Expressiveness is more Democratic than Originality. Fourteen Theses –Keneth Goldsmith Inspired for a Literature in the Digital Age

This paper proposes a reading of American poet Keneth Goldsmith›s Uncreative Writing. ManagingLanguage in the Digital Age (2015) which corresponds to my personal review of the book –linked withother readings and particularly with my creative and research experience. It is organized by «theses» orpie...

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Tipo de recurso:
http://purl.org/coar/resource_type/c_6637
Fecha de publicación:
2021
Institución:
Universidad Pedagógica y Tecnológica de Colombia
Repositorio:
RiUPTC: Repositorio Institucional UPTC
Idioma:
spa
OAI Identifier:
oai:repositorio.uptc.edu.co:001/12813
Acceso en línea:
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12234
https://repositorio.uptc.edu.co/handle/001/12813
Palabra clave:
non fictional writing
Keneth Goldsmith
posidentity
expressiveness
originality
Escrituras no creativas
Keneth Goldsmith
post identidad
expresividad
originalidad
escritas no criativas
Keneth Goldsmith, pós-identidade
expressividade
originalidade
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License
Derechos de autor 2021 LA PALABRA
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oai_identifier_str oai:repositorio.uptc.edu.co:001/12813
network_acronym_str REPOUPTC2
network_name_str RiUPTC: Repositorio Institucional UPTC
repository_id_str
dc.title.en-US.fl_str_mv Expressiveness is more Democratic than Originality. Fourteen Theses –Keneth Goldsmith Inspired for a Literature in the Digital Age
dc.title.es-ES.fl_str_mv La expresividad es más democrática que la originalidad. Acerca de las ideas de Kenneth Goldsmith. 14 tesis (de inspiración goldsmithiana) para una literatura en la era digital
dc.title.pt-BR.fl_str_mv A expressividade é mais democrática do que a originalidade. Acerca das ideias de Kenneth Goldsmith. 14 teses (de inspiração goldsmithiana) para uma literatura na era digital
title Expressiveness is more Democratic than Originality. Fourteen Theses –Keneth Goldsmith Inspired for a Literature in the Digital Age
spellingShingle Expressiveness is more Democratic than Originality. Fourteen Theses –Keneth Goldsmith Inspired for a Literature in the Digital Age
non fictional writing
Keneth Goldsmith
posidentity
expressiveness
originality
Escrituras no creativas
Keneth Goldsmith
post identidad
expresividad
originalidad
escritas no criativas
Keneth Goldsmith, pós-identidade
expressividade
originalidade
title_short Expressiveness is more Democratic than Originality. Fourteen Theses –Keneth Goldsmith Inspired for a Literature in the Digital Age
title_full Expressiveness is more Democratic than Originality. Fourteen Theses –Keneth Goldsmith Inspired for a Literature in the Digital Age
title_fullStr Expressiveness is more Democratic than Originality. Fourteen Theses –Keneth Goldsmith Inspired for a Literature in the Digital Age
title_full_unstemmed Expressiveness is more Democratic than Originality. Fourteen Theses –Keneth Goldsmith Inspired for a Literature in the Digital Age
title_sort Expressiveness is more Democratic than Originality. Fourteen Theses –Keneth Goldsmith Inspired for a Literature in the Digital Age
dc.subject.en-US.fl_str_mv non fictional writing
Keneth Goldsmith
posidentity
expressiveness
originality
topic non fictional writing
Keneth Goldsmith
posidentity
expressiveness
originality
Escrituras no creativas
Keneth Goldsmith
post identidad
expresividad
originalidad
escritas no criativas
Keneth Goldsmith, pós-identidade
expressividade
originalidade
dc.subject.es-ES.fl_str_mv Escrituras no creativas
Keneth Goldsmith
post identidad
expresividad
originalidad
dc.subject.pt-BR.fl_str_mv escritas no criativas
Keneth Goldsmith, pós-identidade
expressividade
originalidade
description This paper proposes a reading of American poet Keneth Goldsmith›s Uncreative Writing. ManagingLanguage in the Digital Age (2015) which corresponds to my personal review of the book –linked withother readings and particularly with my creative and research experience. It is organized by «theses» orpieces that briefly develop some of the ideas contained in Goldsmith›s proposal. This way of proceedinghas generated three approaches: 1) post-identity expressiveness as a substitute of creative authenticity,2) the literary canonical forms’ reevaluation as an effect of the deployment of interactive digital communication, 3) the effects on literary practice in the digital culture. With this reading of Goldsmith, a callon understanding the possibilities of the digital as an opportunity to renew literary practice is proposedat the end. The paper ends with an addendum: the short story “El hombre de la esquina”, which complements, in a fictional register, the ideas elaborated here.
