The mobile aesthetics of cell phone made films: from the pixel to the everyday
El artículo se enfoca en el análisis de la estética que han adquirido las cámaras de los teléfonos celulares, los cuales dadas sus limitaciones de captura, sonido, tienden a configurar un nuevo lenguaje. Tras revisar la obra de algunos artistas dedicados a la creación de fi...
- Autores:
-
Caridad Botella
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2015
- Institución:
- Universidad de Caldas
- Repositorio:
- Repositorio Institucional U. Caldas
- Idioma:
- eng
- OAI Identifier:
- oai:repositorio.ucaldas.edu.co:ucaldas/13501
- Acceso en línea:
- https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/463
- Palabra clave:
- low images resolution
cinema
language
cell phones
Baja resolución
cinema
lenguaje
teléfonos celulares
- Rights
- openAccess
- License
- Derechos de autor 2015 Revista Kepes
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The mobile aesthetics of cell phone made films: from the pixel to the everyday |
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The mobile aesthetics of cell phone made films: from the pixel to the |
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The mobile aesthetics of cell phone made films: from the pixel to the everyday |
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The mobile aesthetics of cell phone made films: from the pixel to the everyday low images resolution cinema language cell phones Baja resolución cinema lenguaje teléfonos celulares |
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The mobile aesthetics of cell phone made films: from the pixel to the everyday |
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The mobile aesthetics of cell phone made films: from the pixel to the everyday |
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The mobile aesthetics of cell phone made films: from the pixel to the everyday |
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The mobile aesthetics of cell phone made films: from the pixel to the everyday |
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The mobile aesthetics of cell phone made films: from the pixel to the everyday |
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Caridad Botella |
| dc.contributor.author.spa.fl_str_mv |
Caridad Botella |
| dc.subject.eng.fl_str_mv |
low images resolution cinema language cell phones |
| topic |
low images resolution cinema language cell phones Baja resolución cinema lenguaje teléfonos celulares |
| dc.subject.spa.fl_str_mv |
Baja resolución cinema lenguaje teléfonos celulares |
| description |
El artículo se enfoca en el análisis de la estética que han adquirido las cámaras de los teléfonos celulares, los cuales dadas sus limitaciones de captura, sonido, tienden a configurar un nuevo lenguaje. Tras revisar la obra de algunos artistas dedicados a la creación de films basados en la pobre característica técnica de los videos hechos en celular, como Roger Odin y desde la perspectiva teórica de autores como Camille Baker, Alessandro Amaducci, toma forma un aporte a la vertiente de los medios electrónicos y digitales y específicamente a las teorías de la imagen en movimiento, cuya utilidad permitirá a los creadores y estudiantes de cine o video tomar elementos que les sirvan a sus prácticas de creación. |
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2015-10-13 |
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Artículo de revista Sección Artículos |
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Kepes |
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Filmography GPS yourself by Rémi Boulnois, France, 45 sec., 2008 (Tags: Rémi Boulnois, GPS, cell phone, mobile phone, multimedia). La Paura by Pippo Delbono, Italy, 69 min., 2009 (Tags: Pippo Delbono, mobilementary, personal medium, window on the world, realism). La Perle by Marguerite Lantz, France, 4 min., 2006 (Tags: Marguerite Lantz, pictorialism, cell phone, mobile phone, pixelated image). Max with a Keitai by Max Schleser, UK, 5 min., 2006 (Tags: Max Schleser, cell phone, mobile phone, mobile aesthetics, keitai, Japan). New Love Meetings by Marcello Mencarini and Barbara Seghezzi, Italy, 93 min.,2006 (Tags: Marcelo Mencarini, Barbara Seghezzi, cell phone, mobile phone, pixilated image, documentary). Nocturne pour le roi de Rome by Jean Charles Fitoussi, France, 80 min., 2005 (Tags:Charles Fitoussi, cell phone, mobile phone, diegesis of the pixel, feature film). Pisa Asciano by Raul Marroquin, NL, 4:13 min., 2007 (Tags: Raul Marroquin, video art, cell phone, mobile phone, pixelated image). SMS Sugar Man by Aryan Kaganof, SA, 81 min. 2005-2006 (Tags: Aryan Kaganof,cell phone, mobile phone, first feature film, pixelated image) Tourner en rond et se laisser consumer by Vincent Moon, France, 4 min., 2006 (Tags: Vincent Moon, cell phone, mobile phone, abstraction, short film). Triton by Benoît Labourdette, Fance, 62.02 min., 2007 (Tags: Benoît Labourdette, cell phone, mobile phone, abstraction, multiple frames, feature film). Why Didn’t anybody tell me it would get this bad in Afghanistan by Cyrus Frisch, 70 min, 2009 (Tags: Cyrus Frish, cell phone, mobile phone, feature film, pixelated image). |
