Realities: de la tele-verdad a la tele-realidad
The frantic growth of the so-called “reality show” and its multiple facets has made it become the most polemical and criticized genre of modern television. The genesis of this format rests on the creation of thematic contests where the winning participants are then exposed to the audience just in th...
- Autores:
-
Arango Forero, Germán Antonio
- Tipo de recurso:
- Fecha de publicación:
- 2003
- Institución:
- Universidad de la Sabana
- Repositorio:
- Repositorio Universidad de la Sabana
- Idioma:
- spa
- OAI Identifier:
- oai:intellectum.unisabana.edu.co:10818/14357
- Acceso en línea:
- http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/420
http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/420/558
http://hdl.handle.net/10818/14357
- Palabra clave:
- Reality
Infoshow
Televisión
Audiencia
Protagonistas
Temáticas
- Rights
- License
- http://purl.org/coar/access_right/c_abf2
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Arango Forero, Germán Antonio2015-02-02T09:34:50Z2015-02-02T09:34:50Z20032003http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/420http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/420/558http://hdl.handle.net/10818/14357The frantic growth of the so-called “reality show” and its multiple facets has made it become the most polemical and criticized genre of modern television. The genesis of this format rests on the creation of thematic contests where the winning participants are then exposed to the audience just in the act of revealing all sorts of personal and private affairs in front of the cameras. Besides questioning the value of showing the real thing, the controversy goes beyond in wondering how actually truthful and natural this reality is, as conveyed through the television language, and even further conditioned by the protagonists themselves.El frenético crecimiento del reality y sus múltiples facetas lo han convertido en el género más polémico y criticado de la televisión contemporánea. La génesis de este formato se encuentra en la creación de concursos donde sus participantes develan toda suerte de intimidades frente a las cámaras. Y más allá de mostrar lo real, la polémica se sitúa en qué tan verdadera y natural es esa realidad mediatizada por el lenguaje de la televisión y condicionada incluso por sus propios protagonistas.spaUniversidad de la SabanaPalabra Clave; Vol 9 (2003): Reality: ¿nueva televisión o telebasura?This journal and its contents are the property of Universidad de La Sabana and, therefore, may be accessed solely for reading or printing, as a personal copy, but not for profit. Prior authorization from Universidad de La Sabana is required for any other use, such as the reproduction, transformation, public communication or distribution of said material for a profit.The names and email addresses included in Aquichán shall be used solely for the declared purposes of this journal and shall not be made available for any other purpose or to any other person.The articles published in this journal represent the opinions of their authors and do not necessarily reflect the official position of Universidad de La Sabana. A presente revista e seu conteúdo são propriedade da Universidade da Sabana e, consequentemente, só poderá se aceder a ela para leitura ou impressão, como cópia pessoal e sem fins lucrativos. Qualquer outra forma de utilização como reprodução, transformação, comunicação pública ou distribuição, com fins lucrativos, requer a autorização prévia da Universidade da Sabana.Os nomes e endereços de e-mail introduzidos nesta revista se usarão exclusivamente para os fins declarados e não estarão disponíveis para nenhum outro propósito ou outra pessoa.Os artigos que esta revista contém representam a opinião de seus autores e não constituem necessariamente a opinião da Universidade da Sabana.http://purl.org/coar/access_right/c_abf2Universidad de La SabanaRepositorio Institucional de la Universidad de La SabanaRealityInfoshowTelevisiónAudienciaProtagonistasTemáticasRealities: de la tele-verdad a la tele-realidadarticlepublishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_650110818/14357oai:intellectum.unisabana.edu.co:10818/143572019-09-11 10:19:01.992Intellectum Universidad de la Sabanacontactointellectum@unisabana.edu.co |
dc.title.es_CO.fl_str_mv |
Realities: de la tele-verdad a la tele-realidad |
title |
Realities: de la tele-verdad a la tele-realidad |
spellingShingle |
Realities: de la tele-verdad a la tele-realidad Reality Infoshow Televisión Audiencia Protagonistas Temáticas |
title_short |
Realities: de la tele-verdad a la tele-realidad |
title_full |
Realities: de la tele-verdad a la tele-realidad |
title_fullStr |
Realities: de la tele-verdad a la tele-realidad |
title_full_unstemmed |
Realities: de la tele-verdad a la tele-realidad |
title_sort |
Realities: de la tele-verdad a la tele-realidad |
dc.creator.fl_str_mv |
Arango Forero, Germán Antonio |
dc.contributor.author.none.fl_str_mv |
Arango Forero, Germán Antonio |
dc.subject.none.fl_str_mv |
Reality Infoshow Televisión Audiencia Protagonistas Temáticas |
topic |
Reality Infoshow Televisión Audiencia Protagonistas Temáticas |
description |
The frantic growth of the so-called “reality show” and its multiple facets has made it become the most polemical and criticized genre of modern television. The genesis of this format rests on the creation of thematic contests where the winning participants are then exposed to the audience just in the act of revealing all sorts of personal and private affairs in front of the cameras. Besides questioning the value of showing the real thing, the controversy goes beyond in wondering how actually truthful and natural this reality is, as conveyed through the television language, and even further conditioned by the protagonists themselves. |
publishDate |
2003 |
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2003 |
dc.date.issued.none.fl_str_mv |
2003 |
dc.date.accessioned.none.fl_str_mv |
2015-02-02T09:34:50Z |
dc.date.available.none.fl_str_mv |
2015-02-02T09:34:50Z |
dc.type.es_CO.fl_str_mv |
article |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.hasVersion.es_CO.fl_str_mv |
publishedVersion |
dc.identifier.other.es_CO.fl_str_mv |
http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/420 http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/420/558 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/10818/14357 |
url |
http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/420 http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/420/558 http://hdl.handle.net/10818/14357 |
dc.language.iso.es_CO.fl_str_mv |
spa |
language |
spa |
dc.relation.ispartofseries.none.fl_str_mv |
Palabra Clave; Vol 9 (2003): Reality: ¿nueva televisión o telebasura? |
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http://purl.org/coar/access_right/c_abf2 |
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http://purl.org/coar/access_right/c_abf2 |
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Universidad de la Sabana |
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Universidad de la Sabana |
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Universidad de La Sabana Repositorio Institucional de la Universidad de La Sabana |
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Universidad de la Sabana |
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Intellectum Universidad de la Sabana |
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