“Neither Have I Gone Mad nor Stupid”: Writing as a Defense of Dignity in Agustina González López (1891-1936)

Agustina González López, “la zapatera” (the shoemaker), is an almost unknown writer, painter and politician from Granada whose literary work has not been analyzed nor appreciated. This article will delve into the rhetoric strategies employed by the author in her work Justificación (1928) to safeguar...

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Tipo de recurso:
http://purl.org/coar/resource_type/c_6690
Fecha de publicación:
2023
Institución:
Universidad Pedagógica y Tecnológica de Colombia
Repositorio:
RiUPTC: Repositorio Institucional UPTC
Idioma:
spa
OAI Identifier:
oai:repositorio.uptc.edu.co:001/12875
Acceso en línea:
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14860
https://repositorio.uptc.edu.co/handle/001/12875
Palabra clave:
Locura
Retórica
Escritora Edad de Plata
Escritora andaluza
la Zapatera
madness
rhetoric
the Zapatera
Silver Age writer
Andalusian writer
loucura
retórica
o Zapatera
escritor da Idade da Prata
escritor andaluz
Rights
License
Derechos de autor 2023 La Palabra
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dc.title.en-US.fl_str_mv “Neither Have I Gone Mad nor Stupid”: Writing as a Defense of Dignity in Agustina González López (1891-1936)
dc.title.es-ES.fl_str_mv “Ni me he vuelto loca ni tonta”: la escritura como defensa de la dignidad en Agustina González López (1891-1936)
dc.title.pt-BR.fl_str_mv “Ni me he vuelto loca ni tonta”: a escritura como defesa da dignidade em Agustina González López (1891-1936)
title “Neither Have I Gone Mad nor Stupid”: Writing as a Defense of Dignity in Agustina González López (1891-1936)
spellingShingle “Neither Have I Gone Mad nor Stupid”: Writing as a Defense of Dignity in Agustina González López (1891-1936)
Locura
Retórica
Escritora Edad de Plata
Escritora andaluza
la Zapatera
madness
rhetoric
the Zapatera
Silver Age writer
Andalusian writer
loucura
retórica
o Zapatera
escritor da Idade da Prata
escritor andaluz
title_short “Neither Have I Gone Mad nor Stupid”: Writing as a Defense of Dignity in Agustina González López (1891-1936)
title_full “Neither Have I Gone Mad nor Stupid”: Writing as a Defense of Dignity in Agustina González López (1891-1936)
title_fullStr “Neither Have I Gone Mad nor Stupid”: Writing as a Defense of Dignity in Agustina González López (1891-1936)
title_full_unstemmed “Neither Have I Gone Mad nor Stupid”: Writing as a Defense of Dignity in Agustina González López (1891-1936)
title_sort “Neither Have I Gone Mad nor Stupid”: Writing as a Defense of Dignity in Agustina González López (1891-1936)
dc.subject.es-ES.fl_str_mv Locura
Retórica
Escritora Edad de Plata
Escritora andaluza
la Zapatera
topic Locura
Retórica
Escritora Edad de Plata
Escritora andaluza
la Zapatera
madness
rhetoric
the Zapatera
Silver Age writer
Andalusian writer
loucura
retórica
o Zapatera
escritor da Idade da Prata
escritor andaluz
dc.subject.en-US.fl_str_mv madness
rhetoric
the Zapatera
Silver Age writer
Andalusian writer
dc.subject.pt-BR.fl_str_mv loucura
retórica
o Zapatera
escritor da Idade da Prata
escritor andaluz
description Agustina González López, “la zapatera” (the shoemaker), is an almost unknown writer, painter and politician from Granada whose literary work has not been analyzed nor appreciated. This article will delve into the rhetoric strategies employed by the author in her work Justificación (1928) to safeguard her dignity. The objective is to discuss, in terms of gynocriticism and literary studies, the writing of this enigmatic woman. The results of the analysis reveal, on one hand, method to disempower women was to accusing them of being abnormal for disobeying social standards, and on the other hand, the writer’s ability to dismantle these discourses. Thus, the aim is to demonstrate that writing was a way to understand how women were perceived by society and, simultaneously, to seek their own identity outside of established roles and patterns.
