The Mirror in La Rambla paralela [My Parallel Deaths] (2002) by Fernando Vallejo

The novels of the Colombian author Fernando Vallejo (1942) are auto-fictional proposals written in the first person and from a place of exile. Within them, La Rambla paralela (2002) stands out for being a novel in which the traditional first person narrator of Vallejo, creates a biographer who writes, from the third person, about the trip to Barcelona and the death of the narrator. The aim of this article is to eva - luate how the unfolding of the narrator-author in the figure of the biographer allows the first to make the novel into a mirror through which he evaluates his stylistic attributes

• Tipo de recurso: http://purl.org/coar/resource_type/c_6797
• Fecha de publicación: 2017
• Institución: Universidad Pedagógica y Tecnológica de Colombia
• Repositorio: RiUPTC: Repositorio Institucional UPTC
• Idioma: spa
• OAI Identifier: oai:repositorio.uptc.edu.co:001/12703
• Acceso en línea: https://revistas.uptc.edu.co/index.php/la_palabra/article/view/6208; https://repositorio.uptc.edu.co/handle/001/12703
• Palabra clave: Fernando Vallejo; La rambla paralela [My Parallel Deaths]; Autofiction; Metafiction; Narcissistic narrative; Specular narrative; Fernando Vallejo; La Rambla paralela; Autoficción; Metaficción; Literatura narcisista; Narrativa especular
• License: Derechos de autor 2017 LA PALABRA