The double is one of the predominant structures in fantastic orientation narratives. Not only is it related to theories of the fantastic in its conceptual articulation; it also inherits the same problems of context and dissemination of categories. This ar
The double is one of the predominant structures in fantastic orientation narratives. Not only is it related to theories of the fantastic in its conceptual articulation; it also inherits the same problems of context and dissemination of categories. This article approaches the double as part of a stud...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6709
- Fecha de publicación:
- 2018
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12758
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8817
https://repositorio.uptc.edu.co/handle/001/12758
- Palabra clave:
- duplicity
multiplicity
disintegration of the being
extreme dialogism
fragmentation
duplicidad
multiplicidad
desintegración del ser
dialogismo extremo
fragmentación
- Rights
- License
- Derechos de autor 2018 LA PALABRA
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2018-12-302024-07-05T18:55:44Z2024-07-05T18:55:44Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/881710.19053/01218530.n33.2018.8817https://repositorio.uptc.edu.co/handle/001/12758The double is one of the predominant structures in fantastic orientation narratives. Not only is it related to theories of the fantastic in its conceptual articulation; it also inherits the same problems of context and dissemination of categories. This article approaches the double as part of a study on fantastic literature in the context of postmodern narratives. For this, the following axes will be considered: multiple concep- tions of the fantastic given since the mid-twentieth century; the transition from modern to postmodern representation; the coincidence between postmodern narrative and representation of the double; the convergence of duplicities; the social double; the double and gender relations, the inefficiency of binary representation, and the deformation of literary doubles in parody and ontological instabilityEl doble es una de las estructuras privilegiadas dentro de los relatos de orientación fantástica y por ello se relaciona con las teorías de lo fantástico no sólo en el sentido de la articulación conceptual, sino que hereda las mismas problemáticas de contexto y de diseminación de categorías. Así, el artículo aborda al doble como parte del estudio sobre la literatura fantástica en el marco de las narrativas de la posmodernidad. Para ello se retomarán los siguientes ejes: las concepciones múltiples de lo fantástico dadas desde mediados del siglo XX; el paso de la representación moderna a la posmoderna; coincidencia entre la narrativa posmoderna y la representación del doble; la convergencia de duplicidades; el doble social; el doble y las relaciones de género, para culminar con dos apartados sobre la ineficacia de la representación binaria y la deformación de los dobles literarios desde lo paródico y la inestabilidad ontológica.application/pdfspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/8817/7317Derechos de autor 2018 LA PALABRAhttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf210http://purl.org/coar/access_right/c_abf2La Palabra; No. 33 (2018): Miscellaneous issue. July- December; 61-80La Palabra; Núm. 33 (2018): Número Misceláneo.julio-diciembre; 61-80La Palabra; n. 33 (2018): Julho-Dezembro; 61-802346-38640121-8530duplicitymultiplicitydisintegration of the beingextreme dialogismfragmentationduplicidadmultiplicidaddesintegración del serdialogismo extremofragmentaciónThe double is one of the predominant structures in fantastic orientation narratives. Not only is it related to theories of the fantastic in its conceptual articulation; it also inherits the same problems of context and dissemination of categories. This arDuplicidad en la narrativa fantástica posmodernainfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6709http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a293http://purl.org/coar/version/c_970fb48d4fbd8a85Sánchez Ávila, Nini Johanna001/12758oai:repositorio.uptc.edu.co:001/127582025-07-18 11:34:00.778metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |
| dc.title.en-US.fl_str_mv |
The double is one of the predominant structures in fantastic orientation narratives. Not only is it related to theories of the fantastic in its conceptual articulation; it also inherits the same problems of context and dissemination of categories. This ar |
| dc.title.es-ES.fl_str_mv |
Duplicidad en la narrativa fantástica posmoderna |
| title |
The double is one of the predominant structures in fantastic orientation narratives. Not only is it related to theories of the fantastic in its conceptual articulation; it also inherits the same problems of context and dissemination of categories. This ar |
| spellingShingle |
The double is one of the predominant structures in fantastic orientation narratives. Not only is it related to theories of the fantastic in its conceptual articulation; it also inherits the same problems of context and dissemination of categories. This ar duplicity multiplicity disintegration of the being extreme dialogism fragmentation duplicidad multiplicidad desintegración del ser dialogismo extremo fragmentación |
