Susy, secretos del corazón. Criticism to the Loving Discourse from the Poetic Voice
This article analyzes how the poetry collection Susy, secrets of the heart (1989) by the argentine poet, playwright and cultural manager Susana Villalba (Buenos Aires, 1956) establishes a critical dialogue with the comic strip of the same name, published in the sixties and seventies in Latin America...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6585
- Fecha de publicación:
- 2024
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12901
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/16521
https://repositorio.uptc.edu.co/handle/001/12901
- Palabra clave:
- voz poética
crítica
amor romántico
enunciación
subjetividad
feminidad
poetic voice
criticism
romantic love
enunciation
subjectivity
femininity
voz poética
crítica
amor romântico
enunciação
subjetividade
feminilidade
- Rights
- License
- Derechos de autor 2024 La Palabra
| id |
REPOUPTC2_ebf4fcaae5f2bc7fad06c9199b63e8c0 |
|---|---|
| oai_identifier_str |
oai:repositorio.uptc.edu.co:001/12901 |
| network_acronym_str |
REPOUPTC2 |
| network_name_str |
RiUPTC: Repositorio Institucional UPTC |
| repository_id_str |
|
| dc.title.en-US.fl_str_mv |
Susy, secretos del corazón. Criticism to the Loving Discourse from the Poetic Voice |
| dc.title.es-ES.fl_str_mv |
Susy, secretos del corazón. Críticas al discurso amoroso desde la voz poética |
| dc.title.pt-BR.fl_str_mv |
Susy, secretos del corazón. Crítica ao discurso amoroso deste a voz poética |
| title |
Susy, secretos del corazón. Criticism to the Loving Discourse from the Poetic Voice |
| spellingShingle |
Susy, secretos del corazón. Criticism to the Loving Discourse from the Poetic Voice voz poética crítica amor romántico enunciación subjetividad feminidad poetic voice criticism romantic love enunciation subjectivity femininity voz poética crítica amor romântico enunciação subjetividade feminilidade |
| title_short |
Susy, secretos del corazón. Criticism to the Loving Discourse from the Poetic Voice |
| title_full |
Susy, secretos del corazón. Criticism to the Loving Discourse from the Poetic Voice |
| title_fullStr |
Susy, secretos del corazón. Criticism to the Loving Discourse from the Poetic Voice |
| title_full_unstemmed |
Susy, secretos del corazón. Criticism to the Loving Discourse from the Poetic Voice |
| title_sort |
Susy, secretos del corazón. Criticism to the Loving Discourse from the Poetic Voice |
| dc.subject.es-ES.fl_str_mv |
voz poética crítica amor romántico enunciación subjetividad feminidad |
| topic |
voz poética crítica amor romántico enunciación subjetividad feminidad poetic voice criticism romantic love enunciation subjectivity femininity voz poética crítica amor romântico enunciação subjetividade feminilidade |
| dc.subject.en-US.fl_str_mv |
poetic voice criticism romantic love enunciation subjectivity femininity |
| dc.subject.pt-BR.fl_str_mv |
voz poética crítica amor romântico enunciação subjetividade feminilidade |
| description |
This article analyzes how the poetry collection Susy, secrets of the heart (1989) by the argentine poet, playwright and cultural manager Susana Villalba (Buenos Aires, 1956) establishes a critical dialogue with the comic strip of the same name, published in the sixties and seventies in Latin America. The collection of poems also dialogues with other cultural references, based on a process of enunciation that makes evident the social constructs that seek to define and establish femininity. The critical position of the text emerges when manifesting how the experience of romantic love in women is codified. From the poetic discourse, from the use of textual mechanisms related to collage and pastiche, an open, mobile, multiple, playful poetic voice is generated that unfolds to reveal the social in the construction of subjectivity. |
| publishDate |
2024 |
| dc.date.accessioned.none.fl_str_mv |
2024-07-05T18:56:05Z |
| dc.date.available.none.fl_str_mv |
2024-07-05T18:56:05Z |
| dc.date.none.fl_str_mv |
2024-06-19 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article |
| dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
| dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
| dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6585 |
| dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
| dc.type.coarversion.spa.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a169 |
| format |
http://purl.org/coar/resource_type/c_6585 |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/16521 10.19053/uptc.01218530.n49.2024.16521 |
| dc.identifier.uri.none.fl_str_mv |
https://repositorio.uptc.edu.co/handle/001/12901 |
| url |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/16521 https://repositorio.uptc.edu.co/handle/001/12901 |
| identifier_str_mv |
10.19053/uptc.01218530.n49.2024.16521 |
| dc.language.none.fl_str_mv |
spa |
| dc.language.iso.spa.fl_str_mv |
spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/16521/14175 |
| dc.rights.es-ES.fl_str_mv |
Derechos de autor 2024 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/deed.es |
| dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
| dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf86 |
