Creation’s Poetics and Musical Foundation in Antonio Gamoneda’s Voice from his “mudanza” of The Flower Songs of Nezahualcoyotl

In 2016 Antonio Gamoneda published his translations (“mudanzas”) of some of the poems written by the king-poet Nezahualcoyotl. This paper links Gamoneda's translation experience with one of reanimation of the word. The poet, as a shaman, gives the language its energy back. In other words, he re...

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Tipo de recurso:
http://purl.org/coar/resource_type/c_6623
Fecha de publicación:
2022
Institución:
Universidad Pedagógica y Tecnológica de Colombia
Repositorio:
RiUPTC: Repositorio Institucional UPTC
Idioma:
spa
OAI Identifier:
oai:repositorio.uptc.edu.co:001/12852
Acceso en línea:
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14392
https://repositorio.uptc.edu.co/handle/001/12852
Palabra clave:
Gamoneda
Nezahualcoyotl
contemporary poetry
nahuas
musicality
poetic translation
Gamoneda
Nezahualcóyotl
poesía contemporánea
nahuas
musicalidad
traducción poética
Gamoneda
Nezahualcoyotl
poesia contemporânea
nahuas
musicalidade
tradução poética
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License
Derechos de autor 2022 La Palabra
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oai_identifier_str oai:repositorio.uptc.edu.co:001/12852
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network_name_str RiUPTC: Repositorio Institucional UPTC
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spelling 2022-08-162024-07-05T18:55:59Z2024-07-05T18:55:59Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/1439210.19053/01218530.n42.2022.14392https://repositorio.uptc.edu.co/handle/001/12852In 2016 Antonio Gamoneda published his translations (“mudanzas”) of some of the poems written by the king-poet Nezahualcoyotl. This paper links Gamoneda's translation experience with one of reanimation of the word. The poet, as a shaman, gives the language its energy back. In other words, he revives it as if it were a living being. This exercise suggests a re-awakening of the melodic properties of the voice as a first step carried out by the translator before reaching the final form of the words. The structure of the following pages will be given by key aspects/terms as cultic function, pharmakon, the nature of the poet or the dialectics between two different models of language.El siguiente trabajo tiene por objeto acercarse a las “mudanzas” que Antonio Gamoneda realizó en 2016 a partir de una serie de cantos del rey-poeta Nezahualcóyotl. El objetivo es poner en relación su actividad traductora con un ejercicio de reanimación del verbo. El poeta, a modo de chamán, rescata del lenguaje su energía o, dicho de otro modo, lo dota de nueva vida como si de un organismo se tratase. Afín a este proceso queda la idea de un despertar las propiedades musicales de la voz, primer paso del traductor antes de fijar su forma definitiva. El recorrido realizado será articulado por medio de aspectos o conceptos clave como lo cultual, el pharmakon, la naturaleza del cantor o la dialéctica entre dos modelos de lenguaje.-application/pdftext/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/14392/12037https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14392/12749Derechos de autor 2022 La Palabrahttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf124http://purl.org/coar/access_right/c_abf2La Palabra; No. 42 (2022): Special issue: Music and Literature; 1-19La Palabra; Núm. 42 (2022): Número especial: Música y literatura; 1-19La Palabra; n. 42 (2022): Edição especial: Música e literatura; 1-192346-38640121-8530GamonedaNezahualcoyotlcontemporary poetrynahuasmusicalitypoetic translationGamonedaNezahualcóyotlpoesía contemporáneanahuasmusicalidadtraducción poéticaGamonedaNezahualcoyotlpoesia contemporâneanahuasmusicalidadetradução poéticaCreation’s Poetics and Musical Foundation in Antonio Gamoneda’s Voice from his “mudanza” of The Flower Songs of NezahualcoyotlPoética de la creación y fundamento musical en la voz de Antonio Gamoneda a partir de su “mudanza” de los Cantos del rey NezahualcóyotlPoética de criação e fundação musical na voz de Antonio Gamoneda da sua "mudanza" do Cantos del rey Nezahualcóyotlinfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6623http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a207http://purl.org/coar/version/c_970fb48d4fbd8a85Aguirre Martínez, Guillermo001/12852oai:repositorio.uptc.edu.co:001/128522025-07-18 11:33:54.062metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co
dc.title.en-US.fl_str_mv Creation’s Poetics and Musical Foundation in Antonio Gamoneda’s Voice from his “mudanza” of The Flower Songs of Nezahualcoyotl
