La canción social latinoamericana en Calle 13. Un estudio desde la perspectiva histórica discursiva.

This research article presents the analysis of the linguistic resources, the discursive, and the rhetorical strategies present in the lyrics of Calle 13 in order to locate them within the tradition of the Latin American social song. For this, it is circumscribed to the discursive historical perspect...

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Autores:
Moreno Pineda, Víctor Alfonso
Silgado Ramos, Alex
Pérez Córdoba, Alder Luis
Pérez Córdoba, Alder Luis
Tipo de recurso:
Article of journal
Fecha de publicación:
2020
Institución:
Universidad Pedagógica Nacional
Repositorio:
Repositorio Institucional UPN
Idioma:
spa
OAI Identifier:
oai:repository.pedagogica.edu.co:20.500.12209/14249
Acceso en línea:
https://revistas.pedagogica.edu.co/index.php/RF/article/view/9329
http://hdl.handle.net/20.500.12209/14249
Palabra clave:
Calle 13
Canción social Latinoamericana
Perspectiva histórica discursiva
Macroestructuras semánticas
Intertextualidad
Interdiscursividad
Latin American social song
Discursive historical perspective
Semantic macrostructures
Intertextuality
Interdiscursivity
Canção social latino - Americana
Perspectiva discursiva histórica
Ma-Croestruturas semânticas
Intertextualidade
Interdiscursividade
Calle 13
Rights
openAccess
License
https://creativecommons.org/licenses/by-nc/4.0
Description
Summary:This research article presents the analysis of the linguistic resources, the discursive, and the rhetorical strategies present in the lyrics of Calle 13 in order to locate them within the tradition of the Latin American social song. For this, it is circumscribed to the discursive historical perspective, a theoretical-methodological approach which belongs to the multidisciplinary current of the CDA (Wodak, 2003; 2011). Following García Canclini (1977, 1990), the concept of Latin American social song is defined as a popular art form that belongs to Calle 13’s musical and lyrical proposal. The corpus of analysis consists of nine songs from this band, taken from its albums and collaborations. The work proposes categories of analysis like: semantic macrostructures, intertextuality and interdiscursivity, rhetorical figures and topoi. At the end, the researchers concluded thatCalle 13 participates in the Latin American social song, while its lyrics constitute a further possibility of exaltation of Latin American itself and of the appropriation of national and local cultural values. It is also a voice of resistance, denunciation, and anti-imperialist struggle.