Modernidad, representación y cultura. Apuntes para una arqueología del cine mudo brasileño

The objective of this study is to construct a historical and critical overview of Brazilian silent films and to examine their significant and meaningful relationship with modernity and Brazilian culture through a set of representations and discourses circulated by cinema on a mass scale.  The author argues that silent films were the start of a social imaginary that helps to sustain the civilizing matrix of modernity; that is, industrialization, urban development, technology and rationalization.

• Autores: Silva-Escobar, Juan Pablo
• Fecha de publicación: 2014
• Institución: Universidad de la Sabana
• Repositorio: Repositorio Universidad de la Sabana
• Idioma: spa
• OAI Identifier: oai:intellectum.unisabana.edu.co:10818/14616
• Acceso en línea: http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/3204; http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/3204/3367; http://hdl.handle.net/10818/14616
• Palabra clave: Estudios culturales; Brasil; Cine; Modernidad; Arqueología
• License: http://purl.org/coar/access_right/c_abf2