Painted Poetry, Poetry by the Meter. The Visual Vanguard in Poémes Peintre (1922) by Vicente Huidobro and 5 Meters of Poems (1927) by Carlos Oquendo de Amat
In this article, examines the exhibition and construction of some of the Painted Poems that Vicente Huidobro exhibited in Paris, in 1922, a fact that marks the provocative relationship between poetry and painting throughout his art exhibition. On the other hand, the production...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6686
- Fecha de publicación:
- 2020
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12771
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/9490
https://repositorio.uptc.edu.co/handle/001/12771
- Palabra clave:
- Acentric Poem
Avant Garde
Carlos Oquendo de Amat
Painted Poem
Vicente Huidobro
Carlos Oquendo de Amat
poema acéntrico
poema pintado
Vanguardia
Vicente Huidobro
- Rights
- License
- Derechos de autor 2020 LA PALABRA
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2020-02-252024-07-05T18:55:45Z2024-07-05T18:55:45Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/949010.19053/01218530.n37.2020.9490https://repositorio.uptc.edu.co/handle/001/12771 In this article, examines the exhibition and construction of some of the Painted Poems that Vicente Huidobro exhibited in Paris, in 1922, a fact that marks the provocative relationship between poetry and painting throughout his art exhibition. On the other hand, the production of poetry is explored as a dynamic and mobile aesthetic object in 5 metros de poemas by Carlos Oquendo de Amat. With the analysis of this poetic production I propose to establish a comparison between the poems "Paisaje" by Huidobro, and "Film del paisaje" by Oquendo de Amat, to point out how the need for design and the graphic-spatial dimension of the poems marked the avant-garde spirit in Latin America, while at the same time leading the poets to conceive poetry as a material and aesthetic production beyond the traditional support and format of the book. En el presente artículo se examina la exposición y la construcción de algunos de los Poemas pintados de Vicente Huidobro que exhibió en París, en 1922, hecho que marca, en todo su despliegue de exposición artística, la relación provocadora entre poesía y pintura. De otro lado, se explora la producción de la poesía como objeto estético dinámico y móvil en 5 metros de poemas de Carlos Oquendo de Amat. Con el análisis de esta producción poética se propone establecer una comparación entre los poemas “Paisaje”, de Huidobro, y “Film del paisaje”, de Oquendo de Amat, para señalar cómo la necesidad del diseño y la dimensión gráfico-espacial de los poemas marcaron el espíritu vanguardista en América Latina, al mismo tiempo, esta necesidad llevó, a los dos poetas a concebir la poesía como producción material y estética más allá del soporte y formato tradicional del libro.application/pdfapplication/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/9490/8839https://revistas.uptc.edu.co/index.php/la_palabra/article/view/9490/10218Derechos de autor 2020 LA PALABRAhttp://purl.org/coar/access_right/c_abf187http://purl.org/coar/access_right/c_abf2La Palabra; No. 37 (2020): Miscellaneous issue. April-JuneLa Palabra; Núm. 37 (2020): Número Misceláneo. abril-junioLa Palabra; n. 37 (2020): Número miscelâneo. Maio-Junho2346-38640121-8530Acentric PoemAvant GardeCarlos Oquendo de AmatPainted PoemVicente HuidobroCarlos Oquendo de Amatpoema acéntricopoema pintadoVanguardiaVicente HuidobroPainted Poetry, Poetry by the Meter. The Visual Vanguard in Poémes Peintre (1922) by Vicente Huidobro and 5 Meters of Poems (1927) by Carlos Oquendo de AmatPoesía pintada, poesía por metro. La vanguardia visual en Poémes peintre (1922) de Vicente Huidobro y 5 metros de poemas (1927) de Carlos Oquendo de Amatinfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6686http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a270http://purl.org/coar/version/c_970fb48d4fbd8a85Ayram, Carlos001/12771oai:repositorio.uptc.edu.co:001/127712025-07-18 11:33:54.263metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |
| dc.title.en-US.fl_str_mv |
Painted Poetry, Poetry by the Meter. The Visual Vanguard in Poémes Peintre (1922) by Vicente Huidobro and 5 Meters of Poems (1927) by Carlos Oquendo de Amat |
| dc.title.es-ES.fl_str_mv |
Poesía pintada, poesía por metro. La vanguardia visual en Poémes peintre (1922) de Vicente Huidobro y 5 metros de poemas (1927) de Carlos Oquendo de Amat |
| title |
