Ñausa urpi: the Symbol as a Figurative Resource in the Composition of Quechua Songs in the Narrative of José María Arguedas
The transcultural and polyphonic narrative of José María Arguedas is imbued with Quechua songs, which are structured through canonical rhetorical figures established by the aesthetics of Quechua culture. The aim of the article is to explain the use of the symbol as a central literary figure in the c...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6509
- Fecha de publicación:
- 2023
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12864
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14619
https://repositorio.uptc.edu.co/handle/001/12864
- Palabra clave:
- Quechua songs
interdiscursivity
sound discourse
symbolism
Quechua rhetoric
Canciones quechuas
interdiscursividad
discurso sonoro
simbolismo
retórica quechua
Canções quéchuas
interdiscursividade
discurso sonoro
simbolismo
retórica quéchua
- Rights
- License
- Derechos de autor 2023 La Palabra
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Ñausa urpi: the Symbol as a Figurative Resource in the Composition of Quechua Songs in the Narrative of José María Arguedas |
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Ñausa urpi: el símbolo como recurso figurativo en la composición de las canciones quechuas en la narrativa de José María Arguedas |
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Ñausa urpi: o símbolo como recurso figurativo na composição de canções quéchuas na narrativa de José Maria Arguedas |
| title |
Ñausa urpi: the Symbol as a Figurative Resource in the Composition of Quechua Songs in the Narrative of José María Arguedas |
| spellingShingle |
Ñausa urpi: the Symbol as a Figurative Resource in the Composition of Quechua Songs in the Narrative of José María Arguedas Quechua songs interdiscursivity sound discourse symbolism Quechua rhetoric Canciones quechuas interdiscursividad discurso sonoro simbolismo retórica quechua Canções quéchuas interdiscursividade discurso sonoro simbolismo retórica quéchua |
| title_short |
Ñausa urpi: the Symbol as a Figurative Resource in the Composition of Quechua Songs in the Narrative of José María Arguedas |
| title_full |
Ñausa urpi: the Symbol as a Figurative Resource in the Composition of Quechua Songs in the Narrative of José María Arguedas |
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Ñausa urpi: the Symbol as a Figurative Resource in the Composition of Quechua Songs in the Narrative of José María Arguedas |
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Ñausa urpi: the Symbol as a Figurative Resource in the Composition of Quechua Songs in the Narrative of José María Arguedas |
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Ñausa urpi: the Symbol as a Figurative Resource in the Composition of Quechua Songs in the Narrative of José María Arguedas |
| dc.subject.en-US.fl_str_mv |
Quechua songs interdiscursivity sound discourse symbolism Quechua rhetoric |
| topic |
Quechua songs interdiscursivity sound discourse symbolism Quechua rhetoric Canciones quechuas interdiscursividad discurso sonoro simbolismo retórica quechua Canções quéchuas interdiscursividade discurso sonoro simbolismo retórica quéchua |
| dc.subject.es-ES.fl_str_mv |
Canciones quechuas interdiscursividad discurso sonoro simbolismo retórica quechua |
| dc.subject.pt-BR.fl_str_mv |
Canções quéchuas interdiscursividade discurso sonoro simbolismo retórica quéchua |
| description |
The transcultural and polyphonic narrative of José María Arguedas is imbued with Quechua songs, which are structured through canonical rhetorical figures established by the aesthetics of Quechua culture. The aim of the article is to explain the use of the symbol as a central literary figure in the composition of the Quechua songs embedded in Arguedas’ narrative. The selected textual corpus consists of Quechua resistance songs. To identify and explain these symbols, cultural rhetoric has been used as a hermeneutic tool, proposed by Tomás Albaladejo, as it allows the discovery of the mechanisms of the rhetorical organization of lyrical discourse. The results of the study show that, indeed, the songs are configured around recurring symbols such as the bull, the butterfly, the dove, the tree, and the river. The contribution of the study lies in the explanation of the process of interdiscursive construction of the symbol in the Quechua songs. |
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2023 |
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2024-07-05T18:56:01Z |
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2024-07-05T18:56:01Z |
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2023-12-29 |
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https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14619 10.19053/01218530.n45.2023.14619 |
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https://repositorio.uptc.edu.co/handle/001/12864 |
