El ánima como impulso vital del ensoñador de palabras

Finding Bachelard and his Poetics of Reviere is enlightening for every language scholar as a form of expression, for the qualities of his intellectual inspiration and the subtle blast of poetic sensations aroused infiby his pen. The innovating exhibition of his concepts; the recreation of a theory so vital for the history of literary criticism in words of illusion and with texts perfectly quoted creating a set of fantasy, has constituted vital elements in which the literary world collects sensibility, where creator and reader develop a common game of opening the world, create illusions and from there, find each other magically. For the current document, Carl G. Jung’s text on the archetypes and the collective unconscious was visited, proposing a dialog of concepts and illusions between this text and Gaston Bachelard’s poetic illusion. The protagonist of this analysis, made through the language of illusion, it is the anima and its vitalizing character for the illusionist; an anima that allows us to see it from the poetry of Octavio Paz, Rosario Castellanos and in Julio Cortazar’s Rayuela (hopscotch). Through the development of the text we will understand the task of the illusionist of words and the difference between the dream and the illusion in the art of poetry. On the other hand, we will go in depth in the concepts of archetype and the diverse in which ways an anima is shown, according to Bachelard and Jung.

• Autores: Vejarano Soto, Elizabeth
• Tipo de recurso: Article of journal
• Fecha de publicación: 2006
• Institución: Universidad Autónoma de Occidente
• Repositorio: RED: Repositorio Educativo Digital UAO
• Idioma: spa
• OAI Identifier: oai:red.uao.edu.co:10614/74
• Acceso en línea: http://hdl.handle.net/10614/74
• Palabra clave: Poesía; Sueños; Alma; Poetry; Soul; Dreams
• Rights: openAccess
• License: Derechos Reservados - Universidad Autónoma de Occidente