Mis muertos
The pitiful wind of the night, living resentment, the murmurs that wake the dead. Juan Rulfo y Comala, the hot land of guilt and remorse. There is not a single reading about Pedro Paramo and The Flatlands in Flames, those outstanding master pieces of literature. His work goes beyond allegation and l...
- Autores:
-
Acosta, Juvenal
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2004
- Institución:
- Universidad Autónoma de Occidente
- Repositorio:
- RED: Repositorio Educativo Digital UAO
- Idioma:
- spa
- OAI Identifier:
- oai:red.uao.edu.co:10614/165
- Acceso en línea:
- http://hdl.handle.net/10614/165
- Palabra clave:
- Literatura
Juan Rulfo, 1918-1986
Literature
- Rights
- openAccess
- License
- Derechos Reservados - Universidad Autónoma de Occidente
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Mis muertos |
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Mis muertos Literatura Juan Rulfo, 1918-1986 Literature |
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Acosta, Juvenal |
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Acosta, Juvenal |
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Literatura Juan Rulfo, 1918-1986 Literature |
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Literatura Juan Rulfo, 1918-1986 Literature |
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The pitiful wind of the night, living resentment, the murmurs that wake the dead. Juan Rulfo y Comala, the hot land of guilt and remorse. There is not a single reading about Pedro Paramo and The Flatlands in Flames, those outstanding master pieces of literature. His work goes beyond allegation and language; it is nothing more than literature, it is blood and it is land. Rulfo confirmed the fact that writing is not a plot for people with a privilege and that it is necessary to write about that from we have evidence and conviction. It is necessary to read Rulfo’s work, to learn from him about economy of language, the syntactic severity, the fine irony, the blank space of speech and it is necessary to teach youth to understand about it. |
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El hombre y la máquina no. 22 (ene.-jun. 2004); p. 70-75 |
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Acosta, Juvenal1cbaa61a089daa0e810cf37eedbed148-1Universidad Autónoma de Occidente. Calle 25 115-85. Km 2 vía Cali-Jamundí2011-09-28T22:29:30Z2011-09-28T22:29:30Z2004-010121-0777http://hdl.handle.net/10614/165The pitiful wind of the night, living resentment, the murmurs that wake the dead. Juan Rulfo y Comala, the hot land of guilt and remorse. There is not a single reading about Pedro Paramo and The Flatlands in Flames, those outstanding master pieces of literature. His work goes beyond allegation and language; it is nothing more than literature, it is blood and it is land. Rulfo confirmed the fact that writing is not a plot for people with a privilege and that it is necessary to write about that from we have evidence and conviction. It is necessary to read Rulfo’s work, to learn from him about economy of language, the syntactic severity, the fine irony, the blank space of speech and it is necessary to teach youth to understand about it.El viento miserable de la noche, el rencor vivo, los murmullos que despiertan a los muertos. Juan Rulfo y Comala, la tierra caliente de la culpa y el remordimiento. No hay una sola lectura de Pedro Páramo y El llano en llamas, esas dos grandes obras de la literatura. Su obra va más allá de la denuncia y va más allá del lenguaje: no es nada más literatura, es sangre y es tierra. Rulfo confirmó que la escritura no es una parcela de los privilegiados y que hay que escribir sobre aquello de lo que se tieneevidencia y certeza. Hay que leer a Rulfo, aprender de él la economía del lenguaje, el rigor sintáctico, la ironía fina, el espacio blanco del discurso, y hay que enseñarles a nuestros jóvenes a entenderlo.application/pdfspaUniversidad Autónoma de OccidenteEl hombre y la máquina no. 22 (ene.-jun. 2004); p. 70-75Derechos Reservados - Universidad Autónoma de Occidentehttps://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccessAtribución-NoComercial 4.0 Internacional (CC BY-NC 4.0)http://purl.org/coar/access_right/c_abf2instname:Universidad Autónoma de Occidentereponame:Repositorio Institucional UAOLiteraturaJuan Rulfo, 1918-1986LiteratureMis muertosArtículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Textinfo:eu-repo/semantics/articlehttp://purl.org/redcol/resource_type/ARTREFinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a85PublicationTHUMBNAILT0003325.pdf.jpgT0003325.pdf.jpgGenerated Thumbnailimage/jpeg10264https://dspace7-uao.metacatalogo.com/bitstreams/7b32701a-6c90-4f54-b297-1be37f77ff09/download784d97f865f4891f32f92202a4db23f9MD54ORIGINALT0003325.pdfapplication/pdf560623https://dspace7-uao.metacatalogo.com/bitstreams/2f96212d-9647-481f-90d8-4ec836d3be3c/download04357319ec2687b6450ab4a05a31f8a1MD51LICENSElicense.txttext/plain1849https://dspace7-uao.metacatalogo.com/bitstreams/22a34527-1690-42e1-a5a1-e4f3939af849/downloadfbce333e8b1d19e89fbc336e5d003542MD52TEXTT0003325.pdf.txtT0003325.pdf.txtExtracted texttext/plain11316https://dspace7-uao.metacatalogo.com/bitstreams/41cb3b90-d647-4bca-a448-8945125ba734/download3e4a4e809d9351a70559e5ab99d890ebMD5310614/165oai:dspace7-uao.metacatalogo.com:10614/1652024-01-19 15:53:46.829https://creativecommons.org/licenses/by-nc/4.0/Derechos Reservados - Universidad Autónoma de Occidenteopen.accesshttps://dspace7-uao.metacatalogo.comRepositorio UAOrepositorio@uao.edu.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 |