Apropiación por la mirada. La paradoja de la “huella digital” en la imagen fotográfica
The photographical image, because of the way its technical genesis is produced, has been related with the prints and the sign effects it supposes. Nonetheless, with the arrival of the digital image and the nature change associated to it, is it possible to sustain the same principle?
- Autores:
- Tipo de recurso:
- Fecha de publicación:
- 2003
- Institución:
- Universidad de Medellín
- Repositorio:
- Repositorio UDEM
- Idioma:
- spa
- OAI Identifier:
- oai:repository.udem.edu.co:11407/1474
- Acceso en línea:
- http://revistas.udem.edu.co/index.php/anagramas/article/view/1249
http://hdl.handle.net/11407/1474
- Palabra clave:
- Rights
- License
- http://creativecommons.org/licenses/by-nc-sa/4.0/
| Summary: | The photographical image, because of the way its technical genesis is produced, has been related with the prints and the sign effects it supposes. Nonetheless, with the arrival of the digital image and the nature change associated to it, is it possible to sustain the same principle? |
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