Elementos de análisis musical macroformal. Un acercamiento a las relaciones entre movimientos del op. 25 de A. Ginastera
The objective of this study was to identify relationships of musical unity through the application of macro-formal analysis 3 in op. 25 by A. Ginastera. To do this, seven factors of musical analysis were classified and applied, which helped to identify significant relationships of musical unity betw...
- Autores:
-
Manco, Juan David
- Tipo de recurso:
- Fecha de publicación:
- 2015
- Institución:
- Universidad EAFIT
- Repositorio:
- Repositorio EAFIT
- Idioma:
- spa
- OAI Identifier:
- oai:repository.eafit.edu.co:10784/15273
- Acceso en línea:
- http://hdl.handle.net/10784/15273
- Palabra clave:
- Musical Theory
Musical Analysis
Macro-Form
Large Dimensions
Unit Relations
Musical Unit
Cyclic
Symmetry
Musical Parts
Op. 25 Of Ginastera
Teoría Musical
Análisis Musical
Macroforma
Grandes Dimensiones
Relaciones De Unidad
Unidad Musical
Cíclico
Simetría
Partes Musicales
Op. 25 De Ginastera
- Rights
- License
- Copyright (c) 2015 Juan David Manco
| Summary: | The objective of this study was to identify relationships of musical unity through the application of macro-formal analysis 3 in op. 25 by A. Ginastera. To do this, seven factors of musical analysis were classified and applied, which helped to identify significant relationships of musical unity between the parts or movements of the work. The project arose from the need to contribute to the apparent bibliographical shortage of macro analysis methodologies, in order to enable an analytical approach to the relationships that may occur between the movements of a specific work. It is expected with this work to provide a complementary look at the already traditional micro and meso dimensions of the practice of musical analysis. |
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