Formas de entender el documental: preceptivas, variaciones y rencuadres conceptuales
This article is an attempt to show that other speeches and film works have been produced together with a Canonic manner of understanding the documentary film. These speeches and works clearly show that this audiovisual practice has not been limited to the function of informing and serving as an ideo...
- Autores:
- Tipo de recurso:
- Fecha de publicación:
- 2014
- Institución:
- Universidad de Medellín
- Repositorio:
- Repositorio UDEM
- Idioma:
- spa
- OAI Identifier:
- oai:repository.udem.edu.co:11407/1450
- Acceso en línea:
- http://revistas.udem.edu.co/index.php/anagramas/article/view/973
http://hdl.handle.net/11407/1450
- Palabra clave:
- Contemporary art
aesthetics
documentary film
history
poetry
reference
sign
arte contemporáneo
estética
cine documental
historia
poética
referencialidad
signo
- Rights
- License
- http://creativecommons.org/licenses/by-nc-sa/4.0/
| Summary: | This article is an attempt to show that other speeches and film works have been produced together with a Canonic manner of understanding the documentary film. These speeches and works clearly show that this audiovisual practice has not been limited to the function of informing and serving as an ideological instrument. In this sense, the text is a proposal to place some transformations of this practice in the contemporary context based on the changes seen in the field of the most traditional arts. |
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