Architecture and Chiasmus. The resonance of landscape
Abstract Focusing on the presence of Nature, regardless of scale or dimension (a park, a small garden, or a tree), and regarding the individual inhabiting a house or a room, his dwelling, we intend to discuss how landscape implies in architecture the assumption of space as simultaneously ‘outside’ a...
- Autores:
- Tipo de recurso:
- Fecha de publicación:
- 2015
- Institución:
- Universidad de Caldas
- Repositorio:
- Repositorio Institucional U. Caldas
- Idioma:
- eng
- OAI Identifier:
- oai:repositorio.ucaldas.edu.co:ucaldas/13662
- Acceso en línea:
- https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/511
- Palabra clave:
- Architecture
Chiasmus
invisible – visible
landscape
Architecture
Chiasmus
invisible – visible
landscape.
- Rights
- openAccess
- License
- Derechos de autor 2015 Revista Kepes
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Architecture and Chiasmus. The resonance of landscape Architecture and Chiasmus. The resonance of landscape |
| title |
Architecture and Chiasmus. The resonance of landscape |
| spellingShingle |
Architecture and Chiasmus. The resonance of landscape Architecture Chiasmus invisible – visible landscape Architecture Chiasmus invisible – visible landscape. |
| title_short |
Architecture and Chiasmus. The resonance of landscape |
| title_full |
Architecture and Chiasmus. The resonance of landscape |
| title_fullStr |
Architecture and Chiasmus. The resonance of landscape |
| title_full_unstemmed |
Architecture and Chiasmus. The resonance of landscape |
| title_sort |
Architecture and Chiasmus. The resonance of landscape |
| dc.subject.none.fl_str_mv |
Architecture Chiasmus invisible – visible landscape Architecture Chiasmus invisible – visible landscape. |
| topic |
Architecture Chiasmus invisible – visible landscape Architecture Chiasmus invisible – visible landscape. |
| description |
Abstract Focusing on the presence of Nature, regardless of scale or dimension (a park, a small garden, or a tree), and regarding the individual inhabiting a house or a room, his dwelling, we intend to discuss how landscape implies in architecture the assumption of space as simultaneously ‘outside’ and ‘inside’. The theoretical framework we rely upon in this issue is Phenomenology, namely based on Merleau-Ponty‘s approach to perception (Phénoménologie de la Perception [The Phenomenology of Perception], L’Oeil et l’Esprit [Eye and Mind], Le Visible et l’Invisible [The Visible and the Invisible]), and the phenomenological understanding of architecture (through Steven Holl, Peter Zumthor, Juhani Pallasmaa, David Seamon). Within this scope, we debate to what extent Merleau-Ponty’s L’Entre-deux (In-Between), and subsequent ontology of the sensible, deals with landscape as a category towards the constitution of a subjective experience of space and time. The ‘outside’ is not the world exercising the ego possibilities, but the primordial experience involving the individual and the world. Iconic examples as the Fallingwater House (Frank Lloyd Wright), the Glass House (Lina Bo Bardi), and the Farnsworth House (Mies van der Rohe) are employed to interpret landscape’s contribution towards the understanding of a descriptive ontology of the visible-invisible, and to unfold the meaning of Chiasmus. |
| publishDate |
2015 |
| dc.date.none.fl_str_mv |
2015-10-14 00:00:00 2015-10-14 00:00:00 2015-10-14 |
| dc.type.none.fl_str_mv |
Artículo de revista Sección Artículos Journal Article http://purl.org/coar/resource_type/c_6501 Text info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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publishedVersion |
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1794-7111 https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/511 2462-8115 |
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1794-7111 2462-8115 |
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https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/511 |
| dc.language.none.fl_str_mv |
eng |
| language |
eng |
| dc.relation.none.fl_str_mv |
198 9 183 10 Kepes Benediktsson, K. & Lund, Katrín A. (Eds.). (2010). Conversations with Landscape,Surrey and Burlington. Ashgate Publishing. Bo B., Lina & Carvalho Feraz, M. Casa de Vidro/The Glass House. Unpaged. Caruso, A. (2008). The feeling of things. Barcelona: Ediciones Polígrafa. Deleuze, Giles & Parnet, Claire. (1996). Dialogues. Paris: Flammarion. Edensor, T. (2010). “Aurora landscapes: affective atmospheres of light and dark”. In: Karl Benediktsson and Katrín Anna Lund (Eds.). Conversations with Landscape.Farnham: Ashgate. Guedes, J. (1992). “Lembranças de Lina Bo Bardi”. In: Revista Caramelo, No. 4. São Paulo. Holl, S. et al. (2008). Questions of perception. Phenomenology of Architecture.San Francisco: William Stout San Francisco: William Stout Publishers. Merleau-Ponty, M. (1945). Phénoménologie de la Perception. Paris: Gallimard. ________. (1964). L’Oeil et l’Esprit. Paris: Gallimard. ________. (1988). Le Visible et l’Invisible. Paris:Gallimard. Pallasmaa, J. (2005). The eyes of the skin. Architecture and the senses. Chichester: John Wiley & Sons Ltd. Reed, C. (Ed.). (1996). Not at Home. The suppression of domesticity in modern Art and Architecture. London: Thames and Hudson. Von Fennig Wrobleski, D. (2009). “A little house in the country. The farnsworth house”. In: The Chicago Literary Club, February 23. Zumthor, P. (2010a). Atmospheres: architectural environments, surrounding objects. Basel: Birkhäuser. _______ (2010b). Thinking architecture. Basel: Birkhäuser. Núm. 9 , Año 10 : Enero - Diciembre 2013 https://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/511/436 |
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Derechos de autor 2015 Revista Kepes https://creativecommons.org/licenses/by/4.0/ info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 |
