Thinking about fascism since Walter Benjamin [Pensando el fascismo desde walter benjamin]
The purpose of this article is to present some of the most significant traits of the method used by Walter Benjamin to produce his own critical view about fascist violence within the framework of a historical situation -The post First World War period- in which the future of both German and European...
- Autores:
- Tipo de recurso:
- Fecha de publicación:
- 2020
- Institución:
- Universidad de Medellín
- Repositorio:
- Repositorio UDEM
- Idioma:
- spa
- OAI Identifier:
- oai:repository.udem.edu.co:11407/6037
- Acceso en línea:
- http://hdl.handle.net/11407/6037
- Palabra clave:
- Criticism of Violence
Fascism
Political Aesthetics
State Violence
Walter Benjamin
- Rights
- License
- http://purl.org/coar/access_right/c_16ec
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20202021-02-05T14:58:55Z2021-02-05T14:58:55Z18255167http://hdl.handle.net/11407/603710.13137/1825-5167/30627The purpose of this article is to present some of the most significant traits of the method used by Walter Benjamin to produce his own critical view about fascist violence within the framework of a historical situation -The post First World War period- in which the future of both German and European society was at stake. To this end, some premonitions warning about the risks of War and Militarism raised in his essays are explored, as well as his concern about social indifference in the face of negative values through which the Aesthetics of Fascism aimed to alienate the masses by means of diverse kinds of communicational and ethical artifice, but which concealed a retrograde pretension to political control and the destruction of material culture. © 2020 Universita di Trieste. All rights reserved.spaUniversita di TriesteNegocios InternacionalesFacultad de Ciencias Económicas y Administrativashttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85091186885&doi=10.13137%2f1825-5167%2f30627&partnerID=40&md5=2f55890e5c349786e16b90332a3779d6222137154Arendt, Hannah, (1998) Los orígenes del totalitarismo, , Madrid: Taurus(2003) Eichmann en Jerusalén. Un estudio sobre la banalidad del mal, , Barcelona: LumenBenjamin, Walter, (1989) Discursos interrumpidos I, , Aguirre, Jesús (Ed. Trad) Buenos Aires: Taurus(1996) Dos ensayos sobre Goethe, , Calderón G & Mársico G. (Trad) Bar-celona: Gedisa(2004) El autor como productor, , Echeverría B. (Trad) México: Editorial Ítaca(2011) Iluminaciones IV. Para una crítica de la violencia y otros ensayos, , Blatt, Roberto (Trad) Buenos Aires: TaurusCalvino, Italo, (2010) Il barone rampante, , Milano: MondadoriCésaire, Aimé, (2006) Discurso sobre el colonialismo, , Madrid. AkalHeye, Uwe-Karsten, (2014) Die Benjamins. Eine deutsche Familie, , Hamburg: Aufbau Verlag GmbH & CoHillach, Ansgar, The Aesthetics of Politics: Walter Benjamin's "Theories of German Fascism (1979) New German Critique, (17), pp. 99-119. , En: NHobsbawm, Eric, (1999) Historia del siglo XX, , Buenos Aires: Crítica. Levi, Primo (mayo 8, 1974) "Un passato che credevamo non dovesse tornare più En: Corriere della sera, MilánLöwy, Michael, Progreso y catástrofe. La concepción de la historia en Walter Benjamin (2003) Historein, 4, pp. 199-205. , EnRae, Gavin, Ingala, Emma, (2019) The Meanings of Violence. From Critical Theory to Biopolitics, , (Eds) N.Y.: RoutledegeScholem, Gershom, (2014) Walter Benjamin. Historia de una amistad, , J.F. Yuars & Jarque (Trad) Barcelona: Debolsillo EditorialWeikart, Richard, The Role of Darwinism in Nazi Racial Thought (2013) German Studies Review, 36 (3), pp. 536-556. , En: NEtica e PoliticaCriticism of ViolenceFascismPolitical AestheticsState ViolenceWalter BenjaminThinking about fascism since Walter Benjamin [Pensando el fascismo desde walter benjamin]Articleinfo:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Ruiz, J.C.H., Facultad de Ciencias Económicas y Administrativas, Universidad de Medellín, Colombiahttp://purl.org/coar/access_right/c_16ecRuiz J.C.H.11407/6037oai:repository.udem.edu.co:11407/60372021-02-05 09:58:55.991Repositorio Institucional Universidad de Medellinrepositorio@udem.edu.co |
dc.title.none.fl_str_mv |
Thinking about fascism since Walter Benjamin [Pensando el fascismo desde walter benjamin] |
title |
Thinking about fascism since Walter Benjamin [Pensando el fascismo desde walter benjamin] |
spellingShingle |
Thinking about fascism since Walter Benjamin [Pensando el fascismo desde walter benjamin] Criticism of Violence Fascism Political Aesthetics State Violence Walter Benjamin |
title_short |
Thinking about fascism since Walter Benjamin [Pensando el fascismo desde walter benjamin] |
title_full |