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https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14619/13797 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14619/14108 |
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Universidad Pedagógica y Tecnológica de Colombia |
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La Palabra; No. 45 (2023): Miscellaneous issue; 1-17 |
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La Palabra; Núm. 45 (2023): Número Misceláneo; 1-17 |
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2023-12-292024-07-05T18:56:01Z2024-07-05T18:56:01Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/1461910.19053/01218530.n45.2023.14619https://repositorio.uptc.edu.co/handle/001/12864The transcultural and polyphonic narrative of José María Arguedas is imbued with Quechua songs, which are structured through canonical rhetorical figures established by the aesthetics of Quechua culture. The aim of the article is to explain the use of the symbol as a central literary figure in the composition of the Quechua songs embedded in Arguedas’ narrative. The selected textual corpus consists of Quechua resistance songs. To identify and explain these symbols, cultural rhetoric has been used as a hermeneutic tool, proposed by Tomás Albaladejo, as it allows the discovery of the mechanisms of the rhetorical organization of lyrical discourse. The results of the study show that, indeed, the songs are configured around recurring symbols such as the bull, the butterfly, the dove, the tree, and the river. The contribution of the study lies in the explanation of the process of interdiscursive construction of the symbol in the Quechua songs.La narrativa transcultural y polifónica de José María Arguedas está sembrada de canciones quechuas; las cuales se estructuran mediante las figuras retóricas canónicas establecidas por la estética de la cultura quechua. El objetivo del artículo es explicar el uso del símbolo como figura literaria central en la composición de las canciones quechuas insertas en la narrativa arguediana. El corpus textual seleccionado son las canciones quechuas de resistencia. Para identificar y explicar estos símbolos, se ha utilizado la retórica cultural como herramienta hermenéutica, propuesta por Tomás Albaladejo, dado que permite descubrir los mecanismos de la organización retórica del discurso lírico. Los resultados del estudio demuestran que, en efecto, las canciones se configuran en torno a símbolos recurrentes como el toro, la mariposa, la paloma, el árbol y el río. El aporte del estudio consiste en la explicación del proceso de la construcción interdiscursiva del símbolo en las canciones quechuas.A narrativa transcultural e polifônica de José María Arguedas é permeada por canções quéchuas; tais canções são estruturadas através de figuras retóricas canônicas, que são estabelecidas pela estética da cultura quéchua. O objetivo deste artigo é elucidar a utilização do símbolo como elemento literário fundamental na estruturação das canções quéchuas presentes na narrativa arguediana. O corpus textual selecionado é constituído por canções de resistência quechua. Para identificar e explicar estes símbolos, foi utilizada a retórica cultural como ferramenta hermenêutica, proposta por Tomás Albaladejo, uma vez que permite descobrir os mecanismos da organização retórica do discurso lírico. Os resultados do estudo mostram que, de facto, as canções se configuram em torno de símbolos recorrentes como o touro, a borboleta, a pomba, a árvore e o rio. A contribuição do estudo reside na explicação do processo de construção interdiscursiva do símbolo nas canções quéchuas.application/pdftext/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/14619/13797https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14619/14108Derechos de autor 2023 La Palabrahttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf10http://purl.org/coar/access_right/c_abf2La Palabra; No. 45 (2023): Miscellaneous issue; 1-17La Palabra; Núm. 45 (2023): Número Misceláneo; 1-17La Palabra; n. 45 (2023): Miscelâneo; 1-172346-38640121-8530Quechua songsinterdiscursivitysound discoursesymbolismQuechua rhetoricCanciones quechuasinterdiscursividaddiscurso sonorosimbolismoretórica quechuaCanções quéchuasinterdiscursividadediscurso sonorosimbolismoretórica quéchuaÑausa urpi: the Symbol as a Figurative Resource in the Composition of Quechua Songs in the Narrative of José María ArguedasÑausa urpi: el símbolo como recurso figurativo en la composición de las canciones quechuas en la narrativa de José María ArguedasÑausa urpi: o símbolo como recurso figurativo na composição de canções quéchuas na narrativa de José Maria Arguedasinfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6509http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a93http://purl.org/coar/version/c_970fb48d4fbd8a85Altamirano Flores, Federico001/12864oai:repositorio.uptc.edu.co:001/128642025-07-18 11:33:35.148metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |