The mobile aesthetics of cell phone made films: from the pixel to the everyday

El artículo se enfoca en el análisis de la estética que han adquirido&nbsp;las cámaras de los teléfonos celulares, los cuales dadas sus limitaciones de captura, sonido, tienden a configurar un nuevo lenguaje. Tras revisar la obra de algunos artistas dedicados&nbsp;a la creación de fi...

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Fecha de publicación:: 2015

Institución:: Universidad de Caldas

Repositorio:: Repositorio Institucional U. Caldas

Idioma:: eng

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network_acronym_str	REPOUCALDA
network_name_str	Repositorio Institucional U. Caldas
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dc.title.none.fl_str_mv	The mobile aesthetics of cell phone made films: from the pixel to the everyday The mobile aesthetics of cell phone made films: from the pixel to the
title	The mobile aesthetics of cell phone made films: from the pixel to the everyday
spellingShingle	The mobile aesthetics of cell phone made films: from the pixel to the everyday low images resolution cinema language cell phones Baja resolución cinema lenguaje teléfonos celulares
title_short	The mobile aesthetics of cell phone made films: from the pixel to the everyday
title_full	The mobile aesthetics of cell phone made films: from the pixel to the everyday
title_fullStr	The mobile aesthetics of cell phone made films: from the pixel to the everyday
title_full_unstemmed	The mobile aesthetics of cell phone made films: from the pixel to the everyday
title_sort	The mobile aesthetics of cell phone made films: from the pixel to the everyday
dc.subject.none.fl_str_mv	low images resolution cinema language cell phones Baja resolución cinema lenguaje teléfonos celulares
topic	low images resolution cinema language cell phones Baja resolución cinema lenguaje teléfonos celulares
description	El artículo se enfoca en el análisis de la estética que han adquirido&nbsp;las cámaras de los teléfonos celulares, los cuales dadas sus limitaciones de captura, sonido, tienden a configurar un nuevo lenguaje. Tras revisar la obra de algunos artistas dedicados&nbsp;a la creación de films basados en la pobre característica técnica de los videos hechos en celular, como Roger Odin y desde la perspectiva teórica de autores como Camille Baker, Alessandro Amaducci, toma forma un aporte a la vertiente de los medios electrónicos y digitales y específicamente a las teorías de la imagen en movimiento, cuya utilidad permitirá a los creadores y estudiantes de cine o video tomar elementos&nbsp;que les sirvan a sus prácticas de creación.
publishDate	2015
dc.date.none.fl_str_mv	2015-10-13 00:00:00 2015-10-13 00:00:00 2015-10-13
dc.type.none.fl_str_mv	Artículo de revista Sección Artículos Journal Article http://purl.org/coar/resource_type/c_6501 Text info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/version/c_970fb48d4fbd8a85
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dc.identifier.none.fl_str_mv	1794-7111 https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/463 2462-8115
identifier_str_mv	1794-7111 2462-8115
url	https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/463
dc.language.none.fl_str_mv	eng
language	eng
dc.relation.none.fl_str_mv	87 8 73 9 Kepes Filmography GPS yourself by Rémi Boulnois, France, 45 sec., 2008 (Tags: Rémi Boulnois, GPS, cell phone, mobile phone, multimedia). La Paura by Pippo Delbono, Italy, 69 min., 2009 (Tags: Pippo Delbono, mobilementary, personal medium, window on the world, realism). La Perle by Marguerite Lantz, France, 4 min., 2006 (Tags: Marguerite Lantz, pictorialism, cell phone, mobile phone, pixelated image). Max with a Keitai by Max Schleser, UK, 5 min., 2006 (Tags: Max Schleser, cell phone, mobile phone, mobile aesthetics, keitai, Japan). New Love Meetings by Marcello Mencarini and Barbara Seghezzi, Italy, 93 min.,2006 (Tags: Marcelo Mencarini, Barbara Seghezzi, cell phone, mobile phone, pixilated image, documentary). Nocturne pour le roi de Rome by Jean Charles Fitoussi, France, 80 min., 2005 (Tags:Charles Fitoussi, cell phone, mobile phone, diegesis of the pixel, feature film). Pisa Asciano by Raul Marroquin, NL, 4:13 min., 2007 (Tags: Raul Marroquin, video art, cell phone, mobile phone, pixelated image). SMS Sugar Man by Aryan Kaganof, SA, 81 min. 2005-2006 (Tags: Aryan Kaganof,cell phone, mobile phone, first feature film, pixelated image) Tourner en rond et se laisser consumer by Vincent Moon, France, 4 min., 2006 (Tags: Vincent Moon, cell phone, mobile phone, abstraction, short film). Triton by Benoît Labourdette, Fance, 62.02 min., 2007 (Tags: Benoît Labourdette, cell phone, mobile phone, abstraction, multiple frames, feature film). Why Didn’t anybody tell me it would get this bad in Afghanistan by Cyrus Frisch, 70 min, 2009 (Tags: Cyrus Frish, cell phone, mobile phone, feature film, pixelated image). Núm. 8 , Año 2012 : Enero - Diciembre 2012 https://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/463/388
