Luis Enrique Osorio (1915-1930): Cultural Transfer and his Juvenile Mobility
The time frame of this research is between 1915, when Luis Enrique Osorio published his first work, and 1930 when he finished La novela semanal [Weekly Novel] as its editor. That is why this paper studies Osorio’s points of view as an author, but also as an editor during this period. The theory of t...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6670
- Fecha de publicación:
- 2021
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12824
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13320
https://repositorio.uptc.edu.co/handle/001/12824
- Palabra clave:
- edición colombiana
literatura colombiana
siglo xx
Luis Enrique Osorio
transferencias culturales
Colombian Edition
Colombian Literature XX Century
Luis Enrique Osorio
Cultural Tranfer
edição colombiana
literatura colombiana século XX
Luis Enrique Osorio
transferências culturais
- Rights
- License
- Derechos de autor 2021 La Palabra
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dc.title.en-US.fl_str_mv |
Luis Enrique Osorio (1915-1930): Cultural Transfer and his Juvenile Mobility |
dc.title.es-ES.fl_str_mv |
Luis Enrique Osorio (1915-1930): itinerancia juvenil y transferencias culturales |
dc.title.pt-BR.fl_str_mv |
Luis Enrique Osorio (1915-1930): itinerância juvenil e transferências culturais |
title |
Luis Enrique Osorio (1915-1930): Cultural Transfer and his Juvenile Mobility |
spellingShingle |
Luis Enrique Osorio (1915-1930): Cultural Transfer and his Juvenile Mobility edición colombiana literatura colombiana siglo xx Luis Enrique Osorio transferencias culturales Colombian Edition Colombian Literature XX Century Luis Enrique Osorio Cultural Tranfer edição colombiana literatura colombiana século XX Luis Enrique Osorio transferências culturais |
title_short |
Luis Enrique Osorio (1915-1930): Cultural Transfer and his Juvenile Mobility |
title_full |
Luis Enrique Osorio (1915-1930): Cultural Transfer and his Juvenile Mobility |
title_fullStr |
Luis Enrique Osorio (1915-1930): Cultural Transfer and his Juvenile Mobility |
title_full_unstemmed |
Luis Enrique Osorio (1915-1930): Cultural Transfer and his Juvenile Mobility |
title_sort |
Luis Enrique Osorio (1915-1930): Cultural Transfer and his Juvenile Mobility |
dc.subject.es-ES.fl_str_mv |
edición colombiana literatura colombiana siglo xx Luis Enrique Osorio transferencias culturales |
topic |
edición colombiana literatura colombiana siglo xx Luis Enrique Osorio transferencias culturales Colombian Edition Colombian Literature XX Century Luis Enrique Osorio Cultural Tranfer edição colombiana literatura colombiana século XX Luis Enrique Osorio transferências culturais |
dc.subject.en-US.fl_str_mv |
Colombian Edition Colombian Literature XX Century Luis Enrique Osorio Cultural Tranfer |
dc.subject.pt-BR.fl_str_mv |
edição colombiana literatura colombiana século XX Luis Enrique Osorio transferências culturais |
description |
The time frame of this research is between 1915, when Luis Enrique Osorio published his first work, and 1930 when he finished La novela semanal [Weekly Novel] as its editor. That is why this paper studies Osorio’s points of view as an author, but also as an editor during this period. The theory of the cultural transfer by Michel Espagne and Juan Zapata –and the concept of “staging by the author” coined by Jérôme Meizoz are applied here to recognize the ways Osorio considered to build his position as an author and as an editor in Colombia. This study contributes also to appreciate Osorio’s insertion in the Colombian cultural stage in the first half of the XX century. The result shows up the failure by Osorio to set a right position up as a prestigious author and editor as he wanted –no matter his juvenile cultural network mobility, his participation in national an foreign recognized cultural printed journals, and his relationship with important Latin-American authors-editors-and scholars. |
publishDate |
2021 |
dc.date.accessioned.none.fl_str_mv |
2024-07-05T18:55:50Z |
dc.date.available.none.fl_str_mv |
2024-07-05T18:55:50Z |
dc.date.none.fl_str_mv |
2021-11-26 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6670 |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coarversion.spa.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a254 |
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http://purl.org/coar/resource_type/c_6670 |
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publishedVersion |
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https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13320 10.19053/01218530.n41.2021.13320 |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.uptc.edu.co/handle/001/12824 |
url |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13320 https://repositorio.uptc.edu.co/handle/001/12824 |
identifier_str_mv |
10.19053/01218530.n41.2021.13320 |
dc.language.none.fl_str_mv |
spa |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13320/11174 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13320/11580 |
dc.rights.es-ES.fl_str_mv |
Derechos de autor 2021 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/ |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf171 |