dc.title.es-ES.fl_str_mv Poética de la creación y fundamento musical en la voz de Antonio Gamoneda a partir de su “mudanza” de los Cantos del rey Nezahualcóyotl
dc.title.pt-BR.fl_str_mv Poética de criação e fundação musical na voz de Antonio Gamoneda da sua "mudanza" do Cantos del rey Nezahualcóyotl
title Creation’s Poetics and Musical Foundation in Antonio Gamoneda’s Voice from his “mudanza” of The Flower Songs of Nezahualcoyotl
spellingShingle Creation’s Poetics and Musical Foundation in Antonio Gamoneda’s Voice from his “mudanza” of The Flower Songs of Nezahualcoyotl
Gamoneda
Nezahualcoyotl
contemporary poetry
nahuas
musicality
poetic translation
Gamoneda
Nezahualcóyotl
poesía contemporánea
nahuas
musicalidad
traducción poética
Gamoneda
Nezahualcoyotl
poesia contemporânea
nahuas
musicalidade
tradução poética
title_short Creation’s Poetics and Musical Foundation in Antonio Gamoneda’s Voice from his “mudanza” of The Flower Songs of Nezahualcoyotl
title_full Creation’s Poetics and Musical Foundation in Antonio Gamoneda’s Voice from his “mudanza” of The Flower Songs of Nezahualcoyotl
title_fullStr Creation’s Poetics and Musical Foundation in Antonio Gamoneda’s Voice from his “mudanza” of The Flower Songs of Nezahualcoyotl
title_full_unstemmed Creation’s Poetics and Musical Foundation in Antonio Gamoneda’s Voice from his “mudanza” of The Flower Songs of Nezahualcoyotl
title_sort Creation’s Poetics and Musical Foundation in Antonio Gamoneda’s Voice from his “mudanza” of The Flower Songs of Nezahualcoyotl
dc.subject.en-US.fl_str_mv Gamoneda
Nezahualcoyotl
contemporary poetry
nahuas
musicality
poetic translation
topic Gamoneda
Nezahualcoyotl
contemporary poetry
nahuas
musicality
poetic translation
Gamoneda
Nezahualcóyotl
poesía contemporánea
nahuas
musicalidad
traducción poética
Gamoneda
Nezahualcoyotl
poesia contemporânea
nahuas
musicalidade
tradução poética
dc.subject.es-ES.fl_str_mv Gamoneda
Nezahualcóyotl
poesía contemporánea
nahuas
musicalidad
traducción poética
dc.subject.pt-BR.fl_str_mv Gamoneda
Nezahualcoyotl
poesia contemporânea
nahuas
musicalidade
tradução poética
description In 2016 Antonio Gamoneda published his translations (“mudanzas”) of some of the poems written by the king-poet Nezahualcoyotl. This paper links Gamoneda's translation experience with one of reanimation of the word. The poet, as a shaman, gives the language its energy back. In other words, he revives it as if it were a living being. This exercise suggests a re-awakening of the melodic properties of the voice as a first step carried out by the translator before reaching the final form of the words. The structure of the following pages will be given by key aspects/terms as cultic function, pharmakon, the nature of the poet or the dialectics between two different models of language.
publishDate 2022
dc.date.accessioned.none.fl_str_mv 2024-07-05T18:55:59Z
dc.date.available.none.fl_str_mv 2024-07-05T18:55:59Z
dc.date.none.fl_str_mv 2022-08-16
dc.type.none.fl_str_mv info:eu-repo/semantics/article
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coarversion.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6623
dc.type.version.spa.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.coarversion.spa.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a207
format http://purl.org/coar/resource_type/c_6623
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14392
10.19053/01218530.n42.2022.14392
dc.identifier.uri.none.fl_str_mv https://repositorio.uptc.edu.co/handle/001/12852
url https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14392
https://repositorio.uptc.edu.co/handle/001/12852
identifier_str_mv 10.19053/01218530.n42.2022.14392
dc.language.none.fl_str_mv spa
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14392/12037
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14392/12749
dc.rights.es-ES.fl_str_mv Derechos de autor 2022 La Palabra
https://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf124
rights_invalid_str_mv Derechos de autor 2022 La Palabra
https://creativecommons.org/licenses/by-nc-nd/4.0/
http://purl.org/coar/access_right/c_abf124
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
text/xml
dc.publisher.es-ES.fl_str_mv Universidad Pedagógica y Tecnológica de Colombia
dc.source.en-US.fl_str_mv La Palabra; No. 42 (2022): Special issue: Music and Literature; 1-19
dc.source.es-ES.fl_str_mv La Palabra; Núm. 42 (2022): Número especial: Música y literatura; 1-19
dc.source.pt-BR.fl_str_mv La Palabra; n. 42 (2022): Edição especial: Música e literatura; 1-19
dc.source.none.fl_str_mv 2346-3864
0121-8530
institution Universidad Pedagógica y Tecnológica de Colombia
repository.name.fl_str_mv Repositorio Institucional UPTC
repository.mail.fl_str_mv repositorio.uptc@uptc.edu.co
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