The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics

In the last decades, the field of aesthetics and the studies on art have participated in a series of transformations and movements that brought together two issues: the announcements about the end of art (and even more broadly, the end of meaning, of history, literature) and the debates on the post-...

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Tipo de recurso:
http://purl.org/coar/resource_type/c_6633
Fecha de publicación:
2020
Institución:
Universidad Pedagógica y Tecnológica de Colombia
Repositorio:
RiUPTC: Repositorio Institucional UPTC
Idioma:
spa
OAI Identifier:
oai:repositorio.uptc.edu.co:001/12767
Acceso en línea:
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950
https://repositorio.uptc.edu.co/handle/001/12767
Palabra clave:
Contemporary Aesthetics
Literary Criticism
Image
Jacques Rancière
crítica literaria
estética contemporánea
imagen
postautonomía
Rights
License
Derechos de autor 2020 LA PALABRA
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spelling 2020-02-252024-07-05T18:55:45Z2024-07-05T18:55:45Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/895010.19053/01218530.n37.2020.8950https://repositorio.uptc.edu.co/handle/001/12767In the last decades, the field of aesthetics and the studies on art have participated in a series of transformations and movements that brought together two issues: the announcements about the end of art (and even more broadly, the end of meaning, of history, literature) and the debates on the post-autonomy of art. Based on the critical and theoretical contributions of Nelly Richard, Jacques Rancière, Giorgio Agamben, among others, this article explores the emergence of the notion of image in the contemporary scenario in order to point out the senses that advocate the expiration of art or, its opposite, an impulse of innovation of the forms. Faced with the opening of the relationship between art and literature, this displacement is possible to read in the way that contemporary Argentine criticism composes a constellation of meanings between image, writing and the present.  En las últimas décadas, el campo de la estética y de los estudios sobre el arte participaron de una serie de transformaciones y movimientos que hicieron converger dos problemáticas: los anuncios sobre el fin del arte (y de modo aún más amplio, el fin de sentido, de la historia, de la literatura) y los debates sobre la postautonomía del arte. A partir de los aportes críticos y teóricos de Nelly Richard, Jacques Rancière, Giorgio Agamben, entre otros, este artículo explora la emergencia de la noción de imagen en el escenario contemporáneo para despuntar los sentidos que abogan por la caducidad del arte o, su contracara, por un impulso de innovación de las formas. Ante la apertura de la relación entre arte y literatura, tiene lugar un desplazamiento que es posible leer en el modo en que la crítica argentina contemporánea compone una constelación de sentidos entre imagen, escritura y presente.application/pdfapplication/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950/8838https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950/10217Derechos de autor 2020 LA PALABRAhttp://purl.org/coar/access_right/c_abf134http://purl.org/coar/access_right/c_abf2La Palabra; No. 37 (2020): Miscellaneous issue. April-JuneLa Palabra; Núm. 37 (2020): Número Misceláneo. abril-junioLa Palabra; n. 37 (2020): Número miscelâneo. Maio-Junho2346-38640121-8530Contemporary AestheticsLiterary CriticismImageJacques Rancièrecrítica literariaestética contemporáneaimagenpostautonomíaThe Present and its Remaining Art, Literature and Image in the Contemporary AestheticsEl presente y sus restos. Arte, literatura e imagen en la estética contemporáneainfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6633http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a217http://purl.org/coar/version/c_970fb48d4fbd8a85Neuburger, Ana001/12767oai:repositorio.uptc.edu.co:001/127672025-07-18 11:33:54.092metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co
dc.title.en-US.fl_str_mv The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics
dc.title.es-ES.fl_str_mv El presente y sus restos. Arte, literatura e imagen en la estética contemporánea
title The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics
spellingShingle The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics
Contemporary Aesthetics
Literary Criticism
Image
Jacques Rancière
crítica literaria
estética contemporánea
imagen
postautonomía
title_short The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics
title_full The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics
title_fullStr The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics
title_full_unstemmed The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics
title_sort The Present and its Remaining Art, Literature and Image in the Contemporary Aesthetics
dc.subject.en-US.fl_str_mv Contemporary Aesthetics
Literary Criticism
Image
Jacques Rancière
topic Contemporary Aesthetics
Literary Criticism
Image
Jacques Rancière
crítica literaria
estética contemporánea
imagen
postautonomía
dc.subject.es-ES.fl_str_mv crítica literaria
estética contemporánea
imagen
postautonomía
description In the last decades, the field of aesthetics and the studies on art have participated in a series of transformations and movements that brought together two issues: the announcements about the end of art (and even more broadly, the end of meaning, of history, literature) and the debates on the post-autonomy of art. Based on the critical and theoretical contributions of Nelly Richard, Jacques Rancière, Giorgio Agamben, among others, this article explores the emergence of the notion of image in the contemporary scenario in order to point out the senses that advocate the expiration of art or, its opposite, an impulse of innovation of the forms. Faced with the opening of the relationship between art and literature, this displacement is possible to read in the way that contemporary Argentine criticism composes a constellation of meanings between image, writing and the present.  
publishDate 2020
dc.date.accessioned.none.fl_str_mv 2024-07-05T18:55:45Z
dc.date.available.none.fl_str_mv 2024-07-05T18:55:45Z
dc.date.none.fl_str_mv 2020-02-25
dc.type.none.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.none.fl_str_mv https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950
10.19053/01218530.n37.2020.8950
dc.identifier.uri.none.fl_str_mv https://repositorio.uptc.edu.co/handle/001/12767
url https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950
https://repositorio.uptc.edu.co/handle/001/12767
identifier_str_mv 10.19053/01218530.n37.2020.8950
dc.language.none.fl_str_mv spa
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950/8838
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8950/10217
dc.rights.es-ES.fl_str_mv Derechos de autor 2020 LA PALABRA
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf134
rights_invalid_str_mv Derechos de autor 2020 LA PALABRA
http://purl.org/coar/access_right/c_abf134
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
application/xml
dc.publisher.es-ES.fl_str_mv Universidad Pedagógica y Tecnológica de Colombia
dc.source.en-US.fl_str_mv La Palabra; No. 37 (2020): Miscellaneous issue. April-June
dc.source.es-ES.fl_str_mv La Palabra; Núm. 37 (2020): Número Misceláneo. abril-junio
dc.source.pt-BR.fl_str_mv La Palabra; n. 37 (2020): Número miscelâneo. Maio-Junho
dc.source.none.fl_str_mv 2346-3864
0121-8530
institution Universidad Pedagógica y Tecnológica de Colombia
repository.name.fl_str_mv Repositorio Institucional UPTC
repository.mail.fl_str_mv repositorio.uptc@uptc.edu.co
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