El eneagrama sauriano: Geometrías de la memoria en el cine de carlos saura durante la transición democrática española

"Carlos Saura's filmography during Spanish Transition is strongly revisionist. Memory and its representation imbue a group of six films that revolve around this return the characters of Saura implement. A comparative analysis of them reveals the saurian characters shape some kind of scheme...

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Autores:
Tipo de recurso:
Fecha de publicación:
2018
Institución:
Universidad de Medellín
Repositorio:
Repositorio UDEM
Idioma:
spa
OAI Identifier:
oai:repository.udem.edu.co:11407/4852
Acceso en línea:
http://hdl.handle.net/11407/4852
Palabra clave:
Carlos saura
Characters
Cinema
Cinema
Memory
Memory
Spanish cinema
Rights
License
http://purl.org/coar/access_right/c_16ec
Description
Summary:"Carlos Saura's filmography during Spanish Transition is strongly revisionist. Memory and its representation imbue a group of six films that revolve around this return the characters of Saura implement. A comparative analysis of them reveals the saurian characters shape some kind of scheme. We've called ""Carlos Saura's Enneagram"" because it implies the repetition of a group of archetypes subordinate to the Memory. Our main objective is to define a memory model by a film director who never left nothing up to fate. This model also makes posible to delineate the main characteristics of the memory in Saura's cinema. Copyright © 2018 (Ernesto Perez Moran)."