“In the city of god” The advocacy of Mary by Miguel Suárez and the wall paintings at the Founder’s Manor in Tunja. New documents and interpretations.
This text exposes some documental sources gathered from the Regional Archive of Boyacá (RAB), which identify the relevance of Miguel Suárez de Figueroa, eldest son and heir to Gonzalo Suárez Rendón, founder of the city of Tunja, in charge of inishing and decorating of the roofs of the Founder’s Mano...
- Autores:
- Tipo de recurso:
- Fecha de publicación:
- 2015
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
eng
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/13732
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/3728
https://repositorio.uptc.edu.co/handle/001/13732
- Palabra clave:
- Tunja
colonial art
wall paintings in Tunja
Miguel Suárez de Figueroa.
Tunja
arte colonial
Pinturas Murales de Tunja
Miguel Suárez de Figueroa
Tunja
Art colonial
Peintures Murales de Tunja
Miguel Suárez de Figueroa.
- Rights
- License
- Derechos de autor 2015 Historia Y MEMORIA
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2015-07-012024-07-05T19:07:46Z2024-07-05T19:07:46Zhttps://revistas.uptc.edu.co/index.php/historia_memoria/article/view/372810.19053/20275137.3728https://repositorio.uptc.edu.co/handle/001/13732This text exposes some documental sources gathered from the Regional Archive of Boyacá (RAB), which identify the relevance of Miguel Suárez de Figueroa, eldest son and heir to Gonzalo Suárez Rendón, founder of the city of Tunja, in charge of inishing and decorating of the roofs of the Founder’s Manor,as well as main sponsor and founder of Rosario Chapel, located in Santo Domingo church. Furthermore, an iconographic interpretation of the roof of the main hall in the Founder’s Manor is proposed, different from the one exposed by the historians Santiago Sebastián and José Miguel Morales Folguera.En este texto se exponen algunas fuentes documentales obtenidas en el Archivo Regional de Boyacá (ARB), que identifican la importancia de Miguel Suárez de Figueroa, hijo mayor y heredero de Gonzalo Suárez Rendón, fundador de la ciudad de Tunja, en la terminación y decoración de las techumbres de la Casa del Fundador y a su vez como patrocinador principal y fundador de la Capilla del Rosario, situada en la Iglesia de Santo Domingo. Además se ofrece una interpretación iconográfica del techo de la Sala Principal de la Casa del Fundador diferente a la expuesta por los historiadores Santiago Sebastián y José Miguel Morales Folguera.Dans ce texte on étudie quelques sources documentaires trouvées dans l’Archive Régional de Boyacá, lesquelles montrent le rôle centrale joué par Miguel Suárez Figueroa –ils aîné et héritier de Gonzalo Suárez Rendón, fondateur de la cité de Tunja– dans l’achèvement et la décoration des plafonds de la Maison du Fondateur et dans le parrainage et la fondation de la Chapelle du Rosario, située dans l’Église de Saint-Domingue. On offre, en outre, une interprétation iconographique du plafond de la Salle Principale de la Maison du Fondateur qui est différente de celle des historiens Santiago Sebastián et José Miguel Moraux Folguera.application/pdftext/htmltext/htmlspaengspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/historia_memoria/article/view/3728/3283https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/3728/5280https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/3728/6092Derechos de autor 2015 Historia Y MEMORIAhttp://purl.org/coar/access_right/c_abf2Historia Y Memoria; No. 11 (2015): Circulation of knowledge ; 179-211Historia Y Memoria; Núm. 11 (2015): Julio-Diciembre 2015. Circulación de saberes ; 179-211Historia Y Memoria; No 11 (2015): CIirculation de savoirs; 179-2112322-777X2027-5137Tunjacolonial artwall paintings in TunjaMiguel Suárez de Figueroa.Tunjaarte colonialPinturas Murales de TunjaMiguel Suárez de FigueroaTunjaArt colonialPeintures Murales de TunjaMiguel Suárez de Figueroa.“In the city of god” The advocacy of Mary by Miguel Suárez and the wall paintings at the Founder’s Manor in Tunja. New documents and interpretations.“En la ciudad de Dios” La advocación mariana de Miguel Suárez y las pinturas murales de la casa del fundador de Tunja. Nuevos documentos e interpretaciones« Dans la cité de Dieu ». La dévotionMarianne de Miguel Suárez et les peintures murales de la maison du fondateur de Tunja. Nouveaux documents et interprétationsinfo:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_2df8fbb1Martínez Martín, Abel FernandoOtálora Cascante, Andrés RicardoEspinoza Torres, María del Pilar001/13732oai:repositorio.uptc.edu.co:001/137322025-07-18 11:17:32.514metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |
dc.title.en-US.fl_str_mv |