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Derechos de autor 2021 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/ http://purl.org/coar/access_right/c_abf171 http://purl.org/coar/access_right/c_abf2 |
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application/pdf text/xml |
dc.publisher.es-ES.fl_str_mv |
Universidad Pedagógica y Tecnológica de Colombia |
dc.source.en-US.fl_str_mv |
La Palabra; No. 41 (2021): Miscellaneous issue; 1-23 |
dc.source.es-ES.fl_str_mv |
La Palabra; Núm. 41 (2021): Número Misceláneo; 1-23 |
dc.source.pt-BR.fl_str_mv |
La Palabra; n. 41 (2021): Miscelâneo; 1-23 |
dc.source.none.fl_str_mv |
2346-3864 0121-8530 |
institution |
Universidad Pedagógica y Tecnológica de Colombia |
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Repositorio Institucional UPTC |
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repositorio.uptc@uptc.edu.co |
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1839633838529052672 |
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2021-11-262024-07-05T18:55:50Z2024-07-05T18:55:50Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/1332010.19053/01218530.n41.2021.13320https://repositorio.uptc.edu.co/handle/001/12824The time frame of this research is between 1915, when Luis Enrique Osorio published his first work, and 1930 when he finished La novela semanal [Weekly Novel] as its editor. That is why this paper studies Osorio’s points of view as an author, but also as an editor during this period. The theory of the cultural transfer by Michel Espagne and Juan Zapata –and the concept of “staging by the author” coined by Jérôme Meizoz are applied here to recognize the ways Osorio considered to build his position as an author and as an editor in Colombia. This study contributes also to appreciate Osorio’s insertion in the Colombian cultural stage in the first half of the XX century. The result shows up the failure by Osorio to set a right position up as a prestigious author and editor as he wanted –no matter his juvenile cultural network mobility, his participation in national an foreign recognized cultural printed journals, and his relationship with important Latin-American authors-editors-and scholars.Este artículo revisa la trayectoria de Luis Enrique Osorio entre 1915, año de publicación de su primera obra, y 1930, cuando cierra su ciclo como editor del proyecto La Novela Semanal, con el fin de estudiar sus posturas como autor y editor. La teoría de las transferencias culturales (Espagne;Zapata) y la categoría de postura autorial (Meizoz) permiten comprender las estrategias a las que acudió Osorio para construir una postura de autor y editor, y para tratar de vincularse a la dinámica cultural colombiana de la primera mitad del siglo xx. El análisis permite confirmar que la trashumancia de juventud, su relación con impresos periódicos colombianos y extranjeros, y sus relaciones con escritores, editores e intelectuales latinoamericanos son determinantes en la carrera de Osorio en los circuitos editorial, literario y teatral; no obstante, le resultan insuficientes para consolidar la postura autorial y de editor que anhelaba.Este artigo revisa o percurso de Luis Enrique Osorio entre 1915, ano de publicação da sua primeira obra, e 1930, data na que fecha o seu ciclo como editor do projeto O Romance Semanal, com o objetivo de estudar os seus posicionamentos como autor e editor. A teoriadas transferências culturais (Espagne; Zapata) e a categoria de posição autoral (Meizoz) permitemcompreender as estratégias utilizadas por Osorio para construir um posicionamento de autor e editor, e para tentar vincularse à dinâmica cultural colombiana da primeira metade do século XX. A análise possibilita confirmar que a sua transumância de juventude, a sua relação com jornais imprimidos, tanto colombianos quanto estrangeiros, e a sua proximidade com escritores, editores e intelectuais latino-americanos foram determinantes na carreira de Osorio nos circuitos editorial, literário e teatral; no entanto, resultaram-lhe insuficientes para consolidar a posição editorial e de autor que ele desejava.application/pdftext/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/13320/11174https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13320/11580Derechos de autor 2021 La Palabrahttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf171http://purl.org/coar/access_right/c_abf2La Palabra; No. 41 (2021): Miscellaneous issue; 1-23La Palabra; Núm. 41 (2021): Número Misceláneo; 1-23La Palabra; n. 41 (2021): Miscelâneo; 1-232346-38640121-8530edición colombianaliteratura colombianasiglo xxLuis Enrique Osoriotransferencias culturalesColombian EditionColombian Literature XX CenturyLuis Enrique OsorioCultural Tranferedição colombianaliteratura colombiana século XXLuis Enrique Osoriotransferências culturaisLuis Enrique Osorio (1915-1930): Cultural Transfer and his Juvenile MobilityLuis Enrique Osorio (1915-1930): itinerancia juvenil y transferencias culturalesLuis Enrique Osorio (1915-1930): itinerância juvenil e transferências culturaisinfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6670http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a254http://purl.org/coar/version/c_970fb48d4fbd8a85Agudelo Ochoa, Ana María001/12824oai:repositorio.uptc.edu.co:001/128242025-07-18 11:33:54.212metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |