The image of the late-Francoist Spain in the films of Manolo Escobar [La imagen de la España tardofranquista en las películas de Manolo Escobar]

As part of a research project that examines the 200 most popular films during the Late-Francoist Spain, this article offers a qualitative analysis of the ten films that were produced from 1966 and 1975 and were starred by the actor and singer Manolo Escobar, who was the most profitable artist of tha...

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Fecha de publicación:
2013
Institución:
Universidad de Medellín
Repositorio:
Repositorio UDEM
Idioma:
eng
spa
OAI Identifier:
oai:repository.udem.edu.co:11407/4933
Acceso en línea:
http://hdl.handle.net/11407/4933
Palabra clave:
Aesthetics
Cinema
Ideology
Late-Francoism
Musical number
Story
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License
http://purl.org/coar/access_right/c_16ec
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oai_identifier_str oai:repository.udem.edu.co:11407/4933
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repository_id_str
spelling 2018-10-31T13:44:26Z2018-10-31T13:44:26Z201311385820http://hdl.handle.net/11407/493310.4185/RLCS-2013-974enAs part of a research project that examines the 200 most popular films during the Late-Francoist Spain, this article offers a qualitative analysis of the ten films that were produced from 1966 and 1975 and were starred by the actor and singer Manolo Escobar, who was the most profitable artist of that time and delivered the most explicit messages. The analysis focuses on the values, ideas and beliefs transmitted by these films, which were presented to the public as just entertainment but were in essence ideological vehicles. The male dominance, the subservience of women, the exploitation of other Celtiberian issues that had relevance at that time, the glorification of the all things Spanish when in presence of foreignness are some of the characteristic features of these musical comedies whose happy endings suggested that success was within the reach of anyone who complied with the prevailing codes of conduct of the late-Francoist Spain.engspaUniversity of La LagunaComunicación y Lenguajes AudiovisualesFacultad de Comunicaciónhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-84979961619&doi=10.4185%2fRLCS-2013-974en&partnerID=40&md5=2c1606b48803ab41a0f6ff23ad58939268182208Revista Latina de Comunicacion SocialAltares, P., Mitos y cultura kitsch en la España del desarrollo (1972) Triunfo, 533, pp. 30-35. , Madrid, December;Burgos, A., Manolo Escobar, último baluarte del nacional-folklorismo (1976) Triunfo, 693, pp. 42-45. , Madrid, May;Gil Gascón, F., Gómez, G.S., Women, Engagement and Censorship In the Spanish Cinema. 1939-1959 (2010) Revista Latina de Comunicación Social, pp. 460-471. , http://www.revistalatinacs.org/10/art3/912_Malaga/34_GomezEN.html, La Laguna (Tenerife): Universidad de La Laguna, 10.4185/RLCS-65-2010-912-460-471-EN;ScopusAestheticsCinemaIdeologyLate-FrancoismMusical numberStoryThe image of the late-Francoist Spain in the films of Manolo Escobar [La imagen de la España tardofranquista en las películas de Manolo Escobar]Articleinfo:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Huerta-Floriano, M.Á., Pontifical University of Salamanca;Pérez-Morán, E., Universidad de MedellínHuerta-Floriano M.Á.Pérez-Morán E.http://purl.org/coar/access_right/c_16ec11407/4933oai:repository.udem.edu.co:11407/49332020-12-15 15:05:30.462Repositorio Institucional Universidad de Medellinrepositorio@udem.edu.co
dc.title.spa.fl_str_mv The image of the late-Francoist Spain in the films of Manolo Escobar [La imagen de la España tardofranquista en las películas de Manolo Escobar]
title The image of the late-Francoist Spain in the films of Manolo Escobar [La imagen de la España tardofranquista en las películas de Manolo Escobar]
spellingShingle The image of the late-Francoist Spain in the films of Manolo Escobar [La imagen de la España tardofranquista en las películas de Manolo Escobar]
Aesthetics
Cinema
Ideology
Late-Francoism
Musical number
Story
title_short The image of the late-Francoist Spain in the films of Manolo Escobar [La imagen de la España tardofranquista en las películas de Manolo Escobar]
