La experiencia sustituida: Hacia la construcción tecnológica de la nostalgia

This essay reflects on the relationship between technology and experience based on Walter Benjamin (and several theoretical updates), who addresses the matter in an ambivalent way: simultaneous possibilities and risks. From there, a number of questions are raised concerning the aura, authenticity, m...

Full description

Autores:
Rubiano-Pinilla, Elkín
Tipo de recurso:
Fecha de publicación:
2013
Institución:
Universidad de la Sabana
Repositorio:
Repositorio Universidad de la Sabana
Idioma:
spa
OAI Identifier:
oai:intellectum.unisabana.edu.co:10818/14610
Acceso en línea:
http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/3049
http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/3049/3154
http://hdl.handle.net/10818/14610
Palabra clave:
Comunicación
Fotografía
Teoría de la comunicación
Historia de las técnicas
Relato
Rights
License
http://purl.org/coar/access_right/c_abf2
Description
Summary:This essay reflects on the relationship between technology and experience based on Walter Benjamin (and several theoretical updates), who addresses the matter in an ambivalent way: simultaneous possibilities and risks. From there, a number of questions are raised concerning the aura, authenticity, memory and technological construction of nostalgia through the simulation of imperfections in the image, blur and grain of film, among other possibilities. The final assessment of such a practice is ambivalent: both the reflective possibilities in the construction of an autobiographic tale as well as the impossibility of recounting history (political, social, and cultural) by substituting it with simulations of the past (the nostalgic image that has the power to romanticize the infamy of the present).