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Núm. 8 , Año 2012 : Enero - Diciembre 2012 |
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https://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/463/388 |
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Caridad Botella1f64168e00f03a7e9935774136348a852015-10-13 00:00:002015-10-13 00:00:002015-10-131794-7111https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/4632462-8115El artículo se enfoca en el análisis de la estética que han adquirido las cámaras de los teléfonos celulares, los cuales dadas sus limitaciones de captura, sonido, tienden a configurar un nuevo lenguaje. Tras revisar la obra de algunos artistas dedicados a la creación de films basados en la pobre característica técnica de los videos hechos en celular, como Roger Odin y desde la perspectiva teórica de autores como Camille Baker, Alessandro Amaducci, toma forma un aporte a la vertiente de los medios electrónicos y digitales y específicamente a las teorías de la imagen en movimiento, cuya utilidad permitirá a los creadores y estudiantes de cine o video tomar elementos que les sirvan a sus prácticas de creación.Abstract The artcle focuses in the analysis of the aesthetics cell pone cameras have acquired which given their capture and sound limitations tend to configure a new  anguage. After revisiing the work of some artists dedicated to the creation of films based in the poor technical characteristic of videos taken with the cell phone, such as Roger Odin, and from the theoretical perspective of authors such as Camille Baker and Alessandro Amaducci a contribution to the electronic and digital media aspects takes form whose usefulness will allow the movies or video creators and students to take elements that can serve in their creation practices.application/pdfenguniversidad de CaldasDerechos de autor 2015 Revista Kepeshttps://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/463low images resolutioncinemalanguagecell phonesBaja resolucióncinemalenguajeteléfonos celularesThe mobile aesthetics of cell phone made films: from the pixel to the everydayThe mobile aesthetics of cell phone made films: from the pixel to theArtículo de revistaSección ArtículosJournal Articlehttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Textinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a85878739KepesFilmography GPS yourself by Rémi Boulnois, France, 45 sec., 2008 (Tags: Rémi Boulnois, GPS, cell phone, mobile phone, multimedia).La Paura by Pippo Delbono, Italy, 69 min., 2009 (Tags: Pippo Delbono, mobilementary, personal medium, window on the world, realism).La Perle by Marguerite Lantz, France, 4 min., 2006 (Tags: Marguerite Lantz, pictorialism, cell phone, mobile phone, pixelated image).Max with a Keitai by Max Schleser, UK, 5 min., 2006 (Tags: Max Schleser, cell phone, mobile phone, mobile aesthetics, keitai, Japan).New Love Meetings by Marcello Mencarini and Barbara Seghezzi, Italy, 93 min.,2006 (Tags: Marcelo Mencarini, Barbara Seghezzi, cell phone, mobile phone, pixilated image, documentary).Nocturne pour le roi de Rome by Jean Charles Fitoussi, France, 80 min., 2005 (Tags:Charles Fitoussi, cell phone, mobile phone, diegesis of the pixel, feature film).Pisa Asciano by Raul Marroquin, NL, 4:13 min., 2007 (Tags: Raul Marroquin, video art, cell phone, mobile phone, pixelated image).SMS Sugar Man by Aryan Kaganof, SA, 81 min. 2005-2006 (Tags: Aryan Kaganof,cell phone, mobile phone, first feature film, pixelated image) Tourner en rond et se laisser consumer by Vincent Moon, France, 4 min., 2006 (Tags: Vincent Moon, cell phone, mobile phone, abstraction, short film).Triton by Benoît Labourdette, Fance, 62.02 min., 2007 (Tags: Benoît Labourdette, cell phone, mobile phone, abstraction, multiple frames, feature film).Why Didn’t anybody tell me it would get this bad in Afghanistan by Cyrus Frisch, 70 min, 2009 (Tags: Cyrus Frish, cell phone, mobile phone, feature film, pixelated image).Núm. 8 , Año 2012 : Enero - Diciembre 2012https://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/463/388OREORE.xmltext/xml2582https://repositorio.ucaldas.edu.co/bitstream/ucaldas/13501/1/ORE.xml3823582f8e5461bf07c2c1e251e118a1MD51ucaldas/13501oai:repositorio.ucaldas.edu.co:ucaldas/135012021-05-30 10:16:16.285Repositorio Digital de la Universidad de Caldasbdigital@metabiblioteca.com |