And Everything Emptying into White: Interview and Biography in I Was Born to Be Brief

This article proposes a reading on Nací para ser breve, by Gabriela Massuh, as a text that  is part of what Roland Barthes called "biographical nebula", in other words, a text that even without being a proper biography or an autobiography works with the writing of real lives. One...

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Autores:
Tipo de recurso:
http://purl.org/coar/resource_type/c_6636
Fecha de publicación:
2020
Institución:
Universidad Pedagógica y Tecnológica de Colombia
Repositorio:
RiUPTC: Repositorio Institucional UPTC
Idioma:
spa
OAI Identifier:
oai:repositorio.uptc.edu.co:001/12794
Acceso en línea:
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/10638
https://repositorio.uptc.edu.co/handle/001/12794
Palabra clave:
Author; Biography; Death; Interview; Massuh; Voice; Walsh
autor; biografía; entrevista; Massuh; muerte; voz, Walsh
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License
Derechos de autor 2020 LA PALABRA
Description
Summary:This article proposes a reading on Nací para ser breve, by Gabriela Massuh, as a text that  is part of what Roland Barthes called "biographical nebula", in other words, a text that even without being a proper biography or an autobiography works with the writing of real lives. One of the hypothesis of this article is that the interview –the book is mainly a long interview that the author made to María Elena Walsh in 1981, while Walsh was recovering from cancer– is a possible way of recounting a person’s life. Furthermore, because of the way the book was made, this article entails that silence and death are part of this making process. Therefore, Nací para ser breve emphasizes its links very closely with the “deathbed scenes” and with the so-called "last interviews". Finally, focusing on the transcription of the interview, this article brings out some hypotheses in regard to the problem of the voice –understood as sound, as phoné– in the biographical writing.