The Future of Ruins: Remains, Industrial Suburbs and Temporary Uncertainties in Sergio Chejfec's Boca de lobo

Analyzing the “geographical anatomy of industrial urbanism” (Soja) in Boca de lobo, by Sergio Chejfec, is carried out on this paper to understand this novel. In this piece is performed a suburb as an organized place close to the factory. It is proposed that the alignment of the industrial landscape...

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Autores:
Tipo de recurso:
http://purl.org/coar/resource_type/c_6693
Fecha de publicación:
2022
Institución:
Universidad Pedagógica y Tecnológica de Colombia
Repositorio:
RiUPTC: Repositorio Institucional UPTC
Idioma:
spa
OAI Identifier:
oai:repositorio.uptc.edu.co:001/12845
Acceso en línea:
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14142
https://repositorio.uptc.edu.co/handle/001/12845
Palabra clave:
Sergio Chejfec
urban space
industrial landscape
ruin
Argentine literature
Sergio Chejfec
espacio urbano
paisaje industrial
ruina
literatura argentina
Sergio Chejfec
espaço urbano
paisagem industrial
ruína
literatura argentina
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Derechos de autor 2022 La Palabra
Description
Summary:Analyzing the “geographical anatomy of industrial urbanism” (Soja) in Boca de lobo, by Sergio Chejfec, is carried out on this paper to understand this novel. In this piece is performed a suburb as an organized place close to the factory. It is proposed that the alignment of the industrial landscape in this work depends on an imaginary of the ruins. Likewise, the multiplication of ostensible signs of deterioration is combined, particularly, with a dialogue with strong discursive traditions, mainly Marxism and social realism. It is maintained that dealing with the ruins in Boca de lobo tends to articulate material vestiges with textual fragments, and in this sense the construction of urban space is carried out both in relation to what is seen (material ruins) and what is read (textual quotes). In short, the novel builds an urban space whose referential indices refer to different historical times and textual traditions through a montage of heterochronic temporalities.