| rights_invalid_str_mv |
Derechos de autor 2024 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/deed.es http://purl.org/coar/access_right/c_abf86 http://purl.org/coar/access_right/c_abf2 |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.es-ES.fl_str_mv |
Universidad Pedagógica y Tecnológica de Colombia |
| dc.source.en-US.fl_str_mv |
La Palabra; No. 49 (2024): Special issue. Feminine and feminist voices: literatures of resistance and transformation; 1-16 |
| dc.source.es-ES.fl_str_mv |
La Palabra; Núm. 49 (2024): Especial: Voces femeninas y feministas: literaturas de resistencia y transformación; 1-16 |
| dc.source.pt-BR.fl_str_mv |
La Palabra; n. 49 (2024): Edição especial. Vozes femininas e feministas: literaturas de resistência e transformação; 1-16 |
| dc.source.none.fl_str_mv |
2346-3864 0121-8530 |
| institution |
Universidad Pedagógica y Tecnológica de Colombia |
| repository.name.fl_str_mv |
Repositorio Institucional UPTC |
| repository.mail.fl_str_mv |
repositorio.uptc@uptc.edu.co |
| _version_ |
1839633807678898176 |
| spelling |
2024-06-192024-07-05T18:56:05Z2024-07-05T18:56:05Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/1652110.19053/uptc.01218530.n49.2024.16521https://repositorio.uptc.edu.co/handle/001/12901This article analyzes how the poetry collection Susy, secrets of the heart (1989) by the argentine poet, playwright and cultural manager Susana Villalba (Buenos Aires, 1956) establishes a critical dialogue with the comic strip of the same name, published in the sixties and seventies in Latin America. The collection of poems also dialogues with other cultural references, based on a process of enunciation that makes evident the social constructs that seek to define and establish femininity. The critical position of the text emerges when manifesting how the experience of romantic love in women is codified. From the poetic discourse, from the use of textual mechanisms related to collage and pastiche, an open, mobile, multiple, playful poetic voice is generated that unfolds to reveal the social in the construction of subjectivity.El presente artículo analiza cómo el poemario Susy, secretos del corazón (1989) de la poeta, dramaturga y gestora cultural argentina Susana Villalba (Buenos Aires, 1956) establece un diálogo crítico con la historieta del mismo nombre, publicada en Latinoamérica en los años sesenta y setenta. El poemario dialoga, además, con otros referentes culturales, a partir de un proceso de enunciación que hace evidentes los constructos sociales que buscan definir y fijar la feminidad. La posición crítica del texto emerge al manifestar cómo está codificada la experiencia del amor romántico en las mujeres. A nivel discursivo, a partir del empleo de mecanismos textuales relacionados con el collage y el pastiche, se genera una voz poética abierta, móvil, múltiple, lúdica, que se despliega para develar el rol de lo social en la construcción de la subjetividad.O presente artigo analisa como a coletânea de poemas Susy, secretos del corazón (1989) da poetisa, dramaturga e gestora cultural argentina Susana Villalba (Buenos Aires, 1956) estabelece um diálogo crítico com a história em quadrinhos de mesmo nome, publicada na América Latina nos anos sessenta e setenta. A coletânea de poemas também dialoga com outras referências culturais, a partir de um processo de enunciação que evidencia as construções sociais que buscam definir e estabelecer a feminilidade. A posição crítica do texto emerge ao manifestar como é codificada a experiência do amor romântico nasmulheres. A nível discursivo, a partir do emprego de mecanismos textuais relacionados com à colagem e o pastiche, gera-se uma voz poética aberta, móvel, múltipla, lúdica, que se desdobra para revelar o papel do social na construção da subjetividade individual.application/pdfspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/16521/14175Derechos de autor 2024 La Palabrahttps://creativecommons.org/licenses/by-nc-nd/4.0/deed.eshttp://purl.org/coar/access_right/c_abf86http://purl.org/coar/access_right/c_abf2La Palabra; No. 49 (2024): Special issue. Feminine and feminist voices: literatures of resistance and transformation; 1-16La Palabra; Núm. 49 (2024): Especial: Voces femeninas y feministas: literaturas de resistencia y transformación; 1-16La Palabra; n. 49 (2024): Edição especial. Vozes femininas e feministas: literaturas de resistência e transformação; 1-162346-38640121-8530voz poéticacríticaamor románticoenunciaciónsubjetividadfeminidadpoetic voicecriticismromantic loveenunciationsubjectivityfemininityvoz poéticacríticaamor românticoenunciaçãosubjetividadefeminilidadeSusy, secretos del corazón. Criticism to the Loving Discourse from the Poetic VoiceSusy, secretos del corazón. Críticas al discurso amoroso desde la voz poéticaSusy, secretos del corazón. Crítica ao discurso amoroso deste a voz poéticainfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6585http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a169http://purl.org/coar/version/c_970fb48d4fbd8a85Gamboa Suárez, Julieta001/12901oai:repositorio.uptc.edu.co:001/129012025-07-18 11:33:35.333metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |