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This essay seeks to trace the possible methodological routes of an artist who decides to create in a disciplinary liminal space. This space necessarily causes its own decentration in the ways of doing, creating and thinking. The relations of correspondence and otherness between disciplines produce o...

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Autores:: Aldana Vega, Juan Carlos

Tipo de recurso:: Article of journal

Fecha de publicación:: 2021

Institución:: Universidad Pedagógica Nacional

Repositorio:: Repositorio Institucional UPN

Idioma:: spa

Description
Summary:	This essay seeks to trace the possible methodological routes of an artist who decides to create in a disciplinary liminal space. This space necessarily causes its own decentration in the ways of doing, creating and thinking. The relations of correspondence and otherness between disciplines produce other ways and means of approaching creation in the artistic and knowledge field. This text intends to speak from one’s own experience, as a strategy to articulate thought relationships in artistic creation, as a way of verifying creation processes in spaces of turbulence and disciplinary contamination. Talking about one’s own experience of creation is necessary to link the creation processes with thought processes that can generate new epistemes in the field of the arts. Reflecting on the experience of creation is a way of articulating thought. The de-centering of the discipline or of the ways of doing implies an indisciplinary process. This process is based on synergistic operations between languages and disciplines of the arts that are possible in the Living Arts. This reflection arises from the experience as a student and as a visiting professor of the Interdisciplinary Master of Theater and Living Arts of the National University of Colombia. It opens up the need to collect the experience of creation and research over time, from the final result of master’s degree work and text.

Desobediencia aplicada.

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