From Theater to Novel. Inflections of the Homosexual Voice in Manuel Puig’s Kiss of the Spider Woman
This article aims to study the writing process of Manuel Puig’s novel Kiss of the Spider Woman (1976) from his Mexican exile perspective. The archival turn and gender studies are implemented here in order to reflect on the construction of the homosexual voice in the novel from the traces in the auth...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6578
- Fecha de publicación:
- 2022
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12846
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14145
https://repositorio.uptc.edu.co/handle/001/12846
- Palabra clave:
- Manuel Puig
Mart Crowley
Nancy Cárdenas
theatre
genetic criticism
archives
argentine literature
Manuel Puig
Mart Crowley
Nancy Cárdenas
teatro
crítica genética
archivos
literatura argentina
Manuel Puig
Mart Crowley
Nancy Cárdenas
teatro
crítica genética
arquivos
literatura argentina
- Rights
- License
- Derechos de autor 2022 La Palabra
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|
dc.title.en-US.fl_str_mv |
From Theater to Novel. Inflections of the Homosexual Voice in Manuel Puig’s Kiss of the Spider Woman |
dc.title.es-ES.fl_str_mv |
Del teatro a la novela. Inflexiones de la voz homosexual en El beso de la mujer araña de Manuel Puig |
dc.title.pt-BR.fl_str_mv |
Do teatro ao romance. Inflexões da voz homossexual em O beijo da Mulher Aranha de Manuel Puig |
title |
From Theater to Novel. Inflections of the Homosexual Voice in Manuel Puig’s Kiss of the Spider Woman |
spellingShingle |
From Theater to Novel. Inflections of the Homosexual Voice in Manuel Puig’s Kiss of the Spider Woman Manuel Puig Mart Crowley Nancy Cárdenas theatre genetic criticism archives argentine literature Manuel Puig Mart Crowley Nancy Cárdenas teatro crítica genética archivos literatura argentina Manuel Puig Mart Crowley Nancy Cárdenas teatro crítica genética arquivos literatura argentina |
title_short |
From Theater to Novel. Inflections of the Homosexual Voice in Manuel Puig’s Kiss of the Spider Woman |
title_full |
From Theater to Novel. Inflections of the Homosexual Voice in Manuel Puig’s Kiss of the Spider Woman |
title_fullStr |
From Theater to Novel. Inflections of the Homosexual Voice in Manuel Puig’s Kiss of the Spider Woman |
title_full_unstemmed |
From Theater to Novel. Inflections of the Homosexual Voice in Manuel Puig’s Kiss of the Spider Woman |
title_sort |
From Theater to Novel. Inflections of the Homosexual Voice in Manuel Puig’s Kiss of the Spider Woman |
dc.subject.en-US.fl_str_mv |
Manuel Puig Mart Crowley Nancy Cárdenas theatre genetic criticism archives argentine literature |
topic |
Manuel Puig Mart Crowley Nancy Cárdenas theatre genetic criticism archives argentine literature Manuel Puig Mart Crowley Nancy Cárdenas teatro crítica genética archivos literatura argentina Manuel Puig Mart Crowley Nancy Cárdenas teatro crítica genética arquivos literatura argentina |
dc.subject.es-ES.fl_str_mv |
Manuel Puig Mart Crowley Nancy Cárdenas teatro crítica genética archivos literatura argentina |
dc.subject.pt-BR.fl_str_mv |
Manuel Puig Mart Crowley Nancy Cárdenas teatro crítica genética arquivos literatura argentina |
description |
This article aims to study the writing process of Manuel Puig’s novel Kiss of the Spider Woman (1976) from his Mexican exile perspective. The archival turn and gender studies are implemented here in order to reflect on the construction of the homosexual voice in the novel from the traces in the author’s papers. We are interested in analyzing the way in which Puig —during his joint work with lesbian activist Nancy Cárdenas— appropriates both the play The Boys in the Band by Mart Crowley, and some theoretical sources from the homosexual militancy groups of the 1970s. This work reveals the way in which these productions influenced both the dialogic technique and the construction of the homosexual voice. |
publishDate |
2022 |
dc.date.accessioned.none.fl_str_mv |
2024-07-05T18:55:59Z |
dc.date.available.none.fl_str_mv |
2024-07-05T18:55:59Z |
dc.date.none.fl_str_mv |
2022-07-14 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6578 |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coarversion.spa.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a162 |
format |
http://purl.org/coar/resource_type/c_6578 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14145 10.19053/01218530.n42.2022.14145 |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.uptc.edu.co/handle/001/12846 |
url |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14145 https://repositorio.uptc.edu.co/handle/001/12846 |
identifier_str_mv |
10.19053/01218530.n42.2022.14145 |
dc.language.none.fl_str_mv |
spa |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14145/11948 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14145/12751 |
dc.rights.es-ES.fl_str_mv |
