“The Detonation of an Act that had been taking Shape”: Nature’s Actantial Modality, Distributive Agency and Testimonial Function in Eliana Hernández and María Isabel Rueda’s La mata (2020)

From hermeneutic assessment of the nonhuman turnabout, and materialist ecocriticism, this article studies La mata, a documentary poem by Eliana Hernández, and illustrated by María Isabel Rueda. In this poem, nature can be read as a nonhuman arrangement network capable to predict the paramilitary mas...

Full description

Autores:

Tipo de recurso:: http://purl.org/coar/resource_type/c_6796

Fecha de publicación:: 2022

Institución:: Universidad Pedagógica y Tecnológica de Colombia

Repositorio:: RiUPTC: Repositorio Institucional UPTC

Idioma:: spa

id	REPOUPTC2_aa78b084094351b8a8b5edf2fbd9aecb
oai_identifier_str	oai:repositorio.uptc.edu.co:001/12857
network_acronym_str	REPOUPTC2
network_name_str	RiUPTC: Repositorio Institucional UPTC
repository_id_str
dc.title.en-US.fl_str_mv	“The Detonation of an Act that had been taking Shape”: Nature’s Actantial Modality, Distributive Agency and Testimonial Function in Eliana Hernández and María Isabel Rueda’s La mata (2020)
dc.title.es-ES.fl_str_mv	“La detonación de un acto que venía entrañándose”: Modalidad actancial, agencia distributiva y función testimonial de la naturaleza en La mata (2020) de Eliana Hernández y María Isabel Rueda
dc.title.pt-BR.fl_str_mv	“A detonação de um ato que vinha tomando forma”: Modalidade actancial, agência distribuidora y função testemunhal da natureza em La mata (2020) por Eliana Hernández e María Isabel Rueda
title	“The Detonation of an Act that had been taking Shape”: Nature’s Actantial Modality, Distributive Agency and Testimonial Function in Eliana Hernández and María Isabel Rueda’s La mata (2020)
spellingShingle	“The Detonation of an Act that had been taking Shape”: Nature’s Actantial Modality, Distributive Agency and Testimonial Function in Eliana Hernández and María Isabel Rueda’s La mata (2020) documentary poetry paramilitary violence Colombia nature assemblage Eliana Hernández María Isabel Rueda La mata poesía documental violencia paramilitar Colombia naturaleza agenciamiento Eliana Hernández María Isabel Rueda La mata poesía documental violencia paramilitar Colômbia natureza agenciamento Eliana Hernández María Isabel Rueda La mata
title_short	“The Detonation of an Act that had been taking Shape”: Nature’s Actantial Modality, Distributive Agency and Testimonial Function in Eliana Hernández and María Isabel Rueda’s La mata (2020)
title_full	“The Detonation of an Act that had been taking Shape”: Nature’s Actantial Modality, Distributive Agency and Testimonial Function in Eliana Hernández and María Isabel Rueda’s La mata (2020)
title_fullStr	“The Detonation of an Act that had been taking Shape”: Nature’s Actantial Modality, Distributive Agency and Testimonial Function in Eliana Hernández and María Isabel Rueda’s La mata (2020)
title_full_unstemmed	“The Detonation of an Act that had been taking Shape”: Nature’s Actantial Modality, Distributive Agency and Testimonial Function in Eliana Hernández and María Isabel Rueda’s La mata (2020)
title_sort	“The Detonation of an Act that had been taking Shape”: Nature’s Actantial Modality, Distributive Agency and Testimonial Function in Eliana Hernández and María Isabel Rueda’s La mata (2020)
dc.subject.en-US.fl_str_mv	documentary poetry paramilitary violence Colombia nature assemblage Eliana Hernández María Isabel Rueda La mata
topic	documentary poetry paramilitary violence Colombia nature assemblage Eliana Hernández María Isabel Rueda La mata poesía documental violencia paramilitar Colombia naturaleza agenciamiento Eliana Hernández María Isabel Rueda La mata poesía documental violencia paramilitar Colômbia natureza agenciamento Eliana Hernández María Isabel Rueda La mata
dc.subject.es-ES.fl_str_mv	poesía documental violencia paramilitar Colombia naturaleza agenciamiento Eliana Hernández María Isabel Rueda La mata
dc.subject.pt-BR.fl_str_mv	poesía documental violencia paramilitar Colômbia natureza agenciamento Eliana Hernández María Isabel Rueda La mata
description	From hermeneutic assessment of the nonhuman turnabout, and materialist ecocriticism, this article studies La mata, a documentary poem by Eliana Hernández, and illustrated by María Isabel Rueda. In this poem, nature can be read as a nonhuman arrangement network capable to predict the paramilitary massacre of El Salado in Colombia, and also as an adjuvant in this story. This reading, in turn, confirms the said agency allows for the poetic-narrative program in question to be accomplished. Similarly, the article reflects on the ways in which Hernández uses earth’s fecundated archetype which stems from the body and blood of the victims, to make the world of the nonhuman a witness of violence, but also a place of memory for the massacred and survivors.
publishDate	2022
dc.date.accessioned.none.fl_str_mv	2024-07-05T18:56:00Z
dc.date.available.none.fl_str_mv	2024-07-05T18:56:00Z
dc.date.none.fl_str_mv	2022-12-20
dc.type.none.fl_str_mv	info:eu-repo/semantics/article
dc.type.coar.fl_str_mv	http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coarversion.fl_str_mv	http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.coar.spa.fl_str_mv	http://purl.org/coar/resource_type/c_6796
dc.type.version.spa.fl_str_mv	info:eu-repo/semantics/publishedVersion
dc.type.coarversion.spa.fl_str_mv	http://purl.org/coar/version/c_970fb48d4fbd8a380
format	http://purl.org/coar/resource_type/c_6796
status_str	publishedVersion
dc.identifier.none.fl_str_mv	https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14450 10.19053/01218530.n44.2022.14450
dc.identifier.uri.none.fl_str_mv	https://repositorio.uptc.edu.co/handle/001/12857
url	https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14450 https://repositorio.uptc.edu.co/handle/001/12857
identifier_str_mv	10.19053/01218530.n44.2022.14450
dc.language.none.fl_str_mv	spa
dc.language.iso.spa.fl_str_mv	spa
language	spa
dc.relation.none.fl_str_mv	https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14450/12447 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14450/13434
dc.rights.es-ES.fl_str_mv	Derechos de autor 2022 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.coar.fl_str_mv	http://purl.org/coar/access_right/c_abf2
dc.rights.coar.spa.fl_str_mv	http://purl.org/coar/access_right/c_abf297
rights_invalid_str_mv	Derechos de autor 2022 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/ http://purl.org/coar/access_right/c_abf297 http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv	application/pdf text/xml
dc.publisher.es-ES.fl_str_mv	Universidad Pedagógica y Tecnológica de Colombia
dc.source.en-US.fl_str_mv	La Palabra; No. 44 (2022): Special issue: Ecocriticism; 1-19
dc.source.es-ES.fl_str_mv	La Palabra; Núm. 44 (2022): Número especial: Ecocrítica; 1-19
dc.source.pt-BR.fl_str_mv	La Palabra; n. 44 (2022): Edição especial: Ecocrítica; 1-19
dc.source.none.fl_str_mv	2346-3864 0121-8530
institution	Universidad Pedagógica y Tecnológica de Colombia
repository.name.fl_str_mv	Repositorio Institucional UPTC
repository.mail.fl_str_mv	repositorio.uptc@uptc.edu.co
_version_	1839633882191757312
spelling	2022-12-202024-07-05T18:56:00Z2024-07-05T18:56:00Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/1445010.19053/01218530.n44.2022.14450https://repositorio.uptc.edu.co/handle/001/12857From hermeneutic assessment of the nonhuman turnabout, and materialist ecocriticism, this article studies La mata, a documentary poem by Eliana Hernández, and illustrated by María Isabel Rueda. In this poem, nature can be read as a nonhuman arrangement network capable to predict the paramilitary massacre of El Salado in Colombia, and also as an adjuvant in this story. This reading, in turn, confirms the said agency allows for the poetic-narrative program in question to be accomplished. Similarly, the article reflects on the ways in which Hernández uses earth’s fecundated archetype which stems from the body and blood of the victims, to make the world of the nonhuman a witness of violence, but also a place of memory for the massacred and survivors. Este artículo apela a los preceptos hermenéuticos y conceptuales del giro no-humano y, dentro de ese contexto, de la ecocrítica materialista, para mostrar que en La mata (poema documental de Eliana Hernández con ilustraciones de María Isabel Rueda) la naturaleza puede ser leída como una red de agenciamientos no-humanos que, en su interacción con los sujetos humanos, termina perfilándose como un actante de carácter adyuvante capaz de vaticinar la masacre paramilitar de El Salado. A su vez, dicha lectura constata la agencia que tiene dicha red para lograr que el programa poético-narrativo en cuestión pueda cumplirse. Asimismo, el artículo reflexiona sobre los modos en los que Hernández se vale del arquetipo fecundativo de la tierra a partir del cuerpo y la sangre de las víctimas, para así hacer del mundo de lo no-humano un testigo de la violencia, pero también un lugar de memoria para los masacrados y sobrevivientes.Este artigo pretende mostrar que em La mata, poema documentário de Eliana Hernández com ilustrações de María Isabel Rueda, a natureza pode ser lida como uma rede de agenciamentos não humanos que, em sua interação com os sujeitos humanos, acaba se perfilando como um actante adjuvante capaz de prever o massacre paramilitar de El Salado. Isso, apelando aos preceitos hermenêuticos e conceituais da virada não humana e, nesse contexto, da ecocrítica materialista. Essa leitura, por sua vez, confirma a agência que a referida rede tem para garantir que o programa poético-narrativo em questão possa ser cumprido. Da mesma forma, o artigo reflete sobre os modos em que Hernández usa o arquétipo fecundativo da terra a partir do corpo e do sangue das vítimas, a fim de tornar o mundo do não-humano uma testemunha da violência, mas também um lugar de memória para os massacrados e sobreviventes.application/pdftext/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/14450/12447https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14450/13434Derechos de autor 2022 La Palabrahttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf297http://purl.org/coar/access_right/c_abf2La Palabra; No. 44 (2022): Special issue: Ecocriticism; 1-19La Palabra; Núm. 44 (2022): Número especial: Ecocrítica; 1-19La Palabra; n. 44 (2022): Edição especial: Ecocrítica; 1-192346-38640121-8530documentary poetryparamilitary violenceColombianatureassemblageEliana HernándezMaría Isabel RuedaLa matapoesía documentalviolencia paramilitarColombianaturalezaagenciamientoEliana HernándezMaría Isabel RuedaLa matapoesía documentalviolencia paramilitarColômbianaturezaagenciamentoEliana HernándezMaría Isabel RuedaLa mata“The Detonation of an Act that had been taking Shape”: Nature’s Actantial Modality, Distributive Agency and Testimonial Function in Eliana Hernández and María Isabel Rueda’s La mata (2020)“La detonación de un acto que venía entrañándose”: Modalidad actancial, agencia distributiva y función testimonial de la naturaleza en La mata (2020) de Eliana Hernández y María Isabel Rueda“A detonação de um ato que vinha tomando forma”: Modalidade actancial, agência distribuidora y função testemunhal da natureza em La mata (2020) por Eliana Hernández e María Isabel Ruedainfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6796http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a380http://purl.org/coar/version/c_970fb48d4fbd8a85Villegas Restrepo, Juan Esteban001/12857oai:repositorio.uptc.edu.co:001/128572025-07-18 11:34:01.063metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co

“The Detonation of an Act that had been taking Shape”: Nature’s Actantial Modality, Distributive Agency and Testimonial Function in Eliana Hernández and María Isabel Rueda’s La mata (2020)

Publicaciones similares