Mis muertos

The pitiful wind of the night, living resentment, the murmurs that wake the dead. Juan Rulfo y Comala, the hot land of guilt and remorse. There is not a single reading about Pedro Paramo and The Flatlands in Flames, those outstanding master pieces of literature. His work goes beyond allegation and l...

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Autores:
Acosta, Juvenal
Tipo de recurso:
Article of journal
Fecha de publicación:
2004
Institución:
Universidad Autónoma de Occidente
Repositorio:
RED: Repositorio Educativo Digital UAO
Idioma:
spa
OAI Identifier:
oai:red.uao.edu.co:10614/165
Acceso en línea:
http://hdl.handle.net/10614/165
Palabra clave:
Literatura
Juan Rulfo, 1918-1986
Literature
Rights
openAccess
License
Derechos Reservados - Universidad Autónoma de Occidente
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dc.title.spa.fl_str_mv Mis muertos
title Mis muertos
spellingShingle Mis muertos
Literatura
Juan Rulfo, 1918-1986
Literature
title_short Mis muertos
title_full Mis muertos
title_fullStr Mis muertos
title_full_unstemmed Mis muertos
title_sort Mis muertos
dc.creator.fl_str_mv Acosta, Juvenal
dc.contributor.author.spa.fl_str_mv Acosta, Juvenal
dc.subject.spa.fl_str_mv Literatura
Juan Rulfo, 1918-1986
Literature
topic Literatura
Juan Rulfo, 1918-1986
Literature
description The pitiful wind of the night, living resentment, the murmurs that wake the dead. Juan Rulfo y Comala, the hot land of guilt and remorse. There is not a single reading about Pedro Paramo and The Flatlands in Flames, those outstanding master pieces of literature. His work goes beyond allegation and language; it is nothing more than literature, it is blood and it is land. Rulfo confirmed the fact that writing is not a plot for people with a privilege and that it is necessary to write about that from we have evidence and conviction. It is necessary to read Rulfo’s work, to learn from him about economy of language, the syntactic severity, the fine irony, the blank space of speech and it is necessary to teach youth to understand about it.
publishDate 2004
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dc.date.accessioned.spa.fl_str_mv 2011-09-28T22:29:30Z
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dc.relation.ispartofseries.spa.fl_str_mv El hombre y la máquina no. 22 (ene.-jun. 2004); p. 70-75
dc.rights.spa.fl_str_mv Derechos Reservados - Universidad Autónoma de Occidente
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spelling Acosta, Juvenal1cbaa61a089daa0e810cf37eedbed148-1Universidad Autónoma de Occidente. Calle 25 115-85. Km 2 vía Cali-Jamundí2011-09-28T22:29:30Z2011-09-28T22:29:30Z2004-010121-0777http://hdl.handle.net/10614/165The pitiful wind of the night, living resentment, the murmurs that wake the dead. Juan Rulfo y Comala, the hot land of guilt and remorse. There is not a single reading about Pedro Paramo and The Flatlands in Flames, those outstanding master pieces of literature. His work goes beyond allegation and language; it is nothing more than literature, it is blood and it is land. Rulfo confirmed the fact that writing is not a plot for people with a privilege and that it is necessary to write about that from we have evidence and conviction. It is necessary to read Rulfo’s work, to learn from him about economy of language, the syntactic severity, the fine irony, the blank space of speech and it is necessary to teach youth to understand about it.El viento miserable de la noche, el rencor vivo, los murmullos que despiertan a los muertos. Juan Rulfo y Comala, la tierra caliente de la culpa y el remordimiento. No hay una sola lectura de Pedro Páramo y El llano en llamas, esas dos grandes obras de la literatura. Su obra va más allá de la denuncia y va más allá del lenguaje: no es nada más literatura, es sangre y es tierra. Rulfo confirmó que la escritura no es una parcela de los privilegiados y que hay que escribir sobre aquello de lo que se tieneevidencia y certeza. Hay que leer a Rulfo, aprender de él la economía del lenguaje, el rigor sintáctico, la ironía fina, el espacio blanco del discurso, y hay que enseñarles a nuestros jóvenes a entenderlo.application/pdfspaUniversidad Autónoma de OccidenteEl hombre y la máquina no. 22 (ene.-jun. 2004); p. 70-75Derechos Reservados - Universidad Autónoma de Occidentehttps://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccessAtribución-NoComercial 4.0 Internacional (CC BY-NC 4.0)http://purl.org/coar/access_right/c_abf2instname:Universidad Autónoma de Occidentereponame:Repositorio Institucional UAOLiteraturaJuan Rulfo, 1918-1986LiteratureMis muertosArtículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Textinfo:eu-repo/semantics/articlehttp://purl.org/redcol/resource_type/ARTREFinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a85PublicationTHUMBNAILT0003325.pdf.jpgT0003325.pdf.jpgGenerated Thumbnailimage/jpeg10264https://dspace7-uao.metacatalogo.com/bitstreams/7b32701a-6c90-4f54-b297-1be37f77ff09/download784d97f865f4891f32f92202a4db23f9MD54ORIGINALT0003325.pdfapplication/pdf560623https://dspace7-uao.metacatalogo.com/bitstreams/2f96212d-9647-481f-90d8-4ec836d3be3c/download04357319ec2687b6450ab4a05a31f8a1MD51LICENSElicense.txttext/plain1849https://dspace7-uao.metacatalogo.com/bitstreams/22a34527-1690-42e1-a5a1-e4f3939af849/downloadfbce333e8b1d19e89fbc336e5d003542MD52TEXTT0003325.pdf.txtT0003325.pdf.txtExtracted texttext/plain11316https://dspace7-uao.metacatalogo.com/bitstreams/41cb3b90-d647-4bca-a448-8945125ba734/download3e4a4e809d9351a70559e5ab99d890ebMD5310614/165oai:dspace7-uao.metacatalogo.com:10614/1652024-01-19 