La representación de las falacias contra la homosexualidad
Cinema fulfills, in some occasions, an argumentative role: in one hand it reflectsreality and states of beliefs of large social groups in a specific moment; on the other hand, it provides tools to the spectator in order to consolidate or criticize those beliefs. In this article, I have analyzed how...
- Autores:
- Tipo de recurso:
- Fecha de publicación:
- 2014
- Institución:
- Universidad de Medellín
- Repositorio:
- Repositorio UDEM
- Idioma:
- spa
- OAI Identifier:
- oai:repository.udem.edu.co:11407/1782
- Acceso en línea:
- http://revistas.udem.edu.co/index.php/opinion/article/view/862
http://hdl.handle.net/11407/1782
- Palabra clave:
- Argumentation
fallacies
homosexuality
prejudice
movie
Argumentación
falacias
homosexualidad
prejuicio
cine
- Rights
- License
- http://creativecommons.org/licenses/by-nc-sa/4.0/
Summary: | Cinema fulfills, in some occasions, an argumentative role: in one hand it reflectsreality and states of beliefs of large social groups in a specific moment; on the other hand, it provides tools to the spectator in order to consolidate or criticize those beliefs. In this article, I have analyzed how cinema is able to carry out both tasks spreading and denouncing arguments supported in prejudices around homosexuality: I use as a point of departure, the analysis of the movie “But…I´m a Cheerleader” (Babbitt, 1999).In which it can be noticed how movie complies with this double role: It shows the vision that a large part of society has of homosexuality and how this vision is supported in arguments without any support (although they are psychologicallypersuasive): what in logics is denominated “fallacies.” |
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