIRIA, José Obdulio. (2008). El país según José Obdulio. Revista Cambio. Bogotá: Publicaciones Cambio. cambio.com.co/portadacambio/789/4445405- ag-3_3.htmlGELL, A. (1996). Vogel’s Net: Traps as Artworks and Artworks as Traps. Journal of Material Culture, 1: 15-38.GIBRAN, Kahlil. (1966). The Essential Kahlil Gibran. New York: Citadel Press.GILBERT, Alan. (1994). The Latin American Cities. London: Latin America Bureau.GOTTWALD, M. (2004). Protecting Colombian refugees in the Andean region: the fight against invisibility. Oxford: Oxford University Press.GROESZ, E. (1986). Language and the limits of the body: Kristeva and abjection. In E. GROSZ, T. THREADGOLD, D. NELLY, A. CHOLODENKO, E. COLLESS (Eds.), Futur*Fall: excursions into post-modernity. Sydney: Pathfinder Press and the Power Institute.GRUNDBERG, Andy. (1990). Crisis of the Real; writing on Photography 1974-1989. West Hanover: Apertura.HALLIDAY, Paul. (2008). MA Photography & Urban Cultures convenor. London: Goldsmiths, University of London.HORKHEIMER, M. & ADORNO, T. (1987). Dialectic of Enlightenment. Translated by John Cumming. New Cork: Continuum.HUMAN RIGHTS WATCH. (2005). Displaced and discarded: the plight of internally displaced persons in Bogotá and Cartagena. New York: Human Rights Watch.JACKSON, John A. (1986). Migration. Aspects of Modern Sociology. New York: Longman Inc.KEITH, M. (n.d.). Identity and the Spaces of Authenticity. London: Routledge.KUSHNER, T. & KNOW, K. (1999). Refugees in an Age of Genocide. London: Frank Class.LEFEBVRE, H. (1991). The Production of Space. Trans. D. Nicholson-Smith. Oxford: Blackwell.LEVI-STRAUSS, Claude. (1968). The Savage Mind. Chicago: The University of Chicago Press.LOS GAITEROS DE SAN JACINTO. (2006). Un Fuego de Sangre Pura. USA:Smithsonian Folkways Recordings.LOZANOVSKA, M. (1997). Abjection and architecture: the migrant house in multicultural Australia. In NALBANTOGLU G. B. and THAI W. C. (Eds.), Postcolonial Space(s), 1001-129. New York: Princeton Architectural Press.LÜBBERS, M. & AUTHOR. (2008). Attraction: ‘Operación Jaque’. London: Quickflicker Film Festival.LYNCH, Kevin. (1960). The Image of the City. Cambridge: M.I.T. Press.MANDANI, Mahmood. (1973). From Citizen to Refugee: Ugandan Asians Come to Britain. London: Francis Pinter. N.A.MARCUS, S. (1973). Reading the illegible city. In DYROS, H. J. and WOLFF, M. (Eds.), The Victorian City: Images and Realities. London: Routledge.MATISSE. French edition. New York: Simon & Schuster.MITCHELL, W. J. T. (2005). What do pictures want? Chicago: The University of Chicago Press.MONSALVE, Diego. (1927). Colombian cafetera. Barcelona: Artes Gráficas.MORTON, A. L. (1969). The English Utopia. 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