“In the city of god” The advocacy of Mary by Miguel Suárez and the wall paintings at the Founder’s Manor in Tunja. New documents and interpretations. |
dc.title.es-ES.fl_str_mv |
“En la ciudad de Dios” La advocación mariana de Miguel Suárez y las pinturas murales de la casa del fundador de Tunja. Nuevos documentos e interpretaciones |
dc.title.fr-FR.fl_str_mv |
« Dans la cité de Dieu ». La dévotionMarianne de Miguel Suárez et les peintures murales de la maison du fondateur de Tunja. Nouveaux documents et interprétations |
title |
“In the city of god” The advocacy of Mary by Miguel Suárez and the wall paintings at the Founder’s Manor in Tunja. New documents and interpretations. |
spellingShingle |
“In the city of god” The advocacy of Mary by Miguel Suárez and the wall paintings at the Founder’s Manor in Tunja. New documents and interpretations. Tunja colonial art wall paintings in Tunja Miguel Suárez de Figueroa. Tunja arte colonial Pinturas Murales de Tunja Miguel Suárez de Figueroa Tunja Art colonial Peintures Murales de Tunja Miguel Suárez de Figueroa. |
title_short |
“In the city of god” The advocacy of Mary by Miguel Suárez and the wall paintings at the Founder’s Manor in Tunja. New documents and interpretations. |
title_full |
“In the city of god” The advocacy of Mary by Miguel Suárez and the wall paintings at the Founder’s Manor in Tunja. New documents and interpretations. |
title_fullStr |
“In the city of god” The advocacy of Mary by Miguel Suárez and the wall paintings at the Founder’s Manor in Tunja. New documents and interpretations. |
title_full_unstemmed |
“In the city of god” The advocacy of Mary by Miguel Suárez and the wall paintings at the Founder’s Manor in Tunja. New documents and interpretations. |
title_sort |
“In the city of god” The advocacy of Mary by Miguel Suárez and the wall paintings at the Founder’s Manor in Tunja. New documents and interpretations. |
dc.subject.en-US.fl_str_mv |
Tunja colonial art wall paintings in Tunja Miguel Suárez de Figueroa. |
topic |
Tunja colonial art wall paintings in Tunja Miguel Suárez de Figueroa. Tunja arte colonial Pinturas Murales de Tunja Miguel Suárez de Figueroa Tunja Art colonial Peintures Murales de Tunja Miguel Suárez de Figueroa. |
dc.subject.es-ES.fl_str_mv |
Tunja arte colonial Pinturas Murales de Tunja Miguel Suárez de Figueroa |
dc.subject.fr-FR.fl_str_mv |
Tunja Art colonial Peintures Murales de Tunja Miguel Suárez de Figueroa. |
description |
This text exposes some documental sources gathered from the Regional Archive of Boyacá (RAB), which identify the relevance of Miguel Suárez de Figueroa, eldest son and heir to Gonzalo Suárez Rendón, founder of the city of Tunja, in charge of inishing and decorating of the roofs of the Founder’s Manor,as well as main sponsor and founder of Rosario Chapel, located in Santo Domingo church. Furthermore, an iconographic interpretation of the roof of the main hall in the Founder’s Manor is proposed, different from the one exposed by the historians Santiago Sebastián and José Miguel Morales Folguera. |
publishDate |
2015 |
dc.date.accessioned.none.fl_str_mv |
2024-07-05T19:07:46Z |
dc.date.available.none.fl_str_mv |
2024-07-05T19:07:46Z |
dc.date.none.fl_str_mv |
2015-07-01 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.identifier.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/3728 10.19053/20275137.3728 |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.uptc.edu.co/handle/001/13732 |
url |
https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/3728 https://repositorio.uptc.edu.co/handle/001/13732 |
identifier_str_mv |
10.19053/20275137.3728 |
dc.language.none.fl_str_mv |
spa eng |
dc.language.iso.none.fl_str_mv |
spa |
language |
spa eng |
dc.relation.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/3728/3283 https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/3728/5280 https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/3728/6092 |
dc.rights.es-ES.fl_str_mv |
Derechos de autor 2015 Historia Y MEMORIA |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
Derechos de autor 2015 Historia Y MEMORIA http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf text/html text/html |
dc.publisher.es-ES.fl_str_mv |
Universidad Pedagógica y Tecnológica de Colombia |
dc.source.en-US.fl_str_mv |
Historia Y Memoria; No. 11 (2015): Circulation of knowledge ; 179-211 |
dc.source.es-ES.fl_str_mv |
Historia Y Memoria; Núm. 11 (2015): Julio-Diciembre 2015. Circulación de saberes ; 179-211 |
dc.source.fr-FR.fl_str_mv |
Historia Y Memoria; No 11 (2015): CIirculation de savoirs; 179-211 |
dc.source.none.fl_str_mv |
2322-777X 2027-5137 |
institution |
Universidad Pedagógica y Tecnológica de Colombia |
repository.name.fl_str_mv |
Repositorio Institucional UPTC |
repository.mail.fl_str_mv |
repositorio.uptc@uptc.edu.co |
_version_ |
1839633858608234496 |