“Neither Have I Gone Mad nor Stupid”: Writing as a Defense of Dignity in Agustina González López (1891-1936)

Agustina González López, “la zapatera” (the shoemaker), is an almost unknown writer, painter and politician from Granada whose literary work has not been analyzed nor appreciated. This article will delve into the rhetoric strategies employed by the author in her work Justificación (1928) to safeguar...

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Autores:
Tipo de recurso:
http://purl.org/coar/resource_type/c_6690
Fecha de publicación:
2023
Institución:
Universidad Pedagógica y Tecnológica de Colombia
Repositorio:
RiUPTC: Repositorio Institucional UPTC
Idioma:
spa
OAI Identifier:
oai:repositorio.uptc.edu.co:001/12875
Acceso en línea:
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14860
https://repositorio.uptc.edu.co/handle/001/12875
Palabra clave:
Locura
Retórica
Escritora Edad de Plata
Escritora andaluza
la Zapatera
madness
rhetoric
the Zapatera
Silver Age writer
Andalusian writer
loucura
retórica
o Zapatera
escritor da Idade da Prata
escritor andaluz
Rights
License
Derechos de autor 2023 La Palabra
Description
Summary:Agustina González López, “la zapatera” (the shoemaker), is an almost unknown writer, painter and politician from Granada whose literary work has not been analyzed nor appreciated. This article will delve into the rhetoric strategies employed by the author in her work Justificación (1928) to safeguard her dignity. The objective is to discuss, in terms of gynocriticism and literary studies, the writing of this enigmatic woman. The results of the analysis reveal, on one hand, method to disempower women was to accusing them of being abnormal for disobeying social standards, and on the other hand, the writer’s ability to dismantle these discourses. Thus, the aim is to demonstrate that writing was a way to understand how women were perceived by society and, simultaneously, to seek their own identity outside of established roles and patterns.