publishDate 2021
dc.date.accessioned.none.fl_str_mv 2024-07-05T18:55:49Z
dc.date.available.none.fl_str_mv 2024-07-05T18:55:49Z
dc.date.none.fl_str_mv 2021-03-04
dc.type.none.fl_str_mv info:eu-repo/semantics/article
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coarversion.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6637
dc.type.version.spa.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.coarversion.spa.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a221
format http://purl.org/coar/resource_type/c_6637
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12234
10.19053/01218530.n41.2021.12234
dc.identifier.uri.none.fl_str_mv https://repositorio.uptc.edu.co/handle/001/12813
url https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12234
https://repositorio.uptc.edu.co/handle/001/12813
identifier_str_mv 10.19053/01218530.n41.2021.12234
dc.language.none.fl_str_mv spa
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12234/10493
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12234/11052
dc.rights.es-ES.fl_str_mv Derechos de autor 2021 LA PALABRA
https://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf138
rights_invalid_str_mv Derechos de autor 2021 LA PALABRA
https://creativecommons.org/licenses/by-nc-nd/4.0/
http://purl.org/coar/access_right/c_abf138
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
text/xml
dc.publisher.es-ES.fl_str_mv Universidad Pedagógica y Tecnológica de Colombia
dc.source.en-US.fl_str_mv La Palabra; No. 41 (2021): Miscellaneous issue; 1-21
dc.source.es-ES.fl_str_mv La Palabra; Núm. 41 (2021): Número Misceláneo; 1-21
dc.source.pt-BR.fl_str_mv La Palabra; n. 41 (2021): Miscelâneo; 1-21
dc.source.none.fl_str_mv 2346-3864
0121-8530
institution Universidad Pedagógica y Tecnológica de Colombia
repository.name.fl_str_mv Repositorio Institucional UPTC
repository.mail.fl_str_mv repositorio.uptc@uptc.edu.co
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spelling 2021-03-042024-07-05T18:55:49Z2024-07-05T18:55:49Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/1223410.19053/01218530.n41.2021.12234https://repositorio.uptc.edu.co/handle/001/12813This paper proposes a reading of American poet Keneth Goldsmith›s Uncreative Writing. ManagingLanguage in the Digital Age (2015) which corresponds to my personal review of the book –linked withother readings and particularly with my creative and research experience. It is organized by «theses» orpieces that briefly develop some of the ideas contained in Goldsmith›s proposal. This way of proceedinghas generated three approaches: 1) post-identity expressiveness as a substitute of creative authenticity,2) the literary canonical forms’ reevaluation as an effect of the deployment of interactive digital communication, 3) the effects on literary practice in the digital culture. With this reading of Goldsmith, a callon understanding the possibilities of the digital as an opportunity to renew literary practice is proposedat the end. The paper ends with an addendum: the short story “El hombre de la esquina”, which complements, in a fictional register, the ideas elaborated here.Este artículo propone una lectura de la obra Escrituras no creativas. Gestionando el lenguaje en la era digital (traducción de Uncreative Writing. Managing Language in the Digital Age; 2015) del poeta norteamericano Kenneth Goldsmith. Esta lectura corresponde a la revisión propia del libro, está basada en resonancias personales (vínculos con otras lecturas y sobre todo con la trayectoria creativa e investigativa del autor de este artículo). El estudio está organizada por «tesis» o fragmentos que desarrollan brevemente algunas de las ideas contenidas en la propuesta de Goldsmith. Este modo de proceder ha generado reflexiones que ponen énfasis en tres planteamientos: 1) la expresividad postidentitaria como sucedánea de la originalidad creativa, 2) la relativización de las formas canónicas de la literatura como efecto del despliegue de la comunicación digital interactiva y 3) los efectos sobre el ejercicio literario en el ámbito de la cultura digital. Con esta lectura de Goldsmith se propone al final un llamado a entender las posibilidades de lo digital como una oportunidad para renovar el ejercicio literario. El artículo termina con una adenda: el cuento El hombre de la esquina, que complementa, en registro ficcional, las ideas elaboradas.Este artigo propõe uma leitura da obra do poeta norte-americano Keneth Goldsmith Escritas no criativas.Dirigindo a linguagem na era digital (do original Uncreative Writing. Managing Language in the DigitalAge, 2015), por meio de uma revisão pessoal do livro baseada em ressonâncias pessoais (vínculos comoutras leituras e, sobretudo, com o próprio percurso criativo e investigativo) organizadas por “teses”ou trechos que desenvolvem sucintamente algumas das ideias contidas na proposta de Goldsmith. Estemodo de proceder tem gerado reflexões que fazem ênfase em três abordagens: 1) a expressividade pósidentitária como substituta da originalidade criativa, 2) a relativização de formas canônicas da literaturacomo efeito do desdobramento da comunicação digital interativa e 3) os efeitos sobre o exercícioliterário no âmbito da cultura digital. Com esta leitura de Goldsmith propõe-se no final um chamado aoentendimento das possibilidades do digital como uma oportunidade para renovar o exercício literário. Oartigo termina com uma adenda: o conto O homem na esquina, que completa, no registro ficcional, asideias desenvolvidas.application/pdftext/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/12234/10493https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12234/11052Derechos de autor 2021 LA PALABRAhttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf138http://purl.org/coar/access_right/c_abf2La Palabra; No. 41 (2021): Miscellaneous issue; 1-21La Palabra; Núm. 41 (2021): Número Misceláneo; 1-21La Palabra; n. 41 (2021): Miscelâneo; 1-212346-38640121-8530non fictional writingKeneth GoldsmithposidentityexpressivenessoriginalityEscrituras no creativasKeneth Goldsmithpost identidadexpresividadoriginalidadescritas no criativasKeneth Goldsmith, pós-identidadeexpressividadeoriginalidadeExpressiveness is more Democratic than Originality. Fourteen Theses –Keneth Goldsmith Inspired for a Literature in the Digital AgeLa expresividad es más democrática que la originalidad. Acerca de las ideas de Kenneth Goldsmith. 14 tesis (de inspiración goldsmithiana) para una literatura en la era digitalA expressividade é mais democrática do que a originalidade. Acerca das ideias de Kenneth Goldsmith. 14 teses (de inspiração goldsmithiana) para uma literatura na era digitalinfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6637http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a221http://purl.org/coar/version/c_970fb48d4fbd8a85Rodríguez, Jaime Alejandro001/12813oai:repositorio.uptc.edu.co:001/128132025-07-18 11:33:54.105metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co