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Derechos de autor 2015 Revista Kepes https://creativecommons.org/licenses/by/4.0/ http://purl.org/coar/access_right/c_abf2 |
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openAccess |
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universidad de Caldas |
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universidad de Caldas |
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https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/511 |
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Universidad de Caldas |
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Architecture and Chiasmus. The resonance of landscapeArchitecture and Chiasmus. The resonance of landscapeArchitectureChiasmusinvisible – visiblelandscapeArchitectureChiasmusinvisible – visiblelandscape.Abstract Focusing on the presence of Nature, regardless of scale or dimension (a park, a small garden, or a tree), and regarding the individual inhabiting a house or a room, his dwelling, we intend to discuss how landscape implies in architecture the assumption of space as simultaneously ‘outside’ and ‘inside’. The theoretical framework we rely upon in this issue is Phenomenology, namely based on Merleau-Ponty‘s approach to perception (Phénoménologie de la Perception [The Phenomenology of Perception], L’Oeil et l’Esprit [Eye and Mind], Le Visible et l’Invisible [The Visible and the Invisible]), and the phenomenological understanding of architecture (through Steven Holl, Peter Zumthor, Juhani Pallasmaa, David Seamon). Within this scope, we debate to what extent Merleau-Ponty’s L’Entre-deux (In-Between), and subsequent ontology of the sensible, deals with landscape as a category towards the constitution of a subjective experience of space and time. The ‘outside’ is not the world exercising the ego possibilities, but the primordial experience involving the individual and the world. Iconic examples as the Fallingwater House (Frank Lloyd Wright), the Glass House (Lina Bo Bardi), and the Farnsworth House (Mies van der Rohe) are employed to interpret landscape’s contribution towards the understanding of a descriptive ontology of the visible-invisible, and to unfold the meaning of Chiasmus.Abstract Focusing on the presence of Nature, regardless of scale or dimension (a park, a small garden, or a tree), and regarding the individual inhabiting a house or a room, his dwelling, we intend to discuss how landscape implies in architecture the assumption of space as simultaneously ‘outside’ and ‘inside’. The theoretical framework we rely upon in this issue is Phenomenology, namely based on Merleau-Ponty‘s approach to perception (Phénoménologie de la Perception [The Phenomenology of Perception], L’Oeil et l’Esprit [Eye and Mind], Le Visible et l’Invisible [The Visible and the Invisible]), and the phenomenological understanding of architecture (through Steven Holl, Peter Zumthor, Juhani Pallasmaa, David Seamon). Within this scope, we debate to what extent Merleau-Ponty’s L’Entre-deux (In-Between), and subsequent ontology of the sensible, deals with landscape as a category towards the constitution of a subjective experience of space and time. The ‘outside’ is not the world exercising the ego possibilities, but the primordial experience involving the individual and the world. Iconic examples as the Fallingwater House (Frank Lloyd Wright), the Glass House (Lina Bo Bardi), and the Farnsworth House (Mies van der Rohe) are employed to interpret landscape’s contribution towards the understanding of a descriptive ontology of the visible-invisible, and to unfold the meaning of Chiasmus.universidad de Caldas2015-10-14 00:00:002015-10-14 00:00:002015-10-14Artículo de revistaSección ArtículosJournal Articlehttp://purl.org/coar/resource_type/c_6501Textinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_2df8fbb1application/pdf1794-7111https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/5112462-8115https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/511eng198918310KepesBenediktsson, K. & Lund, Katrín A. (Eds.). (2010). Conversations with Landscape,Surrey and Burlington. Ashgate Publishing.Bo B., Lina & Carvalho Feraz, M. Casa de Vidro/The Glass House. Unpaged.Caruso, A. (2008). The feeling of things. Barcelona: Ediciones Polígrafa.Deleuze, Giles & Parnet, Claire. (1996). Dialogues. Paris: Flammarion.Edensor, T. (2010). “Aurora landscapes: affective atmospheres of light and dark”. In: Karl Benediktsson and Katrín Anna Lund (Eds.). Conversations with Landscape.Farnham: Ashgate.Guedes, J. (1992). “Lembranças de Lina Bo Bardi”. In: Revista Caramelo, No. 4. São Paulo.Holl, S. et al. (2008). Questions of perception. Phenomenology of Architecture.San Francisco: William Stout San Francisco: William Stout Publishers.Merleau-Ponty, M. (1945). Phénoménologie de la Perception. Paris: Gallimard.________. (1964). L’Oeil et l’Esprit. Paris: Gallimard.________. (1988). Le Visible et l’Invisible. Paris:Gallimard.Pallasmaa, J. (2005). The eyes of the skin. Architecture and the senses. Chichester: John Wiley & Sons Ltd.Reed, C. (Ed.). (1996). Not at Home. The suppression of domesticity in modern Art and Architecture. London: Thames and Hudson.Von Fennig Wrobleski, D. (2009). “A little house in the country. The farnsworth house”. In: The Chicago Literary Club, February 23.Zumthor, P. (2010a). Atmospheres: architectural environments, surrounding objects. Basel: Birkhäuser._______ (2010b). Thinking architecture. Basel: Birkhäuser.Núm. 9 , Año 10 : Enero - Diciembre 2013https://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/511/436Derechos de autor 2015 Revista Kepeshttps://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Pombo, Fátima .oai:repositorio.ucaldas.edu.co:ucaldas/136622024-07-16T21:37:19Z |