Realities: de la tele-verdad a la tele-realidad
The frantic growth of the so-called “reality show” and its multiple facets has made it become the most polemical and criticized genre of modern television. The genesis of this format rests on the creation of thematic contests where the winning participants are then exposed to the audience just in th...
- Autores:
-
Arango Forero, Germán Antonio
- Tipo de recurso:
- Fecha de publicación:
- 2003
- Institución:
- Universidad de la Sabana
- Repositorio:
- Repositorio Universidad de la Sabana
- Idioma:
- spa
- OAI Identifier:
- oai:intellectum.unisabana.edu.co:10818/14357
- Acceso en línea:
- http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/420
http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/420/558
http://hdl.handle.net/10818/14357
- Palabra clave:
- Reality
Infoshow
Televisión
Audiencia
Protagonistas
Temáticas
- Rights
- License
- http://purl.org/coar/access_right/c_abf2
Summary: | The frantic growth of the so-called “reality show” and its multiple facets has made it become the most polemical and criticized genre of modern television. The genesis of this format rests on the creation of thematic contests where the winning participants are then exposed to the audience just in the act of revealing all sorts of personal and private affairs in front of the cameras. Besides questioning the value of showing the real thing, the controversy goes beyond in wondering how actually truthful and natural this reality is, as conveyed through the television language, and even further conditioned by the protagonists themselves. |
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