| title_short |
The double is one of the predominant structures in fantastic orientation narratives. Not only is it related to theories of the fantastic in its conceptual articulation; it also inherits the same problems of context and dissemination of categories. This ar |
| title_full |
The double is one of the predominant structures in fantastic orientation narratives. Not only is it related to theories of the fantastic in its conceptual articulation; it also inherits the same problems of context and dissemination of categories. This ar |
| title_fullStr |
The double is one of the predominant structures in fantastic orientation narratives. Not only is it related to theories of the fantastic in its conceptual articulation; it also inherits the same problems of context and dissemination of categories. This ar |
| title_full_unstemmed |
The double is one of the predominant structures in fantastic orientation narratives. Not only is it related to theories of the fantastic in its conceptual articulation; it also inherits the same problems of context and dissemination of categories. This ar |
| title_sort |
The double is one of the predominant structures in fantastic orientation narratives. Not only is it related to theories of the fantastic in its conceptual articulation; it also inherits the same problems of context and dissemination of categories. This ar |
| dc.subject.en-US.fl_str_mv |
duplicity multiplicity disintegration of the being extreme dialogism fragmentation |
| topic |
duplicity multiplicity disintegration of the being extreme dialogism fragmentation duplicidad multiplicidad desintegración del ser dialogismo extremo fragmentación |
| dc.subject.es-ES.fl_str_mv |
duplicidad multiplicidad desintegración del ser dialogismo extremo fragmentación |
| description |
The double is one of the predominant structures in fantastic orientation narratives. Not only is it related to theories of the fantastic in its conceptual articulation; it also inherits the same problems of context and dissemination of categories. This article approaches the double as part of a study on fantastic literature in the context of postmodern narratives. For this, the following axes will be considered: multiple concep- tions of the fantastic given since the mid-twentieth century; the transition from modern to postmodern representation; the coincidence between postmodern narrative and representation of the double; the convergence of duplicities; the social double; the double and gender relations, the inefficiency of binary representation, and the deformation of literary doubles in parody and ontological instability |
| publishDate |
2018 |
| dc.date.accessioned.none.fl_str_mv |
2024-07-05T18:55:44Z |
| dc.date.available.none.fl_str_mv |
2024-07-05T18:55:44Z |
| dc.date.none.fl_str_mv |
2018-12-30 |
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info:eu-repo/semantics/article |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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http://purl.org/coar/resource_type/c_6709 |
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info:eu-repo/semantics/publishedVersion |
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http://purl.org/coar/version/c_970fb48d4fbd8a293 |
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https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8817 10.19053/01218530.n33.2018.8817 |
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https://repositorio.uptc.edu.co/handle/001/12758 |
| url |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8817 https://repositorio.uptc.edu.co/handle/001/12758 |
| identifier_str_mv |
10.19053/01218530.n33.2018.8817 |
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spa |
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spa |
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spa |
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https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8817/7317 |
| dc.rights.es-ES.fl_str_mv |
Derechos de autor 2018 LA PALABRA https://creativecommons.org/licenses/by-nc-nd/4.0/ |
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http://purl.org/coar/access_right/c_abf2 |
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Derechos de autor 2018 LA PALABRA https://creativecommons.org/licenses/by-nc-nd/4.0/ http://purl.org/coar/access_right/c_abf210 http://purl.org/coar/access_right/c_abf2 |
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application/pdf |
| dc.publisher.es-ES.fl_str_mv |
Universidad Pedagógica y Tecnológica de Colombia |
| dc.source.en-US.fl_str_mv |
La Palabra; No. 33 (2018): Miscellaneous issue. July- December; 61-80 |
| dc.source.es-ES.fl_str_mv |
La Palabra; Núm. 33 (2018): Número Misceláneo.julio-diciembre; 61-80 |
| dc.source.pt-BR.fl_str_mv |
La Palabra; n. 33 (2018): Julho-Dezembro; 61-80 |
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2346-3864 0121-8530 |
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Universidad Pedagógica y Tecnológica de Colombia |
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Repositorio Institucional UPTC |
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