Thinking about fascism since Walter Benjamin [Pensando el fascismo desde walter benjamin] |
title_fullStr |
Thinking about fascism since Walter Benjamin [Pensando el fascismo desde walter benjamin] |
title_full_unstemmed |
Thinking about fascism since Walter Benjamin [Pensando el fascismo desde walter benjamin] |
title_sort |
Thinking about fascism since Walter Benjamin [Pensando el fascismo desde walter benjamin] |
dc.subject.spa.fl_str_mv |
Criticism of Violence Fascism Political Aesthetics State Violence Walter Benjamin |
topic |
Criticism of Violence Fascism Political Aesthetics State Violence Walter Benjamin |
description |
The purpose of this article is to present some of the most significant traits of the method used by Walter Benjamin to produce his own critical view about fascist violence within the framework of a historical situation -The post First World War period- in which the future of both German and European society was at stake. To this end, some premonitions warning about the risks of War and Militarism raised in his essays are explored, as well as his concern about social indifference in the face of negative values through which the Aesthetics of Fascism aimed to alienate the masses by means of diverse kinds of communicational and ethical artifice, but which concealed a retrograde pretension to political control and the destruction of material culture. © 2020 Universita di Trieste. All rights reserved. |
publishDate |
2020 |
dc.date.accessioned.none.fl_str_mv |
2021-02-05T14:58:55Z |
dc.date.available.none.fl_str_mv |
2021-02-05T14:58:55Z |
dc.date.none.fl_str_mv |
2020 |
dc.type.eng.fl_str_mv |
Article |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.driver.none.fl_str_mv |
info:eu-repo/semantics/article |
dc.identifier.issn.none.fl_str_mv |
18255167 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/11407/6037 |
dc.identifier.doi.none.fl_str_mv |
10.13137/1825-5167/30627 |
identifier_str_mv |
18255167 10.13137/1825-5167/30627 |
url |
http://hdl.handle.net/11407/6037 |
dc.language.iso.none.fl_str_mv |
spa |
language |
spa |
dc.relation.isversionof.none.fl_str_mv |
https://www.scopus.com/inward/record.uri?eid=2-s2.0-85091186885&doi=10.13137%2f1825-5167%2f30627&partnerID=40&md5=2f55890e5c349786e16b90332a3779d6 |
dc.relation.citationvolume.none.fl_str_mv |
22 |
dc.relation.citationissue.none.fl_str_mv |
2 |
dc.relation.citationstartpage.none.fl_str_mv |
137 |
dc.relation.citationendpage.none.fl_str_mv |
154 |
dc.relation.references.none.fl_str_mv |
Arendt, Hannah, (1998) Los orígenes del totalitarismo, , Madrid: Taurus (2003) Eichmann en Jerusalén. Un estudio sobre la banalidad del mal, , Barcelona: Lumen Benjamin, Walter, (1989) Discursos interrumpidos I, , Aguirre, Jesús (Ed. Trad) Buenos Aires: Taurus (1996) Dos ensayos sobre Goethe, , Calderón G & Mársico G. (Trad) Bar-celona: Gedisa (2004) El autor como productor, , Echeverría B. (Trad) México: Editorial Ítaca (2011) Iluminaciones IV. Para una crítica de la violencia y otros ensayos, , Blatt, Roberto (Trad) Buenos Aires: Taurus Calvino, Italo, (2010) Il barone rampante, , Milano: Mondadori Césaire, Aimé, (2006) Discurso sobre el colonialismo, , Madrid. Akal Heye, Uwe-Karsten, (2014) Die Benjamins. Eine deutsche Familie, , Hamburg: Aufbau Verlag GmbH & Co Hillach, Ansgar, The Aesthetics of Politics: Walter Benjamin's "Theories of German Fascism (1979) New German Critique, (17), pp. 99-119. , En: N Hobsbawm, Eric, (1999) Historia del siglo XX, , Buenos Aires: Crítica. Levi, Primo (mayo 8, 1974) "Un passato che credevamo non dovesse tornare più En: Corriere della sera, Milán Löwy, Michael, Progreso y catástrofe. La concepción de la historia en Walter Benjamin (2003) Historein, 4, pp. 199-205. , En Rae, Gavin, Ingala, Emma, (2019) The Meanings of Violence. From Critical Theory to Biopolitics, , (Eds) N.Y.: Routledege Scholem, Gershom, (2014) Walter Benjamin. Historia de una amistad, , J.F. Yuars & Jarque (Trad) Barcelona: Debolsillo Editorial Weikart, Richard, The Role of Darwinism in Nazi Racial Thought (2013) German Studies Review, 36 (3), pp. 536-556. , En: N |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_16ec |
rights_invalid_str_mv |
http://purl.org/coar/access_right/c_16ec |
dc.publisher.none.fl_str_mv |
Universita di Trieste |
dc.publisher.program.spa.fl_str_mv |
Negocios Internacionales |
dc.publisher.faculty.spa.fl_str_mv |
Facultad de Ciencias Económicas y Administrativas |
publisher.none.fl_str_mv |
Universita di Trieste |
dc.source.none.fl_str_mv |
Etica e Politica |
institution |
Universidad de Medellín |
repository.name.fl_str_mv |
Repositorio Institucional Universidad de Medellin |
repository.mail.fl_str_mv |
repositorio@udem.edu.co |
_version_ |
1814159217810997248 |