Affirming Solitude: Heidegger and Blanchot on Art

Where Heidegger, as thinker, describes the increasing solitude, and consequent inhumanity of the artwork; Blanchot, as writer, speaks of a solitude that is integral to the very act of speaking. Such speech/writing does not describe but is inscribed by the very solitude that brings it into being. So,...

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Autores:
Gary Peters; York St John University
Tipo de recurso:
Fecha de publicación:
2013
Institución:
Universidad del Norte
Repositorio:
Repositorio Uninorte
Idioma:
eng
OAI Identifier:
oai:manglar.uninorte.edu.co:10584/2837
Acceso en línea:
http://rcientificas.uninorte.edu.co/index.php/eidos/article/view/3990
http://hdl.handle.net/10584/2837
Palabra clave:
Continental Philosophy
art, solitude, loneliness, affirmation, preservation, creation
Continental Aesthetics
Rights
License
http://purl.org/coar/access_right/c_abf2
Description
Summary:Where Heidegger, as thinker, describes the increasing solitude, and consequent inhumanity of the artwork; Blanchot, as writer, speaks of a solitude that is integral to the very act of speaking. Such speech/writing does not describe but is inscribed by the very solitude that brings it into being. So, while it is true that both Heidegger and Blanchot ‘speak about this speaking solitude’, the thought of the former incessantly speaks-of the leap from one space to another and the infinitely postponed commencement of an ‘other beginning’ freed from all humanist comforts; the writing of the latter speaks-from within what he calls the ‘space of literature’, that is to say, from within art and through the artwork. Blanchot speaks as, and on behalf of, the artist, not in order to speak-of Being but to speak-as artist and to speak-for the artwork. In other words, the task of the philosopher is to think, while the task (or the curse) of the artist is to make, to think, but then continue to make within the transformed space of this thinking/making.