Interpretación del concepto del amor en la novela "Teatro", de W. Somerset Maugham

El objetivo de este estudio es identificar y analizar las interpretaciones del concepto de «amor» en la novela «Theatre» de Somerset Maugham a través del prisma del análisis literario, filosófico y lingüístico. El estudio se basa en la edición impresa de la novela de 1937 y en su versión electrónica...

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Fecha de publicación:: 2025

Institución:: Universidad de Caldas

Repositorio:: Repositorio Institucional U. Caldas

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dc.title.none.fl_str_mv	Interpretación del concepto del amor en la novela "Teatro", de W. Somerset Maugham Interpretation of the concept of love in W. Somerset Maugham’s novel “Theatre”
title	Interpretación del concepto del amor en la novela "Teatro", de W. Somerset Maugham
spellingShingle	Interpretación del concepto del amor en la novela "Teatro", de W. Somerset Maugham concepto artístico metáfora teatral imágenes de género expresión emocional filosofía de los sentimientos simbolismo de las relaciones discurso literario artistic concept theatrical metaphor gender images emotional expression ,philosophy of feelings symbolism of relationships literary discourse
title_short	Interpretación del concepto del amor en la novela "Teatro", de W. Somerset Maugham
title_full	Interpretación del concepto del amor en la novela "Teatro", de W. Somerset Maugham
title_fullStr	Interpretación del concepto del amor en la novela "Teatro", de W. Somerset Maugham
title_full_unstemmed	Interpretación del concepto del amor en la novela "Teatro", de W. Somerset Maugham
title_sort	Interpretación del concepto del amor en la novela "Teatro", de W. Somerset Maugham
dc.subject.none.fl_str_mv	concepto artístico metáfora teatral imágenes de género expresión emocional filosofía de los sentimientos simbolismo de las relaciones discurso literario artistic concept theatrical metaphor gender images emotional expression ,philosophy of feelings symbolism of relationships literary discourse
topic	concepto artístico metáfora teatral imágenes de género expresión emocional filosofía de los sentimientos simbolismo de las relaciones discurso literario artistic concept theatrical metaphor gender images emotional expression ,philosophy of feelings symbolism of relationships literary discourse
description	El objetivo de este estudio es identificar y analizar las interpretaciones del concepto de «amor» en la novela «Theatre» de Somerset Maugham a través del prisma del análisis literario, filosófico y lingüístico. El estudio se basa en la edición impresa de la novela de 1937 y en su versión electrónica de 2001, disponible en la plataforma Internet Archive. Se lleva a cabo un análisis detallado de más de 100 fragmentos de texto, en los que el concepto de amor se revela en diversas formas, incluyendo el amor romántico, las relaciones pragmáticas, el amor como manipulación y el afecto maternal. El análisis muestra que el autor transmite el concepto de amor a través del simbolismo teatral, reflejando la dualidad de los sentimientos humanos. El análisis de frecuencia demuestra que los lexemas clave asociados con el amor aparecen más de 200 veces en el texto, siendo «amor» el término más utilizado. El análisis léxico-semántico revela el predominio de expresiones de amor emocionalmente intensas, incluyendo epítetos intensos, construcciones sintácticas complejas y metáforas teatrales. El estudio realizado profundiza en la comprensión de los aspectos filosóficos y literarios de la obra y puede ser útil para investigar la evolución de las interpretaciones del amor en la literatura inglesa, analizar metáforas teatrales y comparar modelos nacionales de amor en diferentes culturas.