publishDate 2023
dc.date.accessioned.none.fl_str_mv 2024-07-05T18:56:02Z
dc.date.available.none.fl_str_mv 2024-07-05T18:56:02Z
dc.date.none.fl_str_mv 2023-11-09
dc.type.none.fl_str_mv info:eu-repo/semantics/article
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
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dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6690
dc.type.version.spa.fl_str_mv info:eu-repo/semantics/publishedVersion
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status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14860
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dc.identifier.uri.none.fl_str_mv https://repositorio.uptc.edu.co/handle/001/12875
url https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14860
https://repositorio.uptc.edu.co/handle/001/12875
identifier_str_mv 10.19053/01218530.n45.2023.14860
dc.language.none.fl_str_mv spa
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14860/13581
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14860/14112
dc.rights.es-ES.fl_str_mv Derechos de autor 2023 La Palabra
https://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf191
rights_invalid_str_mv Derechos de autor 2023 La Palabra
https://creativecommons.org/licenses/by-nc-nd/4.0/
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dc.publisher.es-ES.fl_str_mv Universidad Pedagógica y Tecnológica de Colombia
dc.source.en-US.fl_str_mv La Palabra; No. 45 (2023): Miscellaneous issue; 1-17
dc.source.es-ES.fl_str_mv La Palabra; Núm. 45 (2023): Número Misceláneo; 1-17
dc.source.pt-BR.fl_str_mv La Palabra; n. 45 (2023): Miscelâneo; 1-17
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institution Universidad Pedagógica y Tecnológica de Colombia
repository.name.fl_str_mv Repositorio Institucional UPTC
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spelling 2023-11-092024-07-05T18:56:02Z2024-07-05T18:56:02Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/1486010.19053/01218530.n45.2023.14860https://repositorio.uptc.edu.co/handle/001/12875Agustina González López, “la zapatera” (the shoemaker), is an almost unknown writer, painter and politician from Granada whose literary work has not been analyzed nor appreciated. This article will delve into the rhetoric strategies employed by the author in her work Justificación (1928) to safeguard her dignity. The objective is to discuss, in terms of gynocriticism and literary studies, the writing of this enigmatic woman. The results of the analysis reveal, on one hand, method to disempower women was to accusing them of being abnormal for disobeying social standards, and on the other hand, the writer’s ability to dismantle these discourses. Thus, the aim is to demonstrate that writing was a way to understand how women were perceived by society and, simultaneously, to seek their own identity outside of established roles and patterns.Agustina González López, “la zapatera”, es una escritora, pintora y política granadina casi desconocida cuya obra literaria aún no se ha analizado ni se ha puesto en valor. Este artículo se adentrará en la retórica y las estrategias empleadas por la autora en su obra Justificación (1928) para salvaguardar su dignidad. El objetivo es abordar, desde la ginocrítica y los estudios literarios, la escritura de esta enigmática mujer. Los resultados del análisis evidencian, por una parte, cómo acusar de anormales y locas a las mujeres fue el mecanismo para desautorizar a las que incumplieron las normas sociales y, por otra, la capacidad de la escritora para desmantelar estos discursos. De esta forma, se pretende demostrar que la escritura sirvió para entender cómo eran percibidas las mujeres por su sociedad y, a la vez, para buscar su propia identidad al margen de los roles y patrones establecidos.Agustina González López, “la zapatera”, é uma escritora, pintora e política quase desconhecida de Granada cuja obra literária ainda não foi analisada ou valorizada. Este artigo aprofundará a retórica e as estratégias utilizadas pela autora em sua obra Justificación (1928) para salvaguardar sua dignidade. O objetivo é abordar, a partir da ginocrítica e dos estudos literários, a escrita dessa mulher enigmática. Os resultados da análise mostram, por um lado, como acusar as mulheres de serem anormais e loucas foi o mecanismo para repudiar aquelas que não cumpriram as normas sociais e, por outro, a capacidade da escritora de desmontar esses discursos. Dessa forma, pretende-se demonstrar que a escrita serviu para compreender como as mulheres eram percebidas por sua sociedade e, ao mesmo tempo, buscar sua própria identidade fora dos papéis e padrões estabelecidos.application/pdftext/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/14860/13581https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14860/14112Derechos de autor 2023 La Palabrahttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf191http://purl.org/coar/access_right/c_abf2La Palabra; No. 45 (2023): Miscellaneous issue; 1-17La Palabra; Núm. 45 (2023): Número Misceláneo; 1-17La Palabra; n. 45 (2023): Miscelâneo; 1-172346-38640121-8530LocuraRetóricaEscritora Edad de PlataEscritora andaluzala Zapateramadnessrhetoricthe ZapateraSilver Age writerAndalusian writerloucuraretóricao Zapateraescritor da Idade da Prataescritor andaluz“Neither Have I Gone Mad nor Stupid”: Writing as a Defense of Dignity in Agustina González López (1891-1936)“Ni me he vuelto loca ni tonta”: la escritura como defensa de la dignidad en Agustina González López (1891-1936)“Ni me he vuelto loca ni tonta”: a escritura como defesa da dignidade em Agustina González López (1891-1936)info:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6690http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a274http://purl.org/coar/version/c_970fb48d4fbd8a85Moreno Lago, Eva María001/12875oai:repositorio.uptc.edu.co:001/128752025-07-18 11:33:54.278metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co