title_full The image of the late-Francoist Spain in the films of Manolo Escobar [La imagen de la España tardofranquista en las películas de Manolo Escobar]
title_fullStr The image of the late-Francoist Spain in the films of Manolo Escobar [La imagen de la España tardofranquista en las películas de Manolo Escobar]
title_full_unstemmed The image of the late-Francoist Spain in the films of Manolo Escobar [La imagen de la España tardofranquista en las películas de Manolo Escobar]
title_sort The image of the late-Francoist Spain in the films of Manolo Escobar [La imagen de la España tardofranquista en las películas de Manolo Escobar]
dc.contributor.affiliation.spa.fl_str_mv Huerta-Floriano, M.Á., Pontifical University of Salamanca;Pérez-Morán, E., Universidad de Medellín
dc.subject.spa.fl_str_mv Aesthetics
Cinema
Ideology
Late-Francoism
Musical number
Story
topic Aesthetics
Cinema
Ideology
Late-Francoism
Musical number
Story
description As part of a research project that examines the 200 most popular films during the Late-Francoist Spain, this article offers a qualitative analysis of the ten films that were produced from 1966 and 1975 and were starred by the actor and singer Manolo Escobar, who was the most profitable artist of that time and delivered the most explicit messages. The analysis focuses on the values, ideas and beliefs transmitted by these films, which were presented to the public as just entertainment but were in essence ideological vehicles. The male dominance, the subservience of women, the exploitation of other Celtiberian issues that had relevance at that time, the glorification of the all things Spanish when in presence of foreignness are some of the characteristic features of these musical comedies whose happy endings suggested that success was within the reach of anyone who complied with the prevailing codes of conduct of the late-Francoist Spain.
publishDate 2013
dc.date.created.none.fl_str_mv 2013
dc.date.accessioned.none.fl_str_mv 2018-10-31T13:44:26Z
dc.date.available.none.fl_str_mv 2018-10-31T13:44:26Z
dc.type.eng.fl_str_mv Article
dc.type.coarversion.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_6501
http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.driver.none.fl_str_mv info:eu-repo/semantics/article
dc.identifier.issn.none.fl_str_mv 11385820
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/11407/4933
dc.identifier.doi.none.fl_str_mv 10.4185/RLCS-2013-974en
identifier_str_mv 11385820
10.4185/RLCS-2013-974en
url http://hdl.handle.net/11407/4933
dc.language.iso.none.fl_str_mv eng
spa
language eng
spa
dc.relation.isversionof.spa.fl_str_mv https://www.scopus.com/inward/record.uri?eid=2-s2.0-84979961619&doi=10.4185%2fRLCS-2013-974en&partnerID=40&md5=2c1606b48803ab41a0f6ff23ad589392
dc.relation.citationvolume.spa.fl_str_mv 68
dc.relation.citationstartpage.spa.fl_str_mv 182
dc.relation.citationendpage.spa.fl_str_mv 208
dc.relation.ispartofes.spa.fl_str_mv Revista Latina de Comunicacion Social
dc.relation.references.spa.fl_str_mv Altares, P., Mitos y cultura kitsch en la España del desarrollo (1972) Triunfo, 533, pp. 30-35. , Madrid, December;Burgos, A., Manolo Escobar, último baluarte del nacional-folklorismo (1976) Triunfo, 693, pp. 42-45. , Madrid, May;Gil Gascón, F., Gómez, G.S., Women, Engagement and Censorship In the Spanish Cinema. 1939-1959 (2010) Revista Latina de Comunicación Social, pp. 460-471. , http://www.revistalatinacs.org/10/art3/912_Malaga/34_GomezEN.html, La Laguna (Tenerife): Universidad de La Laguna, 10.4185/RLCS-65-2010-912-460-471-EN;
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_16ec
rights_invalid_str_mv http://purl.org/coar/access_right/c_16ec
dc.publisher.spa.fl_str_mv University of La Laguna
dc.publisher.program.spa.fl_str_mv Comunicación y Lenguajes Audiovisuales
dc.publisher.faculty.spa.fl_str_mv Facultad de Comunicación
dc.source.spa.fl_str_mv Scopus
institution Universidad de Medellín
repository.name.fl_str_mv Repositorio Institucional Universidad de Medellin
repository.mail.fl_str_mv repositorio@udem.edu.co
_version_ 1814159195586428928

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