La experiencia sustituida: Hacia la construcción tecnológica de la nostalgia
This essay reflects on the relationship between technology and experience based on Walter Benjamin (and several theoretical updates), who addresses the matter in an ambivalent way: simultaneous possibilities and risks. From there, a number of questions are raised concerning the aura, authenticity, m...
- Autores:
-
Rubiano-Pinilla, Elkín
- Tipo de recurso:
- Fecha de publicación:
- 2013
- Institución:
- Universidad de la Sabana
- Repositorio:
- Repositorio Universidad de la Sabana
- Idioma:
- spa
- OAI Identifier:
- oai:intellectum.unisabana.edu.co:10818/14610
- Acceso en línea:
- http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/3049
http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/3049/3154
http://hdl.handle.net/10818/14610
- Palabra clave:
- Comunicación
Fotografía
Teoría de la comunicación
Historia de las técnicas
Relato
- Rights
- License
- http://purl.org/coar/access_right/c_abf2
Summary: | This essay reflects on the relationship between technology and experience based on Walter Benjamin (and several theoretical updates), who addresses the matter in an ambivalent way: simultaneous possibilities and risks. From there, a number of questions are raised concerning the aura, authenticity, memory and technological construction of nostalgia through the simulation of imperfections in the image, blur and grain of film, among other possibilities. The final assessment of such a practice is ambivalent: both the reflective possibilities in the construction of an autobiographic tale as well as the impossibility of recounting history (political, social, and cultural) by substituting it with simulations of the past (the nostalgic image that has the power to romanticize the infamy of the present). |
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