Will, responsalibility and order: variations around two Greek tragedies. [Spanish]

The classic greek tragedies narrate conflicts and confrontations taht have been taught and shapped by the tragic poets. They have been typified in the ancient myths which they have received. The uprising greek cities with their new order and new institution throughout the tragic works confront the old...

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Autores:
Diego Soto Isaza; Universidad de Cartagena
Tipo de recurso:
Fecha de publicación:
2005
Institución:
Universidad del Norte
Repositorio:
Repositorio Uninorte
Idioma:
spa
OAI Identifier:
oai:manglar.uninorte.edu.co:10584/2791
Acceso en línea:
http://rcientificas.uninorte.edu.co/index.php/eidos/article/view/1514
http://hdl.handle.net/10584/2791
Palabra clave:
Tragedy; will; order; laws; fate; gods; conflict; myth. Prometeo; Bacants;
Tragedia; voluntad; orden; leyes; destino; dioses; conflicto; mito; Prometeo; Bacantes; tragedy; will; order; laws; fate; gods; conflict; myth. Prometeus; Bacants
Tragedia; voluntad; orden; leyes; destino; dioses; conflicto; mito; Prometeo; Bacantes;
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License
http://purl.org/coar/access_right/c_abf2
Description
Summary:The classic greek tragedies narrate conflicts and confrontations taht have been taught and shapped by the tragic poets. They have been typified in the ancient myths which they have received. The uprising greek cities with their new order and new institution throughout the tragic works confront the old institutions and traditions that nowadays are being questioned and discussed, and with them the notions of human responsability and will are asked for before the gods’ empire and their corolary about man’s fate. These notions are at the same time required by the creation of rights and the government of laws rather than gods’ or man’s. This essay finds out about the statute of these thesis in two tragic works in greek literature: “Chained Prometeo” by Esquilo and “Bacants” by Euripides.