Painted Poetry, Poetry by the Meter. The Visual Vanguard in Poémes Peintre (1922) by Vicente Huidobro and 5 Meters of Poems (1927) by Carlos Oquendo de Amat |
| spellingShingle |
Painted Poetry, Poetry by the Meter. The Visual Vanguard in Poémes Peintre (1922) by Vicente Huidobro and 5 Meters of Poems (1927) by Carlos Oquendo de Amat Acentric Poem Avant Garde Carlos Oquendo de Amat Painted Poem Vicente Huidobro Carlos Oquendo de Amat poema acéntrico poema pintado Vanguardia Vicente Huidobro |
| title_short |
Painted Poetry, Poetry by the Meter. The Visual Vanguard in Poémes Peintre (1922) by Vicente Huidobro and 5 Meters of Poems (1927) by Carlos Oquendo de Amat |
| title_full |
Painted Poetry, Poetry by the Meter. The Visual Vanguard in Poémes Peintre (1922) by Vicente Huidobro and 5 Meters of Poems (1927) by Carlos Oquendo de Amat |
| title_fullStr |
Painted Poetry, Poetry by the Meter. The Visual Vanguard in Poémes Peintre (1922) by Vicente Huidobro and 5 Meters of Poems (1927) by Carlos Oquendo de Amat |
| title_full_unstemmed |
Painted Poetry, Poetry by the Meter. The Visual Vanguard in Poémes Peintre (1922) by Vicente Huidobro and 5 Meters of Poems (1927) by Carlos Oquendo de Amat |
| title_sort |
Painted Poetry, Poetry by the Meter. The Visual Vanguard in Poémes Peintre (1922) by Vicente Huidobro and 5 Meters of Poems (1927) by Carlos Oquendo de Amat |
| dc.subject.en-US.fl_str_mv |
Acentric Poem Avant Garde Carlos Oquendo de Amat Painted Poem Vicente Huidobro |
| topic |
Acentric Poem Avant Garde Carlos Oquendo de Amat Painted Poem Vicente Huidobro Carlos Oquendo de Amat poema acéntrico poema pintado Vanguardia Vicente Huidobro |
| dc.subject.es-ES.fl_str_mv |
Carlos Oquendo de Amat poema acéntrico poema pintado Vanguardia Vicente Huidobro |
| description |
In this article, examines the exhibition and construction of some of the Painted Poems that Vicente Huidobro exhibited in Paris, in 1922, a fact that marks the provocative relationship between poetry and painting throughout his art exhibition. On the other hand, the production of poetry is explored as a dynamic and mobile aesthetic object in 5 metros de poemas by Carlos Oquendo de Amat. With the analysis of this poetic production I propose to establish a comparison between the poems "Paisaje" by Huidobro, and "Film del paisaje" by Oquendo de Amat, to point out how the need for design and the graphic-spatial dimension of the poems marked the avant-garde spirit in Latin America, while at the same time leading the poets to conceive poetry as a material and aesthetic production beyond the traditional support and format of the book. |
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2020 |
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2024-07-05T18:55:45Z |
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2024-07-05T18:55:45Z |
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2020-02-25 |
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info:eu-repo/semantics/article |
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https://revistas.uptc.edu.co/index.php/la_palabra/article/view/9490 10.19053/01218530.n37.2020.9490 |
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https://repositorio.uptc.edu.co/handle/001/12771 |
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https://revistas.uptc.edu.co/index.php/la_palabra/article/view/9490 https://repositorio.uptc.edu.co/handle/001/12771 |
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https://revistas.uptc.edu.co/index.php/la_palabra/article/view/9490/8839 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/9490/10218 |
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Derechos de autor 2020 LA PALABRA |
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Derechos de autor 2020 LA PALABRA http://purl.org/coar/access_right/c_abf187 http://purl.org/coar/access_right/c_abf2 |
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Universidad Pedagógica y Tecnológica de Colombia |
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La Palabra; No. 37 (2020): Miscellaneous issue. April-June |
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La Palabra; Núm. 37 (2020): Número Misceláneo. abril-junio |
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La Palabra; n. 37 (2020): Número miscelâneo. Maio-Junho |
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2346-3864 0121-8530 |
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Universidad Pedagógica y Tecnológica de Colombia |
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Repositorio Institucional UPTC |
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