Nadaísmo y vanguardia : porque no llegar es también el cumplimiento de un destino.

This paper proposes a new approach to the literary production of the nadaists and the theoretical positions around the group, with the aim of researching about the category of artist that the group set as their goal. The idea is to analyze the positioning of the nadaist artist within the different c...

Full description

Autores:
Fonseca Oviedo, Luis Antonio
Aguilar, Diana
Tipo de recurso:
Article of journal
Fecha de publicación:
2020
Institución:
Universidad Pedagógica Nacional
Repositorio:
Repositorio Institucional UPN
Idioma:
spa
OAI Identifier:
oai:repository.pedagogica.edu.co:20.500.12209/13997
Acceso en línea:
https://revistas.pedagogica.edu.co/index.php/revistafba/article/view/5151
http://hdl.handle.net/20.500.12209/13997
Palabra clave:
Nadaismo
Crítica
Artista
Vanguardia
Nadaism
Criticism
Artist
Vanguard
Rights
openAccess
License
https://creativecommons.org/licenses/by-nc/4.0
Description
Summary:This paper proposes a new approach to the literary production of the nadaists and the theoretical positions around the group, with the aim of researching about the category of artist that the group set as their goal. The idea is to analyze the positioning of the nadaist artist within the different controversies and points of view that witnessed the advent and development of Nadaism. We also seek to reconstruct those controversies that Nadaism provoked in traditional Colombian criticism and how such production created a debate around the ways of institutionalizing the literary work in terms of discussions between tradition/periphery, center/margin and high literature/low literature. In this order of ideas, we will try to answer questions such as: What role did Colombian critics play in the positioning of Nadaism as an rebellious group? How do they configure their idea of Nadaism from the attacks of tradition? What were the possibilities that scandal and public events offered to the development of Nadaism as a possible vanguard? This paper seeks not only to respond to these questions but to carry out a repositioning of the poetic group within the Colombian critical tradition.