The Relationship Between Independent creatives of Public Television and Child Audience

This article refers to a research on the social function of college radio in Mexico, which falls within the context of university media research. The theoretical approach of Manuel Martín Serrano and the mass communication model of professor Carlos Lozano were considered. The main objective of the r...

Full description

Autores:
Tipo de recurso:
Fecha de publicación:
2020
Institución:
Universidad de Medellín
Repositorio:
Repositorio UDEM
Idioma:
spa
eng
OAI Identifier:
oai:repository.udem.edu.co:11407/5866
Acceso en línea:
http://hdl.handle.net/11407/5866
https://doi.org/10.22395/angr.v18n35a3
Palabra clave:
Audience *Childhood *Television production *Radio/TV producers *Social interaction *Classification systems *Communication process *Programme content
Audiência*Infância*Produção Televisiva *Produtor de rádio/TV*Interação social *Sistema de classificação *Processo de comunicação *Conteúdo de programa
Audiencia
Infancia
Producción televisiva
Productor de radio/TV
Interacción social
Sistema de clasificación
Proceso de comunicación
Contenido de programa
Rights
License
http://creativecommons.org/licenses/by-nc/4.0
Description
Summary:This article refers to a research on the social function of college radio in Mexico, which falls within the context of university media research. The theoretical approach of Manuel Martín Serrano and the mass communication model of professor Carlos Lozano were considered. The main objective of the research was to analyze the communicative mediation associated with the radio programming of three college radio stations (Radio UANL 89.7, Frecuencia TEC 94.9 and Radio UDEM 90.5) from the communicative perspective of the messages and the impact of the elements that they intervene in the construction of radio products, which are presented immediately under a classification of training, information, and entertainment. For researching the subject, a quantitative methodology was implemented, choosing “length of time” as an impact variable for the measurement of daily programming time, as well as the comparison of themes and communicative products projected by the broadcasting stations. The results indicate that the musical frame occupies between 60 % and 67 % of the programming. The generality shown in the radio programs lies in the homogeneity in programming schedules on the morning, because information contents monopolize most of spaces in the three stations, providing another option in quadrant that benefits the social function. The conclusions indicate a bet on diversification of programming and a communicative practice based on offering educative entertainment, showing a new space of interrelation as well as their understanding of the university’s identity development.