The construction of a composite and dynamic satirical ethos in the presidency of Álvaro Uribe Vélez (2002-2010), in Matador’s Cartoons

This work seeks to characterize the image of former Colombian President Álvaro Uribe Vélez (2002-2010) as crafted in Matador’s cartoons published in the Colombian newspaper El Tiempo during three relevant periods in his two governments (2004, 2006, and 2010). From a semiotic perspective, mindful of...

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Autores:
Tipo de recurso:
Fecha de publicación:
2019
Institución:
Universidad de Medellín
Repositorio:
Repositorio UDEM
Idioma:
spa
eng
OAI Identifier:
oai:repository.udem.edu.co:11407/5421
Acceso en línea:
http://hdl.handle.net/11407/5421
https://doi.org/10.22395/angr.v17n34a4
Palabra clave:
Personality traits
Satirical ethos
Colombia
Political cartoon
President Álvaro Uribe Vélez
Media framing
Popular consciousness
Multivariate analysis
Traços de personalidade
Ethos satírico
Colômbia
Caricatura política
Presidente Álvaro Uribe Vélez
Enquadramento midiático
Imaginários sociais
Análise multivariada
Rasgos de personalidad
Ethos satírico
Colombia
Caricatura política
Presidente Álvaro Uribe Vélez
Encuadre mediático
Imaginarios sociales
Análisis multivariado
Rights
License
http://creativecommons.org/licenses/by-nc/4.0
Description
Summary:This work seeks to characterize the image of former Colombian President Álvaro Uribe Vélez (2002-2010) as crafted in Matador’s cartoons published in the Colombian newspaper El Tiempo during three relevant periods in his two governments (2004, 2006, and 2010). From a semiotic perspective, mindful of visual and verbal signs that make cartoons, we analyze the satirical framing from which the political cartoon operates based on the topics addressed, the characters that are represented, and personality that can be identified in the presidential character. A correspondence analysis —a multivariate analysis technique— also allowed us to study whether there are variations between the personality traits identified in Uribe Vélez’ character in each of the aforementioned periods. It is concluded that the political cartoons constituted a symbolic struggle for the depiction of the president, given that Matador focused on the negative aspects of his actions, as well as associated some of his decisions judged as positive by the public with negative facts and features, and questioned the ethos built by Álvaro Uribe Vélez in his speech. It was found that the shortcomings in the five dimensions of personality traits identified in the depiction made by Matador (competence, integrity, emotional stability and decision-making, loyalty and responsibility, charisma and empathy) varied in some situations during the two terms, depending on the political agenda. Thus, the features identified in the character are interpreted as a composite and dynamic satirical ethos.