15:53:46.829https://creativecommons.org/licenses/by-nc/4.0/Derechos Reservados - Universidad Autónoma de Occidenteopen.accesshttps://dspace7-uao.metacatalogo.comRepositorio UAOrepositorio@uao.edu.coTGljZW5zZSBncmFudGVkIGJ5IEplc3VzIERhdmlkIENhcmRvbmEgUXVpcm96IChqZGNhcmRvbmFAdWFvLmVkdS5jbykgb24gMjAwOS0wNi0xMlQxOToxNToyNFogKEdNVCk6CgpOT1RFOiBQTEFDRSBZT1VSIE9XTiBMSUNFTlNFIEhFUkUKVGhpcyBzYW1wbGUgbGljZW5zZSBpcyBwcm92aWRlZCBmb3IgaW5mb3JtYXRpb25hbCBwdXJwb3NlcyBvbmx5LgoKTk9OLUVYQ0xVU0lWRSBESVNUUklCVVRJT04gTElDRU5TRQoKQnkgc2lnbmluZyBhbmQgc3VibWl0dGluZyB0aGlzIGxpY2Vuc2UsIHlvdSAodGhlIGF1dGhvcihzKSBvciBjb3B5cmlnaHQKb3duZXIpIGdyYW50cyB0byBEU3BhY2UgVW5pdmVyc2l0eSAoRFNVKSB0aGUgbm9uLWV4Y2x1c2l2ZSByaWdodCB0byByZXByb2R1Y2UsCnRyYW5zbGF0ZSAoYXMgZGVmaW5lZCBiZWxvdyksIGFuZC9vciBkaXN0cmlidXRlIHlvdXIgc3VibWlzc2lvbiAoaW5jbHVkaW5nCnRoZSBhYnN0cmFjdCkgd29ybGR3aWRlIGluIHByaW50IGFuZCBlbGVjdHJvbmljIGZvcm1hdCBhbmQgaW4gYW55IG1lZGl1bSwKaW5jbHVkaW5nIGJ1dCBub3QgbGltaXRlZCB0byBhdWRpbyBvciB2aWRlby4KCllvdSBhZ3JlZSB0aGF0IERTVSBtYXksIHdpdGhvdXQgY2hhbmdpbmcgdGhlIGNvbnRlbnQsIHRyYW5zbGF0ZSB0aGUKc3VibWlzc2lvbiB0byBhbnkgbWVkaXVtIG9yIGZvcm1hdCBmb3IgdGhlIHB1cnBvc2Ugb2YgcHJlc2VydmF0aW9uLgoKWW91IGFsc28gYWdyZWUgdGhhdCBEU1UgbWF5IGtlZXAgbW9yZSB0aGFuIG9uZSBjb3B5IG9mIHRoaXMgc3VibWlzc2lvbiBmb3IKcHVycG9zZXMgb2Ygc2VjdXJpdHksIGJhY2stdXAgYW5kIHByZXNlcnZhdGlvbi4KCllvdSByZXByZXNlbnQgdGhhdCB0aGUgc3VibWlzc2lvbiBpcyB5b3VyIG9yaWdpbmFsIHdvcmssIGFuZCB0aGF0IHlvdSBoYXZlCnRoZSByaWdodCB0byBncmFudCB0aGUgcmlnaHRzIGNvbnRhaW5lZCBpbiB0aGlzIGxpY2Vuc2UuIFlvdSBhbHNvIHJlcHJlc2VudAp0aGF0IHlvdXIgc3VibWlzc2lvbiBkb2VzIG5vdCwgdG8gdGhlIGJlc3Qgb2YgeW91ciBrbm93bGVkZ2UsIGluZnJpbmdlIHVwb24KYW55b25lJ3MgY29weXJpZ2h0LgoKSWYgdGhlIHN1Ym1pc3Npb24gY29udGFpbnMgbWF0ZXJpYWwgZm9yIHdoaWNoIHlvdSBkbyBub3QgaG9sZCBjb3B5cmlnaHQsCnlvdSByZXByZXNlbnQgdGhhdCB5b3UgaGF2ZSBvYnRhaW5lZCB0aGUgdW5yZXN0cmljdGVkIHBlcm1pc3Npb24gb2YgdGhlCmNvcHlyaWdodCBvd25lciB0byBncmFudCBEU1UgdGhlIHJpZ2h0cyByZXF1aXJlZCBieSB0aGlzIGxpY2Vuc2UsIGFuZCB0aGF0CnN1Y2ggdGhpcmQtcGFydHkgb3duZWQgbWF0ZXJpYWwgaXMgY2xlYXJseSBpZGVudGlmaWVkIGFuZCBhY2tub3dsZWRnZWQKd2l0aGluIHRoZSB0ZXh0IG9yIGNvbnRlbnQgb2YgdGhlIHN1Ym1pc3Npb24uCgpJRiBUSEUgU1VCTUlTU0lPTiBJUyBCQVNFRCBVUE9OIFdPUksgVEhBVCBIQVMgQkVFTiBTUE9OU09SRUQgT1IgU1VQUE9SVEVECkJZIEFOIEFHRU5DWSBPUiBPUkdBTklaQVRJT04gT1RIRVIgVEhBTiBEU1UsIFlPVSBSRVBSRVNFTlQgVEhBVCBZT1UgSEFWRQpGVUxGSUxMRUQgQU5ZIFJJR0hUIE9GIFJFVklFVyBPUiBPVEhFUiBPQkxJR0FUSU9OUyBSRVFVSVJFRCBCWSBTVUNICkNPTlRSQUNUIE9SIEFHUkVFTUVOVC4KCkRTVSB3aWxsIGNsZWFybHkgaWRlbnRpZnkgeW91ciBuYW1lKHMpIGFzIHRoZSBhdXRob3Iocykgb3Igb3duZXIocykgb2YgdGhlCnN1Ym1pc3Npb24sIGFuZCB3aWxsIG5vdCBtYWtlIGFueSBhbHRlcmF0aW9uLCBvdGhlciB0aGFuIGFzIGFsbG93ZWQgYnkgdGhpcwpsaWNlbnNlLCB0byB5b3VyIHN1Ym1pc3Npb24uCg==