The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics
In the last decades, the field of aesthetics and the studies on art have participated in a series of transformations and movements that brought together two issues: the announcements about the end of art (and even more broadly, the end of meaning, of history, literature) and the debates on the post-...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6633
- Fecha de publicación:
- 2020
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12767
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950
https://repositorio.uptc.edu.co/handle/001/12767
- Palabra clave:
- Contemporary Aesthetics
Literary Criticism
Image
Jacques Rancière
crítica literaria
estética contemporánea
imagen
postautonomía
- Rights
- License
- Derechos de autor 2020 LA PALABRA
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2020-02-252024-07-05T18:55:45Z2024-07-05T18:55:45Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/895010.19053/01218530.n37.2020.8950https://repositorio.uptc.edu.co/handle/001/12767In the last decades, the field of aesthetics and the studies on art have participated in a series of transformations and movements that brought together two issues: the announcements about the end of art (and even more broadly, the end of meaning, of history, literature) and the debates on the post-autonomy of art. Based on the critical and theoretical contributions of Nelly Richard, Jacques Rancière, Giorgio Agamben, among others, this article explores the emergence of the notion of image in the contemporary scenario in order to point out the senses that advocate the expiration of art or, its opposite, an impulse of innovation of the forms. Faced with the opening of the relationship between art and literature, this displacement is possible to read in the way that contemporary Argentine criticism composes a constellation of meanings between image, writing and the present. En las últimas décadas, el campo de la estética y de los estudios sobre el arte participaron de una serie de transformaciones y movimientos que hicieron converger dos problemáticas: los anuncios sobre el fin del arte (y de modo aún más amplio, el fin de sentido, de la historia, de la literatura) y los debates sobre la postautonomía del arte. A partir de los aportes críticos y teóricos de Nelly Richard, Jacques Rancière, Giorgio Agamben, entre otros, este artículo explora la emergencia de la noción de imagen en el escenario contemporáneo para despuntar los sentidos que abogan por la caducidad del arte o, su contracara, por un impulso de innovación de las formas. Ante la apertura de la relación entre arte y literatura, tiene lugar un desplazamiento que es posible leer en el modo en que la crítica argentina contemporánea compone una constelación de sentidos entre imagen, escritura y presente.application/pdfapplication/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950/8838https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950/10217Derechos de autor 2020 LA PALABRAhttp://purl.org/coar/access_right/c_abf134http://purl.org/coar/access_right/c_abf2La Palabra; No. 37 (2020): Miscellaneous issue. April-JuneLa Palabra; Núm. 37 (2020): Número Misceláneo. abril-junioLa Palabra; n. 37 (2020): Número miscelâneo. Maio-Junho2346-38640121-8530Contemporary AestheticsLiterary CriticismImageJacques Rancièrecrítica literariaestética contemporáneaimagenpostautonomíaThe Present and its Remaining Art, Literature and Image in the Contemporary AestheticsEl presente y sus restos. Arte, literatura e imagen en la estética contemporáneainfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6633http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a217http://purl.org/coar/version/c_970fb48d4fbd8a85Neuburger, Ana001/12767oai:repositorio.uptc.edu.co:001/127672025-07-18 11:33:54.092metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |
dc.title.en-US.fl_str_mv |
The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics |
dc.title.es-ES.fl_str_mv |
El presente y sus restos. Arte, literatura e imagen en la estética contemporánea |
title |
The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics |
spellingShingle |
The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics Contemporary Aesthetics Literary Criticism Image Jacques Rancière crítica literaria estética contemporánea imagen postautonomía |
title_short |
The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics |
title_full |
The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics |
title_fullStr |
The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics |
title_full_unstemmed |
The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics |
title_sort |
The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics |
dc.subject.en-US.fl_str_mv |
Contemporary Aesthetics Literary Criticism Image Jacques Rancière |
topic |
Contemporary Aesthetics Literary Criticism Image Jacques Rancière crítica literaria estética contemporánea imagen postautonomía |
dc.subject.es-ES.fl_str_mv |
crítica literaria estética contemporánea imagen postautonomía |
description |
In the last decades, the field of aesthetics and the studies on art have participated in a series of transformations and movements that brought together two issues: the announcements about the end of art (and even more broadly, the end of meaning, of history, literature) and the debates on the post-autonomy of art. Based on the critical and theoretical contributions of Nelly Richard, Jacques Rancière, Giorgio Agamben, among others, this article explores the emergence of the notion of image in the contemporary scenario in order to point out the senses that advocate the expiration of art or, its opposite, an impulse of innovation of the forms. Faced with the opening of the relationship between art and literature, this displacement is possible to read in the way that contemporary Argentine criticism composes a constellation of meanings between image, writing and the present. |
publishDate |
2020 |
dc.date.accessioned.none.fl_str_mv |
2024-07-05T18:55:45Z |
dc.date.available.none.fl_str_mv |
2024-07-05T18:55:45Z |
dc.date.none.fl_str_mv |
2020-02-25 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6633 |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coarversion.spa.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a217 |
format |
http://purl.org/coar/resource_type/c_6633 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950 10.19053/01218530.n37.2020.8950 |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.uptc.edu.co/handle/001/12767 |
url |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950 https://repositorio.uptc.edu.co/handle/001/12767 |
identifier_str_mv |
10.19053/01218530.n37.2020.8950 |
dc.language.none.fl_str_mv |
spa |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950/8838 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950/10217 |
dc.rights.es-ES.fl_str_mv |
Derechos de autor 2020 LA PALABRA |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf134 |
rights_invalid_str_mv |
Derechos de autor 2020 LA PALABRA http://purl.org/coar/access_right/c_abf134 http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf application/xml |
dc.publisher.es-ES.fl_str_mv |
Universidad Pedagógica y Tecnológica de Colombia |
dc.source.en-US.fl_str_mv |
La Palabra; No. 37 (2020): Miscellaneous issue. April-June |
dc.source.es-ES.fl_str_mv |
La Palabra; Núm. 37 (2020): Número Misceláneo. abril-junio |
dc.source.pt-BR.fl_str_mv |
La Palabra; n. 37 (2020): Número miscelâneo. Maio-Junho |
dc.source.none.fl_str_mv |
2346-3864 0121-8530 |
institution |
Universidad Pedagógica y Tecnológica de Colombia |
repository.name.fl_str_mv |
Repositorio Institucional UPTC |
repository.mail.fl_str_mv |
repositorio.uptc@uptc.edu.co |
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1839633827709845504 |