publishDate	2025
dc.date.none.fl_str_mv	2025-07-01T00:00:00Z 2025-07-01T00:00:00Z 2025-07-01 2026-05-23T07:00:30Z 2026-05-23T07:00:30Z
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dc.identifier.none.fl_str_mv	0124-6127 https://repositorio.ucaldas.edu.co/handle/ucaldas/27023 10.17151/difil.2025.26.47.3 2462-9596 https://doi.org/10.17151/difil.2025.26.47.3
identifier_str_mv	0124-6127 10.17151/difil.2025.26.47.3 2462-9596
url	https://repositorio.ucaldas.edu.co/handle/ucaldas/27023 https://doi.org/10.17151/difil.2025.26.47.3
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dc.relation.none.fl_str_mv	47 26 Discusiones Filosóficas Almeida, T., Fernando, J., Lomônaco, B. 2020. The concept of love: An exploratory study with a sample of young Brazilians. International Journal of Advanced Engineering Research and Science, 7(3), 239-259. https://doi.org/10.22161/ijaers.73.38 Chingching, C. 2024. Enjoyment of love-related dramas and the implications of perspective taking. Communication Research. https://doi.org/10.1177/00936502241261124 Dahms, H. 2020. Science-fiction films and “love”: Toward a critique of regressive social relations. Soundings: An Interdisciplinary Journal, 103(2), 121-157. https://doi.org/10.5325/soundings.103.2.0121 Dosser, M. 2021. POP! Goes my heart: The sound of specific and general love in romantic comedies and dramas. Music and the Moving Image, 14(3), 46-60. https://doi.org/10.5406/musimoviimag.14.3.0046 Dowd, J., Crabtree, A., Cannon, B. 2021. Movies, gender, and social change: The Hollywood romance film. Journal of Gender Studies, 32(2), 201-214. https://doi.org/10.1080/09589236.2021.1979479 Giuliano, E. 2023. Xiaolu Guo’s a lover’s discourse: Analysis of the Influence of Roland Barthes. Annals of Ca’ Foscari: Oriental Series, 59, 455-474. http://doi.org/10.30687/AnnOr/2385-3042/2023/01/017 Hommes, M. 2020. To love and not to smother; Aliens, love and reproduction in Denis Villeneuve’s “Arrival” (2016) and Christopher Nolan’s “Interstellar” (2014). Diffractions, 2, 24-46. https://doi.org/10.34632/diffractions.2020.8390 Huang, X. 2022. Beyond labourer’s love: Rethinking early Chinese film comedy. Journal of Chinese Film Studies, 2(2), 277-297. https://doi.org/10.1515/jcfs-2022-0024. Kristensen, J. 2023. Love theater: Intangible conflicts. Peripeti, 19(SI), 154-169. https://doi.org/10.7146/peri.v19iSI.137746 LaFlamme, M. 2022. A passion for love, and for theatre. Scene: Reviews of Early Modern Drama, 1, 1-7 https://doi.org/10.18357/sremd31201920638 Lect, A., M.Ali, R., Jabban, A. 2023. Love and war in the modern realistic theatre by Bernard Shaw: Arms and the man. Humanitarian and Natural Sciences Journal, 4(11), 124-129. https://doi.org/10.53796/hnsj41112 Mardiev, T. 2020. The interpretation of the concept of love related to of human’s emotions in English and Uzbek. American Journal of Social Science and Education Innovations, 2(11), 410-416. Maugham, W.S. 2001. Theatre. New York: Vintage International. https://archive.org/details/theatrenovel0000maug Maugham, W.S. 1937. Theatre. https://gutenberg.ca/ebooks/maughamws-theatre/maughamws-theatre-00-e.html McCall, D.K. 1979. Simone de Beauvoir, “The Second Sex”, and Jean-Paul Sartre. Signs, 5(2), 209-223. http://www.jstor.org/stable/3173557 McKee, E. 2022. Loving out loud. Journal of Film Music, 10(2), 49-68. https://doi.org/10.1558/jfm.24719 Ndanyi, S. 2023. Popular Ethiopian cinema: Love and other genres. African Studies Review, 66(2), 551-553. https://doi.org/10.1017/asr.2023.25 Peck, L. 2023. Emma Rice’s feminist acts of love. Cambridge: Cambridge University Press. https://doi.org/10.1017/9781009287234 Poulain, A. 2020. Blue balls of fire and the ethics of spectatorship: Verlaine, Yeats, Beckett. Angles: New Perspectives on the Anglophone World, 11. https://doi.org/10.4000/angles.2432 Roberts, B. 2023. Using Haraway’s split researcher in the context of theatre: A case study of subject/object in romantic love. Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 7(2), 22. https://doi.org/10.20897/femenc/13550 Roșca, M. 2024. Love among ruins. The subversive potential of love in the dystopian and post-apocalyptic fiction. Philologica Jassyensia, 1(39), 151-161. https://doi.org/10.60133/pj.2024.1.11 Saliot, A. 2020. Jean-Luc Godard and Maurice Pialat reading Musset: Dreams and remains of a romantic theatricality. French Screen Studies, 20, 6-22. https://doi.org/10.1080/14715880.2018.1558028 Sang, T. 2022. Lexical-semantic Field used in demonstration of romantic love in poetry of Nguyen Trong Tao. International Journal of Social Science and Human Research, 5(5), 1717-1732. https://doi.org/10.47191/ijsshr/v5-i5-21 Schneller, T., Motazedian, T. 2022. Tugging at heartstrings. Journal of Film Music, 10(2), 7-48. https://doi.org/10.1558/jfm.20810 Schoenberger, C. 2020. Staging sincerity in Renaissance Italy and Early Modern China; Or, why real lovers quarrel. Poetics Today, 41(2), 281-299. https://doi.org/10.1215/03335372-8172584 Schopenhauer, A. 1986. The metaphysics of sexual love. Baltimore: Foundation for Classical Reprints. Serttaş, A. 2020. Transformation of love in the digital age: The film her and reaching God through the love in the perspective of Sufism. CINEJ Cinema Journal, 8(2), 275-306. https://doi.org/10.5195/cinej.2020.264 Shevchenko-Hotsuliak, I., Casado-Gual, N. 2024. The ageing self through dramaturgies of memory loss and love: Tristan Bernays’ “Old Fools” and Nick Payne’s “Elegy”, New Theatre Quarterly, 40(1), 76-87. https://doi.org/10.1017/S0266464X23000362 Stümer, J. 2021. (Un)masking femininity: Desire and fantasy in Anna Biller’s “The Love Witch”. Feminist Media Studies, 22(5), 1211-1226. https://doi.org/10.1080/14680777.2021.1879195 Yang, R. 2023. Toward a regime of emotional authenticity: Eileen Chang’s literary transmediation of theater and cinema in two 1940s love stories. Modern Chinese Literature and Culture, 35(2). https://doi.org/10.3366/mclc.2023.0040 Zerovnik, M. 2021. How do you feel about love? Vampiric emancipation in the evening light of Elfriede Jelinek’s “Illness or Modern Women”. In: P. Ferstl (Ed.), Dialogues between Media (pp. 287-300). Berlin, Boston: De Gruyter. https://doi.org/10.1515/9783110642056-023 Núm. 47 , Año 2025 : Julio - Diciembre https://revistasojs.ucaldas.edu.co/index.php/discusionesfilosoficas/article/download/11913/8332
dc.rights.none.fl_str_mv	Discusiones Filosóficas - 2026 https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0. http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv	Discusiones Filosóficas - 2026 https://creativecommons.org/licenses/by/4.0 Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0. http://purl.org/coar/access_right/c_abf2
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dc.publisher.none.fl_str_mv	Universidad de Caldas
publisher.none.fl_str_mv	Universidad de Caldas
dc.source.none.fl_str_mv	https://revistasojs.ucaldas.edu.co/index.php/discusionesfilosoficas/article/view/11913
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spelling	Interpretación del concepto del amor en la novela "Teatro", de W. Somerset MaughamInterpretation of the concept of love in W. Somerset Maugham’s novel “Theatre”concepto artísticometáfora teatralimágenes de géneroexpresión emocionalfilosofía de los sentimientossimbolismo de las relacionesdiscurso literarioartistic concepttheatrical metaphorgender imagesemotional expression,philosophy of feelingssymbolism of relationshipsliterary discourseEl objetivo de este estudio es identificar y analizar las interpretaciones del concepto de «amor» en la novela «Theatre» de Somerset Maugham a través del prisma del análisis literario, filosófico y lingüístico. El estudio se basa en la edición impresa de la novela de 1937 y en su versión electrónica de 2001, disponible en la plataforma Internet Archive. Se lleva a cabo un análisis detallado de más de 100 fragmentos de texto, en los que el concepto de amor se revela en diversas formas, incluyendo el amor romántico, las relaciones pragmáticas, el amor como manipulación y el afecto maternal. El análisis muestra que el autor transmite el concepto de amor a través del simbolismo teatral, reflejando la dualidad de los sentimientos humanos. El análisis de frecuencia demuestra que los lexemas clave asociados con el amor aparecen más de 200 veces en el texto, siendo «amor» el término más utilizado. El análisis léxico-semántico revela el predominio de expresiones de amor emocionalmente intensas, incluyendo epítetos intensos, construcciones sintácticas