Derechos de autor 2022 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/ |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf79 |
rights_invalid_str_mv |
Derechos de autor 2022 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/ http://purl.org/coar/access_right/c_abf79 http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf text/xml |
dc.publisher.es-ES.fl_str_mv |
Universidad Pedagógica y Tecnológica de Colombia |
dc.source.en-US.fl_str_mv |
La Palabra; No. 42 (2022): Special issue: Music and Literature |
dc.source.es-ES.fl_str_mv |
La Palabra; Núm. 42 (2022): Número especial: Música y literatura |
dc.source.pt-BR.fl_str_mv |
La Palabra; n. 42 (2022): Edição especial: Música e literatura |
dc.source.none.fl_str_mv |
2346-3864 0121-8530 |
institution |
Universidad Pedagógica y Tecnológica de Colombia |
repository.name.fl_str_mv |
Repositorio Institucional UPTC |
repository.mail.fl_str_mv |
repositorio.uptc@uptc.edu.co |
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1839633805811384320 |
spelling |
2022-07-142024-07-05T18:55:59Z2024-07-05T18:55:59Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/1414510.19053/01218530.n42.2022.14145https://repositorio.uptc.edu.co/handle/001/12846This article aims to study the writing process of Manuel Puig’s novel Kiss of the Spider Woman (1976) from his Mexican exile perspective. The archival turn and gender studies are implemented here in order to reflect on the construction of the homosexual voice in the novel from the traces in the author’s papers. We are interested in analyzing the way in which Puig —during his joint work with lesbian activist Nancy Cárdenas— appropriates both the play The Boys in the Band by Mart Crowley, and some theoretical sources from the homosexual militancy groups of the 1970s. This work reveals the way in which these productions influenced both the dialogic technique and the construction of the homosexual voice. El presente artículo se propone estudiar el proceso escritural de la novela El beso de la mujer araña (1976) de Manuel Puig en el contexto de su exilio mexicano. Se presenta una metodología interdisciplinar que combina aportes de los estudios de genética textual, trabajo con archivos de escritor y estudios de género, con el fin de reflexionar acerca de la construcción de la voz homosexual en la novela, a partir de las huellas materiales presentes en los papeles del escritor. Nos interesa analizar el modo en el que Puig —durante su trabajo con la activista lesbiana Nancy Cárdenas— se apropia, tanto de la obra teatral The Boys in the Band de Mart Crowley, como de algunas fuentes teóricas de los grupos de militancia homosexual de los años setenta. El trabajo permite develar el influjo de estas producciones en la técnica dialógica y en la construcción de la voz homosexual.O presente artigo propõe-se estudar o processo escritural do romance O beijo da Mulher Aranha (1976) do Manuel Puig no contexto do seu exílio mexicano. Apresenta-se uma metodologia interdisciplinar que combina contribuições dos estudos de genética textual, o trabalho com arquivos de escritor e os estudos de gênero; este trabalho reflete sobre a construção da voz homossexual na novela, a partir das impressões materiais presentes nos papéis do escritor. Interessa-nos analisar o modo como Puig, durante o seu trabalho conjunto com a ativista lésbica Nancy Cárdenas, se apropria tanto da obra teatral The Boys in the Band de Mart Crowley, bem como de algumas fontes teóricas dos grupos de militância homossexual dos anos setenta. Este trabalho permite revelar o modo como estas produções influenciaram tanto a técnica dialógica, como a construção da voz homossexual.application/pdftext/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/14145/11948https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14145/12751Derechos de autor 2022 La Palabrahttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf79http://purl.org/coar/access_right/c_abf2La Palabra; No. 42 (2022): Special issue: Music and LiteratureLa Palabra; Núm. 42 (2022): Número especial: Música y literaturaLa Palabra; n. 42 (2022): Edição especial: Música e literatura2346-38640121-8530Manuel PuigMart CrowleyNancy Cárdenastheatregenetic criticismarchivesargentine literatureManuel PuigMart CrowleyNancy Cárdenasteatrocrítica genéticaarchivosliteratura argentinaManuel PuigMart CrowleyNancy Cárdenasteatrocrítica genéticaarquivosliteratura argentinaFrom Theater to Novel. Inflections of the Homosexual Voice in Manuel Puig’s Kiss of the Spider WomanDel teatro a la novela. Inflexiones de la voz homosexual en El beso de la mujer araña de Manuel PuigDo teatro ao romance. Inflexões da voz homossexual em O beijo da Mulher Aranha de Manuel Puiginfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6578http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a162http://purl.org/coar/version/c_970fb48d4fbd8a85Canala, Juan Pablo001/12846oai:repositorio.uptc.edu.co:001/128462025-07-18 11:33:35.317metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |