American fin-de-siècle materialism in Jesús López Pacheco's Ecólogas y Urbanas

The work of Jesús López Pacheco (1930-1997) has always been conscious of the environment surrounding his characters. It will be, however, in his last work during his lifetime, Ecólogas y Urbanas: Manual para evitar un fin de siglo siniestro (1996), where this concern is manifested in all its splendo...

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Autores:
Tipo de recurso:
http://purl.org/coar/resource_type/c_6682
Fecha de publicación:
2022
Institución:
Universidad Pedagógica y Tecnológica de Colombia
Repositorio:
RiUPTC: Repositorio Institucional UPTC
Idioma:
spa
OAI Identifier:
oai:repositorio.uptc.edu.co:001/12874
Acceso en línea:
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14845
https://repositorio.uptc.edu.co/handle/001/12874
Palabra clave:
López Pacheco
Ecólogas y Urbanas
American Materialism
Ecomarxism
Environmental Degradation
Anthropocene
critical realism
Generation of '50
López Pacheco
Ecólogas y Urbanas
materialismo norteamericano
ecomarxismo
degradación ambiental
Antropoceno
realismo crítico
generación del 50
López Pacheco
Ecólogas y Urbanas
materialismo norteamericano
ecomarxismo
degradação ambiental
antropoceno
realismo crítico
geração de 50
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License
Derechos de autor 2022 La Palabra
Description
Summary:The work of Jesús López Pacheco (1930-1997) has always been conscious of the environment surrounding his characters. It will be, however, in his last work during his lifetime, Ecólogas y Urbanas: Manual para evitar un fin de siglo siniestro (1996), where this concern is manifested in all its splendor. Behind this neologism (which combines “eclogue” and “ecology”) hides a lyrical activism that goes from personal to collective experience, and that tries to bring us back to sustainability as a paradigm for subsistence in the third millennium. From an ecological materialist perspective of North American origin, it analyzes human relations with other animal species, the critique of savage economic mercantilism and the environmental degradation of urban landscapes. Therefore, showing a sharp sense of humour linked with vis poietica, a possible postpastoral scenario is drawn, tinged with hope, as the only solution to humanity in the years to come.