dc.rights.none.fl_str_mv	Derechos de autor 2015 Revista Kepes https://creativecommons.org/licenses/by/4.0/ info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv	Derechos de autor 2015 Revista Kepes https://creativecommons.org/licenses/by/4.0/ http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv	openAccess
dc.format.none.fl_str_mv	application/pdf
dc.publisher.none.fl_str_mv	universidad de Caldas
publisher.none.fl_str_mv	universidad de Caldas
dc.source.none.fl_str_mv	https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/463
institution	Universidad de Caldas
repository.name.fl_str_mv
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spelling	The mobile aesthetics of cell phone made films: from the pixel to the everydayThe mobile aesthetics of cell phone made films: from the pixel to thelow images resolutioncinemalanguagecell phonesBaja resolucióncinemalenguajeteléfonos celularesEl artículo se enfoca en el análisis de la estética que han adquirido&nbsp;las cámaras de los teléfonos celulares, los cuales dadas sus limitaciones de captura, sonido, tienden a configurar un nuevo lenguaje. Tras revisar la obra de algunos artistas dedicados&nbsp;a la creación de films basados en la pobre característica técnica de los videos hechos en celular, como Roger Odin y desde la perspectiva teórica de autores como Camille Baker, Alessandro Amaducci, toma forma un aporte a la vertiente de los medios electrónicos y digitales y específicamente a las teorías de la imagen en movimiento, cuya utilidad permitirá a los creadores y estudiantes de cine o video tomar elementos&nbsp;que les sirvan a sus prácticas de creación.Abstract The artcle focuses in the analysis of the aesthetics cell pone cameras have acquired which given their capture and sound limitations tend to configure a new &nbsp;anguage. After revisiing the work of some artists dedicated to the creation of films based in the poor technical characteristic of videos taken with the cell phone, such as Roger Odin, and from the theoretical perspective of authors such as Camille Baker and Alessandro Amaducci a contribution to the electronic and digital media aspects takes&nbsp;form whose usefulness will allow the movies or video creators and students to take elements that can serve in their creation practices.universidad de Caldas2015-10-13 00:00:002015-10-13 00:00:002015-10-13Artículo de revistaSección ArtículosJournal Articlehttp://purl.org/coar/resource_type/c_6501Textinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_2df8fbb1application/pdf1794-7111https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/4632462-8115https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/463eng878739KepesFilmography GPS yourself by Rémi Boulnois, France, 45 sec., 2008 (Tags: Rémi Boulnois, GPS, cell phone, mobile phone, multimedia).La Paura by Pippo Delbono, Italy, 69 min., 2009 (Tags: Pippo Delbono, mobilementary, personal medium, window on the world, realism).La Perle by Marguerite Lantz, France, 4 min., 2006 (Tags: Marguerite Lantz, pictorialism, cell phone, mobile phone, pixelated image).Max with a Keitai by Max Schleser, UK, 5 min., 2006 (Tags: Max Schleser, cell phone, mobile phone, mobile aesthetics, keitai, Japan).New Love Meetings by Marcello Mencarini and Barbara Seghezzi, Italy, 93 min.,2006 (Tags: Marcelo Mencarini, Barbara Seghezzi, cell phone, mobile phone, pixilated image, documentary).Nocturne pour le roi de Rome by Jean Charles Fitoussi, France, 80 min., 2005 (Tags:Charles Fitoussi, cell phone, mobile phone, diegesis of the pixel, feature film).Pisa Asciano by Raul Marroquin, NL, 4:13 min., 2007 (Tags: Raul Marroquin, video art, cell phone, mobile phone, pixelated image).SMS Sugar Man by Aryan Kaganof, SA, 81 min. 2005-2006 (Tags: Aryan Kaganof,cell phone, mobile phone, first feature film, pixelated image) Tourner en rond et se laisser consumer by Vincent Moon, France, 4 min., 2006 (Tags: Vincent Moon, cell phone, mobile phone, abstraction, short film).Triton by Benoît Labourdette, Fance, 62.02 min., 2007 (Tags: Benoît Labourdette, cell phone, mobile phone, abstraction, multiple frames, feature film).Why Didn’t anybody tell me it would get this bad in Afghanistan by Cyrus Frisch, 70 min, 2009 (Tags: Cyrus Frish, cell phone, mobile phone, feature film, pixelated image).Núm. 8 , Año 2012 : Enero - Diciembre 2012https://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/463/388Derechos de autor 2015 Revista Kepeshttps://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Caridad Botellaoai:repositorio.ucaldas.edu.co:ucaldas/135012024-07-16T21:37:18Z

The mobile aesthetics of cell phone made films: from the pixel to the everyday

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