complejas y metáforas teatrales. El estudio realizado profundiza en la comprensión de los aspectos filosóficos y literarios de la obra y puede ser útil para investigar la evolución de las interpretaciones del amor en la literatura inglesa, analizar metáforas teatrales y comparar modelos nacionales de amor en diferentes culturas.The purpose of this study is to identify and analyse the interpretations of the concept of “love” in Somerset Maugham’s novel “Theatre” through the prism of literary, philosophical, and linguistic analysis. The study is conducted on the basis of the printed edition of the novel from 1937 and its electronic version from 2001, presented on the Internet Archive platform. A detailed analysis of more than 100 text fragments is conducted, in which the concept of love is revealed in various forms, including romantic love, pragmatic relationships, love as manipulation and maternal affection. The analysis shows that the author conveys the concept of love through theatrical symbolism, reflecting the duality of human feelings. Frequency analysis demonstrates that the key lexemes associated with love occur more than 200 times in the text, with love being the most commonly used term. Lexico-semantic analysis reveals the dominance of emotionally intense expressions of love, including intense epithets, complex syntactic constructions, and theatrical metaphors. The conducted study deepens the understanding of the philosophical and literary aspects of the work and may be useful for researching the evolution of interpretations of love in English literature, analysing theatrical metaphors, and comparing national models of love in different cultures.Universidad de Caldas2025-07-01T00:00:00Z2026-05-23T07:00:30Z2025-07-01T00:00:00Z2026-05-23T07:00:30Z2025-07-01Artículo de revistahttp://purl.org/coar/resource_type/c_6501Textinfo:eu-repo/semantics/articleJournal articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_2df8fbb1application/pdf0124-6127https://repositorio.ucaldas.edu.co/handle/ucaldas/2702310.17151/difil.2025.26.47.32462-9596https://doi.org/10.17151/difil.2025.26.47.3https://revistasojs.ucaldas.edu.co/index.php/discusionesfilosoficas/article/view/11913spa4726Discusiones FilosóficasAlmeida, T., Fernando, J., Lomônaco, B. 2020. The concept of love: An exploratory study with a sample of young Brazilians. International Journal of Advanced Engineering Research and Science, 7(3), 239-259. https://doi.org/10.22161/ijaers.73.38Chingching, C. 2024. Enjoyment of love-related dramas and the implications of perspective taking. Communication Research. https://doi.org/10.1177/00936502241261124Dahms, H. 2020. Science-fiction films and “love”: Toward a critique of regressive social relations. Soundings: An Interdisciplinary Journal, 103(2), 121-157. https://doi.org/10.5325/soundings.103.2.0121Dosser, M. 2021. POP! Goes my heart: The sound of specific and general love in romantic comedies and dramas. Music and the Moving Image, 14(3), 46-60. https://doi.org/10.5406/musimoviimag.14.3.0046Dowd, J., Crabtree, A., Cannon, B. 2021. Movies, gender, and social change: The Hollywood romance film. Journal of Gender Studies, 32(2), 201-214. https://doi.org/10.1080/09589236.2021.1979479Giuliano, E. 2023. Xiaolu Guo’s a lover’s discourse: Analysis of the Influence of Roland Barthes. Annals of Ca’ Foscari: Oriental Series, 59, 455-474. http://doi.org/10.30687/AnnOr/2385-3042/2023/01/017Hommes, M. 2020. To love and not to smother; Aliens, love and reproduction in Denis Villeneuve’s “Arrival” (2016) and Christopher Nolan’s “Interstellar” (2014). Diffractions, 2, 24-46. https://doi.org/10.34632/diffractions.2020.8390Huang, X. 2022. Beyond labourer’s love: Rethinking early Chinese film comedy. Journal of Chinese Film Studies, 2(2), 277-297. https://doi.org/10.1515/jcfs-2022-0024.Kristensen, J. 2023. Love theater: Intangible conflicts. Peripeti, 19(SI), 154-169. https://doi.org/10.7146/peri.v19iSI.137746LaFlamme, M. 2022. A passion for love, and for theatre. Scene: Reviews of Early Modern Drama, 1, 1-7 https://doi.org/10.18357/sremd31201920638Lect, A., M.Ali, R., Jabban, A. 2023. Love and war in the modern realistic theatre by Bernard Shaw: Arms and the man. Humanitarian and Natural Sciences Journal, 