Natalia Sergéyevna Goncharova

She was a main representative of the avant-garde movement of Russian painting, as well as a pioneer and founder of the so-called neo-primitivism, in which she evoked part of the traditional orthodox Christian iconography and, in turn, of Jewish and medieval themes.

Autores:
Tipo de recurso:
http://purl.org/coar/resource_type/c_6887
Fecha de publicación:
2020
Institución:
Universidad Pedagógica y Tecnológica de Colombia
Repositorio:
RiUPTC: Repositorio Institucional UPTC
Idioma:
spa
OAI Identifier:
oai:repositorio.uptc.edu.co:001/12047
Acceso en línea:
https://revistas.uptc.edu.co/index.php/cenes/article/view/12063
https://repositorio.uptc.edu.co/handle/001/12047
Palabra clave:
contemporary art, neoprimitivism, rayonsim, futurism
Arte contemporáneo
neoprimitivismo
rayonismo
futurismo
Rights
License
Copyright (c) 2020 Ricardo Alonso Tejedor Estupiñan
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spelling 2020-11-252024-07-05T18:44:51Z2024-07-05T18:44:51Zhttps://revistas.uptc.edu.co/index.php/cenes/article/view/1206310.19053/01203053.v39.n70.2020.12063https://repositorio.uptc.edu.co/handle/001/12047She was a main representative of the avant-garde movement of Russian painting, as well as a pioneer and founder of the so-called neo-primitivism, in which she evoked part of the traditional orthodox Christian iconography and, in turn, of Jewish and medieval themes.Fue una representante principal del movimiento de vanguardia de la pintura rusa, así como pionera y fundadora el denominado neoprimitivismo, en el cual evocó parte de la iconografía tradicional ortodoxa cristiana y, a su vez, de temas judíos y medievales.text/htmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/cenes/article/view/12063/9925Copyright (c) 2020 Ricardo Alonso Tejedor Estupiñanhttp://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf388http://purl.org/coar/access_right/c_abf2Apuntes del Cenes; Vol. 39 No. 70 (2020)Apuntes del Cenes; Vol. 39 Núm. 70 (2020)2256-57790120-3053contemporary art, neoprimitivism, rayonsim, futurismArte contemporáneoneoprimitivismorayonismofuturismoNatalia Sergéyevna GoncharovaNatalia Sergéyevna Goncharovainfo:eu-repo/semantics/articleReseña del Artista Invitadohttp://purl.org/coar/resource_type/c_6887http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a471http://purl.org/coar/version/c_970fb48d4fbd8a85Tejedor Estupiñan, Ricardo Alonso001/12047oai:repositorio.uptc.edu.co:001/120472025-07-18 12:13:42.48metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co
dc.title.en-US.fl_str_mv Natalia Sergéyevna Goncharova
dc.title.es-ES.fl_str_mv Natalia Sergéyevna Goncharova
title Natalia Sergéyevna Goncharova
spellingShingle Natalia Sergéyevna Goncharova
contemporary art, neoprimitivism, rayonsim, futurism
Arte contemporáneo
neoprimitivismo
rayonismo
futurismo
title_short Natalia Sergéyevna Goncharova
title_full Natalia Sergéyevna Goncharova
title_fullStr Natalia Sergéyevna Goncharova
title_full_unstemmed Natalia Sergéyevna Goncharova
title_sort Natalia Sergéyevna Goncharova
dc.subject.en-US.fl_str_mv contemporary art, neoprimitivism, rayonsim, futurism
topic contemporary art, neoprimitivism, rayonsim, futurism
Arte contemporáneo
neoprimitivismo
rayonismo
futurismo
dc.subject.es-ES.fl_str_mv Arte contemporáneo
neoprimitivismo
rayonismo
futurismo
description She was a main representative of the avant-garde movement of Russian painting, as well as a pioneer and founder of the so-called neo-primitivism, in which she evoked part of the traditional orthodox Christian iconography and, in turn, of Jewish and medieval themes.
publishDate 2020
dc.date.accessioned.none.fl_str_mv 2024-07-05T18:44:51Z
dc.date.available.none.fl_str_mv 2024-07-05T18:44:51Z
dc.date.none.fl_str_mv 2020-11-25
dc.type.none.fl_str_mv info:eu-repo/semantics/article
dc.type.es-ES.fl_str_mv Reseña del Artista Invitado
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coarversion.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6887
dc.type.version.spa.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.coarversion.spa.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a471
format http://purl.org/coar/resource_type/c_6887
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uptc.edu.co/index.php/cenes/article/view/12063
10.19053/01203053.v39.n70.2020.12063
dc.identifier.uri.none.fl_str_mv https://repositorio.uptc.edu.co/handle/001/12047
url https://revistas.uptc.edu.co/index.php/cenes/article/view/12063
https://repositorio.uptc.edu.co/handle/001/12047
identifier_str_mv 10.19053/01203053.v39.n70.2020.12063
dc.language.none.fl_str_mv spa
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uptc.edu.co/index.php/cenes/article/view/12063/9925
dc.rights.en-US.fl_str_mv Copyright (c) 2020 Ricardo Alonso Tejedor Estupiñan
http://creativecommons.org/licenses/by-nc-sa/4.0
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf388
rights_invalid_str_mv Copyright (c) 2020 Ricardo Alonso Tejedor Estupiñan
http://creativecommons.org/licenses/by-nc-sa/4.0
http://purl.org/coar/access_right/c_abf388
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv text/html
dc.publisher.en-US.fl_str_mv Universidad Pedagógica y Tecnológica de Colombia
dc.source.en-US.fl_str_mv Apuntes del Cenes; Vol. 39 No. 70 (2020)
dc.source.es-ES.fl_str_mv Apuntes del Cenes; Vol. 39 Núm. 70 (2020)
dc.source.none.fl_str_mv 2256-5779
0120-3053
institution Universidad Pedagógica y Tecnológica de Colombia
repository.name.fl_str_mv Repositorio Institucional UPTC
repository.mail.fl_str_mv repositorio.uptc@uptc.edu.co
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