4(11), 124-129. https://doi.org/10.53796/hnsj41112Mardiev, T. 2020. The interpretation of the concept of love related to of human’s emotions in English and Uzbek. American Journal of Social Science and Education Innovations, 2(11), 410-416.Maugham, W.S. 2001. Theatre. New York: Vintage International. https://archive.org/details/theatrenovel0000maugMaugham, W.S. 1937. Theatre. https://gutenberg.ca/ebooks/maughamws-theatre/maughamws-theatre-00-e.htmlMcCall, D.K. 1979. Simone de Beauvoir, “The Second Sex”, and Jean-Paul Sartre. Signs, 5(2), 209-223. http://www.jstor.org/stable/3173557McKee, E. 2022. Loving out loud. Journal of Film Music, 10(2), 49-68. https://doi.org/10.1558/jfm.24719Ndanyi, S. 2023. Popular Ethiopian cinema: Love and other genres. African Studies Review, 66(2), 551-553. https://doi.org/10.1017/asr.2023.25Peck, L. 2023. Emma Rice’s feminist acts of love. Cambridge: Cambridge University Press. https://doi.org/10.1017/9781009287234Poulain, A. 2020. Blue balls of fire and the ethics of spectatorship: Verlaine, Yeats, Beckett. Angles: New Perspectives on the Anglophone World, 11. https://doi.org/10.4000/angles.2432Roberts, B. 2023. Using Haraway’s split researcher in the context of theatre: A case study of subject/object in romantic love. Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 7(2), 22. https://doi.org/10.20897/femenc/13550Roșca, M. 2024. Love among ruins. The subversive potential of love in the dystopian and post-apocalyptic fiction. Philologica Jassyensia, 1(39), 151-161. https://doi.org/10.60133/pj.2024.1.11Saliot, A. 2020. Jean-Luc Godard and Maurice Pialat reading Musset: Dreams and remains of a romantic theatricality. French Screen Studies, 20, 6-22. https://doi.org/10.1080/14715880.2018.1558028Sang, T. 2022. Lexical-semantic Field used in demonstration of romantic love in poetry of Nguyen Trong Tao. International Journal of Social Science and Human Research, 5(5), 1717-1732. https://doi.org/10.47191/ijsshr/v5-i5-21Schneller, T., Motazedian, T. 2022. Tugging at heartstrings. Journal of Film Music, 10(2), 7-48. https://doi.org/10.1558/jfm.20810 Schoenberger, C. 2020. Staging sincerity in Renaissance Italy and Early Modern China; Or, why real lovers quarrel. Poetics Today, 41(2), 281-299. https://doi.org/10.1215/03335372-8172584Schopenhauer, A. 1986. The metaphysics of sexual love. Baltimore: Foundation for Classical Reprints.Serttaş, A. 2020. Transformation of love in the digital age: The film her and reaching God through the love in the perspective of Sufism. CINEJ Cinema Journal, 8(2), 275-306. https://doi.org/10.5195/cinej.2020.264Shevchenko-Hotsuliak, I., Casado-Gual, N. 2024. The ageing self through dramaturgies of memory loss and love: Tristan Bernays’ “Old Fools” and Nick Payne’s “Elegy”, New Theatre Quarterly, 40(1), 76-87. https://doi.org/10.1017/S0266464X23000362Stümer, J. 2021. (Un)masking femininity: Desire and fantasy in Anna Biller’s “The Love Witch”. Feminist Media Studies, 22(5), 1211-1226. https://doi.org/10.1080/14680777.2021.1879195Yang, R. 2023. Toward a regime of emotional authenticity: Eileen Chang’s literary transmediation of theater and cinema in two 1940s love stories. Modern Chinese Literature and Culture, 35(2). https://doi.org/10.3366/mclc.2023.0040Zerovnik, M. 2021. How do you feel about love? Vampiric emancipation in the evening light of Elfriede Jelinek’s “Illness or Modern Women”. In: P. Ferstl (Ed.), Dialogues between Media (pp. 287-300). Berlin, Boston: De Gruyter. https://doi.org/10.1515/9783110642056-023Núm. 47 , Año 2025 : Julio - Diciembrehttps://revistasojs.ucaldas.edu.co/index.php/discusionesfilosoficas/article/download/11913/8332Discusiones Filosóficas - 2026https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessEsta obra está bajo una licencia internacional Creative Commons Atribución 4.0.http://purl.org/coar/access_right/c_abf2Sadullaeva, AlfiyaXudaibergenov, AzamatIskenderova, ElizavetaXodjalepesova, IndiraTaspanova, Jigaguloai:repositorio.ucaldas.edu.co:ucaldas/270232026-05-23T07:00:30Z

Interpretación del concepto del amor en la novela &quot;Teatro&quot;, de W. Somerset Maugham

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Interpretación del concepto del amor en la novela "Teatro", de W. Somerset Maugham